{"title":"Philip Butterworth","description":null,"products":[{"product_id":"staging-playing-pyrotechnics-and-magic-conventions-of-performance-in-early-engli-book-philip-butterworth-9781032050362","title":"Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre","description":"In this selection of research articles Butterworth focuses on investigation of the practical and technical means by which early English theatre, from the fifteenth to the early seventeenth century, was performed. Matters of staging for both 'pageant vehicle' and 'theatre-in-the-round' are described and analysed to consider their impact on playing by players, expositors, narrators and prompters. All these operators also functioned to promote the closely aligned disciplines of pyrotechnics and magic (legerdemain or sleight of hand) which also influence the nature of the presented theatre.   The sixteen chapters form four clearly identified parts—staging, playing, pyrotechnics and magic—and drawing on a wealth of primary source material, Butterworth encourages the reader to rediscover and reappreciate the actors, magicians, wainwrights and wheelwrights, pyrotechnists, and (in modern terms) the special effects people and event managers who brought these early texts to theatrical life on busy city streets and across open arenas.   The chapters variously explore and analyse the important backwaters of material culture that enabled, facilitated and shaped performance yet have received scant scholarly attention. It is here, among the itemised payments to carpenters and chemists, the noted requirements of mechanics and wheelwrights, or tucked away among the marginalia of suppliers of staging and ingenious devices that Butterworth has made his stamping ground. This is a fascinating introduction to the very ‘nuts and bolts’ of early theatre.   Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre is a closely argued celebration of stagecraft that will appeal to academics and students of performance, theatre history and medieval studies as well as history and literature more broadly. It constitutes the eighth volume in the Routledge series Shifting Paradigms in Early English Drama Studies and continues the valuable work of that series (of which Butterworth is a general editor) in bringing significant and expert research articles to a wider audience. (CS 1105).","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50698119545105,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50698121773329,"sku":"NGR9781032050362","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52126265901329,"sku":"NLS9781032050362","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032050365.jpg?v=1750887606"},{"product_id":"functions-of-medieval-english-stage-directions-book-philip-butterworth-9781032146621","title":"Functions of Medieval English Stage Directions","description":"When we speak of theatre, we think we know what a stage direction is: we tend to think of it as an authorial requirement, devised to be complementary to the spoken text and directed at those who put on a play as to what, when, where, how or why a moment, action or its staging should be completed. This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. There are examples of other functions, but even they are not directed at players or those involved in creating performance.   More than 2000 stage directions from 40 or so plays and cycles have been included in the catalogue of the volume, and over 400 of those have been selected for analysis throughout the work.  The purpose of this research is to examine the theatrical functions of medieval English stage directions as records of earlier performance. Examples of such functions are largely taken from outdoor scriptural plays. This book will be of great interest to students and scholars in theatre, medieval history and literature.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50698281451793,"sku":"NGR9781032146621","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51236558569745,"sku":"NIN9781032146621","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52454095716625,"sku":"NLS9781032146621","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032146621.jpg?v=1750708623"},{"product_id":"staging-playing-pyrotechnics-and-magic-conventions-of-performance-in-early-engli-book-philip-butterworth-9781032050379","title":"Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre","description":"In this selection of research articles Butterworth focuses on investigation of the practical and technical means by which early English theatre, from the fifteenth to the early seventeenth century, was performed. Matters of staging for both 'pageant vehicle' and 'theatre-in-the-round' are described and analysed to consider their impact on playing by players, expositors, narrators and prompters. All these operators also functioned to promote the closely aligned disciplines of pyrotechnics and magic (legerdemain or sleight of hand) which also influence the nature of the presented theatre.   The sixteen chapters form four clearly identified parts—staging, playing, pyrotechnics and magic—and drawing on a wealth of primary source material, Butterworth encourages the reader to rediscover and reappreciate the actors, magicians, wainwrights and wheelwrights, pyrotechnists, and (in modern terms) the special effects people and event managers who brought these early texts to theatrical life on busy city streets and across open arenas.   The chapters variously explore and analyse the important backwaters of material culture that enabled, facilitated and shaped performance yet have received scant scholarly attention. It is here, among the itemised payments to carpenters and chemists, the noted requirements of mechanics and wheelwrights, or tucked away among the marginalia of suppliers of staging and ingenious devices that Butterworth has made his stamping ground. This is a fascinating introduction to the very ‘nuts and bolts’ of early theatre.   Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre is a closely argued celebration of stagecraft that will appeal to academics and students of performance, theatre history and medieval studies as well as history and literature more broadly. It constitutes the eighth volume in the Routledge series Shifting Paradigms in Early English Drama Studies and continues the valuable work of that series (of which Butterworth is a general editor) in bringing significant and expert research articles to a wider audience. (CS 1105).","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51017476276497,"sku":"NIN9781032050379","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52587609882897,"sku":"NLS9781032050379","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032050373.jpg?v=1751301615"},{"product_id":"magic-on-the-early-english-stage-book-philip-butterworth-9780521153065","title":"Magic on the Early English Stage","description":"Magic on the Early English Stage investigates the performance of magical tricks, illusions, effects and their staged appearance in the medieval and early English theatre. Performers who created such magic were not known as conjurors, as we might refer to them today, but as jugglers. Records concerning jugglers on the medieval stage have been hitherto misunderstood or misapplied. These references to jugglers are re-examined in the light of discussions of 'feats of activity' that also include tumbling, vaulting and 'dancing on the rope'; appearances and disappearances of the 'Now you see it, now you don't' variety; and stage versions of these concepts; magic through sound in terms of ventriloquy and sound through pipes; mechanical images and puppets; and stage tricks. Information that has remained dormant since original publication is discussed in relation to jugglers such as Thomas Brandon, the King's Juggler, and William Vincent, alias 'Hocus Pocus'.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51233661354257,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51233661714705,"sku":"NIN9780521153065","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52091715584273,"sku":"GOR014486080","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52120506335505,"sku":"NLS9780521153065","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0521153069.jpg?v=1750782837"},{"product_id":"functions-of-medieval-english-stage-directions-book-philip-butterworth-9781032146638","title":"Functions of Medieval English Stage Directions","description":"When we speak of theatre, we think we know what a stage direction is: we tend to think of it as an authorial requirement, devised to be complementary to the spoken text and directed at those who put on a play as to what, when, where, how or why a moment, action or its staging should be completed. This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. There are examples of other functions, but even they are not directed at players or those involved in creating performance.   More than 2000 stage directions from 40 or so plays and cycles have been included in the catalogue of the volume, and over 400 of those have been selected for analysis throughout the work.  The purpose of this research is to examine the theatrical functions of medieval English stage directions as records of earlier performance. Examples of such functions are largely taken from outdoor scriptural plays. This book will be of great interest to students and scholars in theatre, medieval history and literature.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51236550213905,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51236552835345,"sku":"NIN9781032146638","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52454099157265,"sku":"NLS9781032146638","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/103214663X.jpg?v=1750950958"},{"product_id":"theatre-of-fire-book-philip-butterworth-9780854300624","title":"Theatre of Fire","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51769904496913,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51769904857361,"sku":"GOR014396021","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51773489742097,"sku":"GOR007443476","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780854300624.jpg?v=1751495762"},{"product_id":"theatre-of-fire-book-philip-butterworth-9781350565432","title":"Theatre of Fire","description":"This revised edition investigates first-hand evidence of the use of special effects in fire and flame in medieval and Tudor theatre.   Evidence concerning the use of special effects in fire and flame in medieval and tudor theatre points to some hazardous, exciting and spectacular theatrical activity. The effects range from the simple use of candles to impressive ‘set-pieces’ for dramatic firework events. Although the term ‘special effect’ is not a medieval one, it is a useful modern term to draw together activity through the production of flame and fire in addition to that produced by the actions of players.   Examining the production of pyrotechnic devices and approaches to their construction, provision and creative use, this book considers five major forms of evidence: guild, civic and ecclesiastical records, firework writers’ recipes, eye-witness accounts, recipes in Books of Secrets and explicit stage directions in plays. This edition reidentifies one of the five forms of evidence, the ‘explicit stage direction’ in use before 1560, as the ‘record of performance’, and reassesses it in this new light.   This revised edition makes use of related research that has been produced since 1998, when the first edition was published by The Society for Theatre Research, and includes further discussion of the extent to which interpretative weight may be put on to the evidence produced by financial accounts and other civic documents. It also includes wider reflection on the authority of some post-1560 stage directions, improved discussion on the evidence concerning performances of travelling players in taverns, and consideration of subsequent work on special effects.  The work concludes with an extensive set of appendices drawing together primary materials - some published here for the first time - including eye witness accounts and extracts from manuals and recipe books. A substantial expanded Glossary and numerous illustrations completes this uniquely illuminating resource.  Features a new foreword by Peter Meredith (Emeritus Professor of Medieval Drama, University of Leeds, UK)","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":52101129339153,"sku":"NGR9781350565432","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53360356098321,"sku":"NLS9781350565432","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350565432.jpg?v=1759833973"},{"product_id":"magic-on-the-early-english-stage-book-philip-butterworth-9780521825139","title":"Magic on the Early English Stage","description":"Magic on the Early English Stage investigates the performance of magical tricks, illusions, effects and their staged appearance in the medieval and early English theatre. Performers who created such magic were not known as conjurors, as we might refer to them today, but as jugglers. 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Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52336916857105,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52336917709073,"sku":"NLS9781108464758","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781108464758.jpg?v=1758164934"},{"product_id":"medieval-theatre-performance-book-philip-butterworth-9781843844761","title":"Medieval Theatre Performance","description":"Investigations into the \"realities\" of staging dramatic performances, of a variety of kinds, in the middle ages.  We know little about the nature of medieval performance and have generally been content to think of it in relation to more modern productions, not least because of the sparsity of existing evidence. Consequently, whilst much research has been undertaken into its contexts, there has been relatively little scholarly investigation into the conditions of perfomance itself. This book seeks to address this omission. It looks at such questions as the nature of performance in theatre\/dance\/puppetry\/automata; the performed qualities of such events; the conventions of performed work; what took place in the act of performing; and the relationships between performers and witnesses, andwhat conditioned them.     PHILIP BUTTERWORTH Is Visiting Research Fellow in the Institute for Medieval Studies at the University of Leeds, where he was formerly Reader in Medieval Theatre and Dean for Research; KATIE NORMINGTON is Senior Vice Principal (Academic) at Royal Holloway, University of London, where she is also Professor of Drama.     Contributors: Kathryn Emily Dickason, Leanne Groeneveld, Max Harris, David Klausner, Femke Kramer,  Jennifer Nevile, Nerida Newbigin, Tom Pettitt, Bart Ramakers, Claire Sponsler.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52474313703697,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52474315211025,"sku":"NLS9781843844761","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781843844761.jpg?v=1759841079"}],"url":"https:\/\/www.worldofbooks.com\/en-gb\/collections\/author-books-by-philip-butterworth.oembed","provider":"World of Books ","version":"1.0","type":"link"}