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It is different from the other volumes in the series in that, after attempts by many writers, Carl Laemmle Jr. was not satisfied with any of the treatments until James Whale got R.C. Sheriff to write the final shooting script. As you will see even Whale himself wrote a treatment. Many projects were announced for Boris Karloff, now Universal's top monster film star; they ranged from the supernatural Cagliostro, the classic monster film The Wolf Man to the science fiction projects A Trip to Mars and The Invisible Man. This volume is more of a portfolio in the development of Universal's The Invisible Man. It is different from the other volumes in the series in that, after attempts by many writers, Carl Laemmle Jr. was not satisfied with any of the treatments until James Whale got R.C. Sheriff to write the final shooting script. As you will see even Whale himself wrote a treatment. 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In addition, when Dracula was finally produced, more in the fashion of the popular 1927 play than the Bram Stoker novel, as was intended by Laemmle for Chaney - A silent version of the Lugosi Dracula was prepared for theaters who had not yet converted to sound. We have also included a complete Title list from this version. Also included in this volume is a translated version of F.W. Murnau's shooting script for the first screen version of Dracula - filmed in Germany in 1922 and called NOSFERATU, a symphony of horror. 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But by 1944 Bela Lugosi was in his 60s and would have had to play part of his role as a giant bat much like in the Copolla Bram Stoker's Dracula in the 90s - and that would have been too much for him. And they couldn't have the Wolfman fighting an animated bat much like John Carradine's depiction of the Count or even Lugosi's portrayal in Abbott and Costello Meet Frankenstein. So they decided to make one of their Arabian Nights film on the Technicolor contract and all that remained of Wolfman vs Dracula are some color 8x10s of Chaney in both parts. 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Schayer suggested that Florey would stand a better chance at being asigned writer and director if he were to present the idea to Carl Laemmle Jr. We present now the script forFrankenstein as it would have been had Bela Lugosi starred; and Rober Florey directed.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51038298833169,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51038302044433,"sku":"NIN9781593934798","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52434553274641,"sku":"NLS9781593934798","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1593934793.jpg?v=1751245093"},{"product_id":"revenge-of-frankenstein-book-philip-j-riley-9781593933753","title":"The Revenge of Frankenstein","description":"First U.S. Printing . . . and as the Baron Frankenstein has been adjudged responsible for the actions of the monster which he created . . . you are charged to carry out sentence of death by beheading. .  So read the instructions on the warrant- but Frankenstein did not die  This is the gruesome, horrific story of Frankenstein's revenge which took the form of an operation to remove the brain from one man, and transplant it in another. Karl, the unfortunate victim of the Baron's machinations, comes to a tragic end, tormented by his new-found freedom and, finally, destroyed by it. Karl, the unfortunate victim of Baron Frankenstein's experiments, is tormented by his new-found freedom. But his tortured brain cannot grasp the fact that he is merely the tool of the Baron and his assistant. And finally, Frankenstein's gruesome work destroys the brain he has transplanted. . . A Hammer Film Production, Ltd. horror-drama The Revenge of Frankenstein was distributed by Columbia Pictures. 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Carl Laemmle announced to his exhibitor's, in 1924, that Chaney would sign to do one more pictures before he started his contract with the newly formed Metro-Goldwyn company. To capitalize on the Hunchback's huge success he wanted to combine the names Victor Hugo and Lon Chaney and proudly stated that the project was Victor Hugo's The Man Who Laughs. Meanwhile at Universal City, treatments and scripts were being prepared and contracts between Chaney and Universal were being drawn up by Universal's lawyers Loeb and Loeb. All was going smoothly until Laemmle returned to California and found out that no one had secured the rights to The Man Who Laughs. The production came to a dead stop. Chaney suggested The Phantom of the Opera and Laemmle happily agreed, since he could still use the standing sets from the Hunchback and having met with Gaston Leroux, the author of the Phantom he was familiar with the story. It wasn't until 1928 that The Man Who Laughs rights were secured and production started but with a complete new cast and crew. The role previously meant for Chaney was taken over by Conrad Veidt and Mary Philbin, who was scheduled to play the part in the Chaney version, resumed her starring role as Dea, the blind girl in love with Gwynplaine, who as a child had his face disfigured into a permanent grin by a sadistic band of gypsies. Gwynplaine grows up and is a great success as a carnival attraction. Unknown to everyone, Gywnplaine is actually the son of a Peer of England, whose father had to go into exile to escape the wrath of the King of England. 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