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The book is a step-by-step manual for building a scratch waterline model of the Ca Class destroyer HMS Caesar, the sistership of Cavalier now on display in drydock at Chatham Historical Dockyard. These emergency built ships were launched between 1943 and 1945 and Caesar herself was to see action in 1944 on the Russian convoys and then in defence of the Western Approaches. The model presented in the book is built to the scale of 16ft to the inch and is designed to be displayed as a waterline model in a diorama. Every aspect is covered from the construction of a bread and butter hull through to the the details of camouflage, bridge, funnel, mast, the 4.5in, Hazemeyer and Oerlikon guns, boats, davits, depth charge gear, torpedo tubes, searchlights, vents and lockers,and the sea itself. Ship s plans and a picture gallery at the end of the book devoted to a whole array of the author s WWII model warships complete the book. 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This book is not just for golfers, but for all readers who savor heartwarming stories of unexpected friendships and are eager to learn secrets of living life to the fullest.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49768430928145,"sku":"CIN0786713666G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50262723985681,"sku":"CIN0786713666VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0786713666.jpg?v=1751011152"},{"product_id":"ponga-boy-book-philip-reed-9780615201849","title":"Ponga Boy","description":"Presents the story of a young Mexican boy's journey from small town fisherman to college soccer megastar.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49799564558609,"sku":"CIN0615201849VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":51735222845713,"sku":"CIN0615201849A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0615201849.jpg?v=1750847072"},{"product_id":"letters-from-a-life-the-selected-letters-of-benjamin-britten-1913-1976-book-philip-reed-9781843833826","title":"Letters from a Life: the Selected Letters of Benjamin Britten, 1913-1976","description":"The fourth volume of this acclaimed edition of Britten's letters covers the composition of three key works and the world trip that was to radically inform the composer's style thereafter.  One of the most illuminating biographical projects in recent years. PETER ACKROYD   The fourth volume of the annotated selected letters of Benjamin Britten covers the years 1952-57, during which he wrote three major worksfor the stage - the Coronation opera Gloriana, the chamber opera The Turn of the Screw, and the full-length ballet The Prince of the Pagodas - as well as important vocal works such as Canticles II and III andthe Hardy song-cycle Winter Words.  Correspondents include librettists William Plomer (Gloriana) and Myfanwy Piper (The Turn of the Screw), and friends and collaborators such as Edith Sitwell, E. M. Forster, Basil Coleman, Imogen Holst, Francis Poulenc, Lennox Berkeley, the Earl of Harewood and Britten's partner and principal interpreter, Peter Pears.  The volume charts Britten's growing stature as a major figure of the Europeanmusical establishment as composer, conductor and pianist, and his continuing involvement with the Aldeburgh Festival, the English Opera Group, and Covent Garden. Central to the period is the world trip undertaken by Britten and Pears and the first-hand encounter with the music and cultures of Bali and Japan that were radically to inform Britten's compositional techniques from Pagodas onwards. The comprehensive and scholarly annotations vividly evoke a key period in twentieth-century musical and cultural history, and offer a wide range of detailed information fascinating for both the Britten specialist and the general reader. 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Initially, he plans to write the book as a spectator, but Bill encourages him to overcome his fears, learn to count cards, and get a piece of the action for himself. The two men form a friendship and begin traveling and playing blackjack together, often with Father Andy, who kicks in money so they can play out of a $30,000 bankroll.  Phil, who has adult ADD, and flunked math in high school, adopts the challenge of card counting as a way to banish the old ghosts of his poor self-image and build new synapses in his aging brain. With Bill as his tough mentor, Phil struggles to learn the game and secretly track the cards. As Phil's play improves, Bill teaches him to disguise his wins and avoid scrutiny from casino security and the Orwellian “eye-in-the-sky” security cameras.  Philip Reed punctuates My Piece of the Action with short, funny, informational sections on various gambling-related subjects. These sections step outside the main story and add depth by investigating different card counting systems, the danger of gambling addiction, interviews with memory experts, and secrets of dealers, pit bosses, and casino surveillance specialists. 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It covers a variety of topics in systems, communication and defense; strategy and political-administrative vision in defense; and engineering and technologies applied to defense. 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His step-by-step construction of a miniature 1\/192 scale model of HMS Royal George of 1715 demonstrates all the conventions of Navy Board framing and planking. With the aid of nearly four hundred photographs, he takes the reader through every building stage. He covers methods of hull and deck framing, internal and external planking, and the construction of the complex stern. Reed also shows how to render the multitude of decorative carvings on the figurehead, stern, and broadside. A section showing, amongst others, his model of Siren, explains how the techniques used to frame Royal George can be adapted for ships of a later date, using single and double frames closer to full-size practice. This is the first book in many years to cover the well-known and sought-after early eighteenth-century Navy Board models. 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Britten invited Elizabeth Sweeting (1914-1999) to be the General Manager of the Aldeburgh Festival after observing her organisational skills for the English Opera Group. She worked closely with Britten and Peter Pears, administering all aspects of the first eight Aldeburgh Festivals - from booking artists to tearing ticket stubs - beginning with the inaugural festival in 1948.  She was to become one of the most significant facilitators in the performing arts in the post-war era, and a pioneering figure in the new profession of arts administrator. Her tenure as Manager of the Oxford Playhouse in the 1960s and 1970s was followed by five years as Director of the Arts Council of South Australia. Her inspirational guide, Theatre Administration (1969), was a vital handbook for those following her.  Sweeting's honest and lively memoir of her Aldeburgh years, written in the mid-1980s and here published complete for the first time, offers an insider's account of what those early festivals were like - charting both their highs and their lows. Also included is most of the extant correspondence between Sweeting and Britten and Pears. Beginning in 1948, it extends from her time working at Aldeburgh through to her Oxford years and her period in Australia.  The editors provide a contextualising introduction and detailed annotations throughout.  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