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Nothing matches seeing a painting in the flesh, but this comes mightily close.' The Herald    ----------   Vermeer's intensely quiet and enigmatic paintings invite the viewer into a private world, often prompting more questions than answers. Who is being portrayed? Are his subjects real or imagined? And how did he create such an unrivalled sense of intimacy?    Bringing together diverse strands of the Dutch master's professional and private worlds, this is the first major authoritative study of Vermeer's life and work for many years, throwing light on all thirty-seven of his paintings.     The book was designed by Irma Boom, the ‘Queen of Books’, and printed on an uncoated ‘Munken Print White’ paper, specially commissioned to ensure the veracity of colours. Irma Boom says: ‘the matte paper brings you closer to Vermeer; there is no gloss or glare in between, just like with the real works.’ With a wide selection of contextual illustrations, commentaries and up-to-date research by distinguished international Vermeer scholars, this is the definitive volume on the most admired of all seventeenth-century Dutch masters.    With contributions by  Bart Cornelis, National Gallery, London  Bente Frissen, Rijksmuseum, Amsterdam  Sabine Pénot, Kunsthistorisches Museum, Vienna  Pieter Roelofs, Rijksmuseum, Amsterdam  Friederike Schuett, Staedel Museum, Frankfurt am Main  Christian Tico Seifert, National Galleries of Scotland, Edinburgh  Ariane van Suchtelen, Mauritshuis, The Hague  Gregor J.M. Weber, Rijksmuseum, Amsterdam  Marjorie E. 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Scenes of skating, sleigh rides, and outdoor games on frozen canals and waterways bring to life the energetic pastimes and day-to-day bustle of the Golden Age. He made the \"ice scene\" a genre in its own right. Within these winter scenes there is also a social narrative: unencumbered by status, all classes formed one community on the ice, where they went about their daily business and celebrated the delights of the winter conditions. For the first time in many years this virtuoso artist receives the attention he deserves. The authors explore every aspect of Avercamp's work, from the weather conditions prevalent at the time to details of the clothes worn by the figures in his crowded scenes. 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