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Vorlage f r die Oper Carmen von Georges Bizet. Hier in der  bersetzung von Arthur Schurig, M nchen, Buchenau und Reichert Verlag, 1924. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Robert Henri, Seviliana, 1912. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52136276066577,"sku":"NLS9783847832164","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783847832164.jpg?v=1757553577"},{"product_id":"carmen-grossdruck-book-prosper-mrime-9783847832171","title":"Carmen (Grossdruck)","description":"Prosper M rim e: Carmen Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2019 Durchgesehener Neusatz bearbeitet und eingerichtet von Theodor Borken Erstdruck: 1847. Vorlage f r die Oper Carmen von Georges Bizet. 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Ubersetzt von Richard Schaukal (1874-1942), Munchen und Leipzig, Georg Muller, 1908. Die Partie Tricktrack: La Partie de trictrac. Erstdruck: 1830. Ubersetzt von Oskar Schultz-Gora (1860-1942), Leipzig. Deutsche Verlagsactiengesellschaft. 1906. Eine Vision Karl XI.: Vision de Charles XI. Erstdruck: 1829. Ubersetzt von Adolf Laun (1807-1881), Bibliographisches Institut, 1872. Djuman: Djoumane. Erstdruck: 1870. Ubersetzt von Paul Hansmann. Lokis: Lokis. Erstdruck: 1869. Ubersetzt von Paul Hansmann. Inhaltsverzeichnis Mateo Falcone Die Einnahme der Schanze Tamango Die Partie Tricktrack Eine Vision Karl XI. Djuman Lokis Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2017. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Ilya Repin, Kopf eines Bauern, um 1870. 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Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Konstantin Flavitsky, Prinzessin Tarakanova, 1864. Gesetzt aus der Minion Pro, 11 pt.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52428366807313,"sku":"NLS9783743701625","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783743701625.jpg?v=1759163919"},{"product_id":"mateo-falcone-book-prosper-mrime-9783743703179","title":"Mateo Falcone","description":"Prosper Merimee: Mateo Falcone und andere Meisternovellen Mateo Falcone: Mateo Falcone. Erstdruck: 1829. Ubersetzt von Richard Schaukal (1874-1942), Munchen und Leipzig, Georg Muller, 1908. Die Einnahme der Schanze: L'Enlevement de la redoute. Erstdruck: 1829. Ubersetzt von Richard Schaukal (1874-1942), Munchen und Leipzig, Georg Muller, 1908. Tamango: Tamango. Erstdruck: 1829. Ubersetzt von Richard Schaukal (1874-1942), Munchen und Leipzig, Georg Muller, 1908. Die Partie Tricktrack: La Partie de trictrac. Erstdruck: 1830. Ubersetzt von Oskar Schultz-Gora (1860-1942), Leipzig. Deutsche Verlagsactiengesellschaft. 1906. Eine Vision Karl XI.: Vision de Charles XI. Erstdruck: 1829. Ubersetzt von Adolf Laun (1807-1881), Bibliographisches Institut, 1872. Djuman: Djoumane. Erstdruck: 1870. Ubersetzt von Paul Hansmann. Lokis: Lokis. Erstdruck: 1869. Ubersetzt von Paul Hansmann. Inhaltsverzeichnis Mateo Falcone Die Einnahme der Schanze Tamango Die Partie Tricktrack Eine Vision Karl XI. Djuman Lokis Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2017. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Ilya Repin, Kopf eines Bauern, um 1870. 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Gesetzt aus der Minion Pro, 11 pt.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52428847710481,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52428848398609,"sku":"NLS9783743701649","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783743701649.jpg?v=1759165360"},{"product_id":"doppelte-irrtum-arsene-guillot-book-prosper-mrime-9783743701618","title":"Der doppelte Irrtum \/ Arsène Guillot","description":"Prosper Merimee: Der doppelte Irrtum \/ Arsene Guillot. Zwei Pariser Novellen Der doppelte Irrtum: La Double Meprise. Erstdruck: 1833. Ubersetzt von Paul Hansmann unter dem Titel Zwiefacher Irrtum. Arsene Guillot: Arsene Guillot. Erstdruck: 1844. Ubersetzt von Paul Hansmann. Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2017. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Konstantin Flavitsky, Prinzessin Tarakanova, 1864. Gesetzt aus der Minion Pro, 11 pt.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52428943327505,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52428944277777,"sku":"NLS9783743701618","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783743701618.jpg?v=1759165617"},{"product_id":"colomba-book-prosper-mrime-9782382748244","title":"Colomba","description":"Prosper M rim e (1803-1870) was a French dramatist, historian, archaeologist, and short story writer. He is perhaps best known for his novella Carmen, which became the basis of Bizet's opera Carmen. He studied law as well as Greek, Spanish, English, and Russian. He was the first interpreter of much Russian literature in France. M rim e met and befriended the Countess of Montijo in Spain in 1830 whom he credited as being his source for the Carmen story. Together with the countess, he coached her daughter, Eugenie, during the courtship with Napoleon III (though his correspondence indicates he was opposed to their marriage). When the daughter became the Empress Eug nie of France in 1853 he was made a senator. 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Le protagoniste, dont l'identit  reste volontairement floue, se retrouve confront    une s rie d' v nements  tranges qui se d roulent dans une chambre aux murs d'un bleu profond. Ce lieu,   la fois fascinant et inqui tant, devient le th  tre de rencontres inattendues et de r v lations troublantes. M rim e, ma tre du suspense et de la narration concise, parvient   captiver son lecteur gr ce   un style pr cis et  vocateur. Chaque d tail, chaque dialogue est soigneusement choisi pour renforcer le myst re qui entoure la chambre bleue.   travers cette nouvelle, l'auteur explore des th mes universels tels que la peur de l'inconnu, la fragilit  des certitudes et la complexit  des relations humaines. Le lecteur est invit    s'interroger sur la nature de la r alit  et sur les fronti res entre le r ve et l' veil. La Chambre bleue est un exemple parfait de l'art de M rim e, qui sait manier l'ambigu t  et l'incertitude pour cr er une oeuvre   la fois intrigante et profond ment humaine. L'AUTEUR: Prosper M rim e, n  le 28 septembre 1803   Paris, est une figure embl matique de la litt rature fran aise du XIXe si cle. Fils d'un professeur de dessin, il grandit dans un environnement intellectuel qui nourrit sa curiosit  pour les arts et les lettres. Dipl m  en droit, M rim e choisit n anmoins de se consacrer   l' criture, d veloppant un style qui allie pr cision narrative et exploration psychologique. Il se fait conna tre par ses nouvelles, dont Carmen est sans doute la plus c l bre, immortalis e par l'op ra de Bizet. M rim e est aussi un passionn  d'histoire et d'arch ologie, ce qui transpara t dans ses  crits empreints de r alisme et de d tails historiques. 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In addition to this classic tale, the includes Colomba, Mateo Falcone, The Storming of the Redoubt, Tamango, The Etruscan Vase, The Game of Backgammon, The Venus of Ille and Lokis. \u003cp\u003e\u003c\/p\u003e\u003cstrong\u003eAbout the Series: \u003c\/strong\u003eFor over 100 years \u003cstrong\u003eOxford World's Classics \u003c\/strong\u003ehas made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.\u003cbr\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52475999224081,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52476000698641,"sku":"NLS9783861998365","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783861998365.jpg?v=1759843380"},{"product_id":"colomba-book-prosper-mrime-9783743715219","title":"Colomba","description":"Prosper M rim e (1803-1870) was a French dramatist, historian, archaeologist, and short story writer. He is perhaps best known for his novella Carmen, which became the basis of Bizet's opera Carmen. 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Together with the countess, he coached her daughter, Eugenie, during the courtship with Napoleon III (though his correspondence indicates he was opposed to their marriage). When the daughter became the Empress Eug nie of France in 1853 he was made a senator. 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Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.\u003cbr\u003e\u003cbr\u003ePour plus d'informations, rendez-vous sur www.hachettebnf.fr\u003cbr\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52759633592593,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52759634313489,"sku":"NIN9782012591325","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9782012591325.jpg?v=1763584433"},{"product_id":"notes-d-un-voyage-en-corse-ed-1840-book-prosper-mrime-9782012591349","title":"Notes d'Un Voyage En Corse (Éd.1840)","description":"« Monsieur le Ministre, \u003cbr\u003eDans le rapport que j'ai l'honneur de vous soumettre, je me propose de d crire, en les classant par  poque, les diff rents monuments que j'ai examin s pendant un s jour de deux mois en Corse. Toutefois, le manque presque absolu de renseignements historiques, l' tat de ruine, et dans certains cas, la nature m me des  difices ne permettant pas une classification tr s-d taill e, j'ai d  me borner   poser quelques grandes divisions fond es sur les caract res artistiques, ou sur les rares documents que fournit l'histoire.\u003cbr\u003eJe m'occuperai d'abord des monuments qu'on a lieu de croire ant rieurs   l' tablissement d finitif des Romains dans la Corse, soit qu'ils appartiennent aux naturels de l' le, soit qu'ils aient  t   lev s par des  trangers en relation avec eux. Je passerai ensuite   ceux qu'on attribue aux Romains, et le catalogue en sera fort court. Il en est quelques-uns dont les caract res incertains me donneront lieu d'examiner s'ils n'ont pas en r alit  une origine moins ancienne. Enfin je terminerai cette notice en d crivant sommairement les  difices du Moyen  ge, beaucoup plus nombreux, et en essayant de signaler leurs formes distinctives.\u003cbr\u003eAvant tout, il convient, je crois, de jeter un coup d'oeil rapide sur l'histoire de la Corse, car les r volutions politiques d'un pays y exercent toujours une grande influence sur le d veloppement des arts, et l'on voit souvent le caract re de ses monuments d pendre des relations qu'il a eues avec d'autres contr es.\u003cbr\u003eUne profonde obscurit  couvre les premiers  ges de la Corse. Sans remonter aux traditions mythiques sur le roi Cyrnus, fils d'Hercule, et sur la berg re ligurienne Corsa, des t moignages nombreux prouvent que l' le fut connue et fr quent e dans des temps tr s recul s par les navigateurs de plusieurs nations de la M diterran e.\u003cbr\u003eVers l'ann e 562 avant J.-C., des Grecs, partis de Phoc e en Asie, s'y arr t rent, avant de fonder Selia en Calabre: mais au bout de vingt ans ils abandonn rent l' le, attaqu s par des  trusques qui se ligu rent avec les Carthaginois de la Sardaigne, pour les expulser. On attribue   ces  trusques la fondation de Nic e sur la c te orientale de la Corse.\u003cbr\u003eAu rapport de Diodore de Sicile, les  trusques  taient ma tres de la Corse lorsque les Syracusains ruin rent leur marine, environ 450 ans, avant notre  re. -- S n que cite des immigrations de Ligures et d'Ib res. -- Pausanias appelle Libyens, au moins une partie des habitants de l' le. -- Quoique dans les trait s entre Rome et Carthage, il ne soit point fait mention expresse de la Corse, il est probable que les Carthaginois y eurent des comptoirs, si m me ils n'y domin rent point comme en Sardaigne.  \u003cbr\u003e\u003cbr\u003eNotes d'un voyage en Corse \/ par M. 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