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Early modern England experienced unprecedented environmental challenges including climate change, population growth, resource shortfalls, and habitat destruction which anticipate today's globally magnified crises. Shakespeare wove these events into the poetic textures and embodied action of his drama, contributing to the formation of a public ecological consciousness, while opening creative pathways for re-imagining future human relationships with the natural world and non-human life. This book begins with an overview of ecological modernity across Shakespeare's work before focusing on three major environmental controversies in particular plays: deforestation in The Merry Wives of Windsor and The Tempest; profit-driven agriculture in As You Like It; and gunpowder warfare and remedial cultivation in Henry IV Parts One and Two, Henry V, and Macbeth. A fourth chapter examines the interdependency of local and global eco-relations in Cymbeline, and the final chapter explores Darwinian micro-ecologies in Hamlet and Antony and Cleopatra. An epilogue suggests that Shakespeare's greatest potential for mobilizing modern ecological ideas and practices lies in contemporary performance. 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Their common thread is Pauline-allusive characters who resist political, social, and\/or physical subjection and aspire -- with mixed degrees of failure and success -- to emancipated lives of fulfilled being and belonging. Historically contextualized case-studies of Henry VI Part Three and Richard III, Twelfth Night, The Comedy of Errors, Pericles, The Winter's Tale, The Tempest, and King John explore desires for freedom on authorial and theatrical as well as thematic levels. They seek out new critical directions by bringing post-typological and postsecular 'Pauline Shakespeare' into conversation with contemporary theories of disability, gender, race, and ecocriticism. A further original feature of the book is intertextual attention to parallel critical approaches to St Paul by several early modern women writers. 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