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The book begins with an analysis of words and how they can be used to create music on the page. Goodman uncovers the strength of words, writing about the shades of meaning that make the search for the exact word both arduous and immensely rewarding. He discusses how to find the proper title and how to find a fitting subject. He show how to create nonfiction work that is vivid and memorable through the use of the same techniques fiction writers employ.\u003c\/p\u003e\u003cp\u003eGoodman's volume is written with humor and clarity--with fascination and reverence. Writers will find it an indispensable source of creative inspiration and instruction. In Goodman's words, reading is a tour of a writer's efforts at manipulating language to create art, to create flesh and blood and mountains, cities, homes, and gardens out of inky symbols on the page. 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He met them first as a hired worker, and then as a farmer of his own small plot of land. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eFrench Dirt\u003c\/i\u003e is a love story between a man and his garden. It's about plowing, planting, watering, and tending. It's about cabbage, tomatoes, parsley, and eggplant. 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