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Among his contributions to nineteenth-century classical scholarship was the discovery of a rule relating to the position of words in Greek trimeters which is still known as Porson's law. His scholarly style, which focused on metre and language rather than interpretation, set the standard for classical textual criticism at Cambridge for several decades. One of Porson's legacies was the design of a Greek typeface based on his handwriting, commissioned from Richard Austin by Cambridge University Press. 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It contains the Greek text of Euripides' four most popular plays: Hecuba, Orestes, The Phoenician Women and Medea, which had previously been published as individual titles. Each play is preceded by a list of manuscript witnesses and accompanied by a running Latin commentary, containing detailed text-critical, exegetical and philological notes. The volume is introduced by a Latin preface and supplement which expound Porson's theories on the metrical rules followed by Attic poets. Porson explains how he used these theories as a tool to make judgements between variant readings. These critical texts on the tragedies have been widely used by students of classical Greek tragedy and a number of English translations have been based on his reconstructed text. 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