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Complete with maps and glossary, this is an accessible and definitive guide to the arts of a vastly accomplished civilization.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49530387759377,"sku":"GOR002896845","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":49626832077073,"sku":"GOR005439763","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49642162553105,"sku":"GOR002625941","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":49709374406929,"sku":"CIN0500203059G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ LIKE_NEW \/ SBYB","offer_id":50113967587601,"sku":"CIN0500203059LN","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50325465628945,"sku":"CIN0500203059VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50818223178001,"sku":"GOR009034236","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":51415910547729,"sku":"CIN0500203059A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0500203059.jpg?v=1750942636"},{"product_id":"islamic-art-and-architecture-book-robert-hillenbrand-9780500204559","title":"Islamic Art and Architecture","description":"A bold, readable and beautifully illustrated introduction to an entire civilization, from 7th-century Arabia via medieval Spain and Central Asia to modern Iran.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49563590426897,"sku":"GOR013679206","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49663806177553,"sku":"GOR011989059","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49737643852049,"sku":"NGR9780500204559","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49949560406289,"sku":"CIN0500204551VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52103976648977,"sku":"CIN0500204551G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53031728546065,"sku":"NIN9780500204559","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0500204551.jpg?v=1762337326"},{"product_id":"making-of-islamic-art-book-robert-hillenbrand-9781474434294","title":"The Making of Islamic Art","description":"Explores how Islamic art and architecture were made: their materials and their social, political, economic and religious context In their own words, Jonathan Bloom and Sheila Blair espouse 'things and thinginess rather than theories and isations'. This book's practical, down-to-earth dimension, expressed in plain, simple English, runs counter to the current fashion for theoretical explanations and their accompanying jargon. Its many insights, firmly anchored in artistic practice in architecture, painting and the decorative arts, are supported by ample technical know-how. This bottom-up approach differs radically and refreshingly from that of much top-down contemporary scholarship. It privileges the maker rather than the patron. The range is wide - mosques becoming temples; how religious buildings reflect politics; Yemeni frescoes and inscriptions; domestic Syrian 18th-century ornament; Egyptian bookbinding techniques; recycling and repair in Damascene crafts; conservation versus restoration; narrative on ceramics; metalwork with architectural motifs; lost buildings reconstructed; how objects speak;Muslim burials in China; the role of migrating potters; Mughal painting; stone carpet weights; the use of metals in Islamic manuscripts, calligraphy and modern artists' books. Key Features - Explores previously neglected practice-based approaches to Islamic art - Looks at Islamic art from the craftsman's rather than the patron's viewpoint - Covers not just the Islamic heartlands but extends to India and China, underlining the global presence of Islamic art - Presents material and sources which are usually overlooked in discussions of Islamic art - Revises conventional wisdom in fields as disparate as book painting and ceramics - Illuminates the interface of modern politics and Islamic art Robert Hillenbrand is Professor Emeritus of Islamic Art the University of Edinburgh and Professorial Fellow in the School of Art History at the University of St Andrews.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49726247436561,"sku":"GOR013772132","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50304528056593,"sku":"GOR013920054","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":52750032011537,"sku":"NIN9781474434294","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1474434290.jpg?v=1768562753"},{"product_id":"islamic-architecture-book-robert-hillenbrand-9780748613793","title":"Islamic Architecture","description":"A comprehensive and authoritative survey of Islamic Architecture from the world's leading expert.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49731421307153,"sku":"NGR9780748613793","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50832445767953,"sku":"GOR003624751","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":52511062819089,"sku":"CIN074861379XG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/074861379X.jpg?v=1768561165"},{"product_id":"great-mongol-shahnama-book-robert-hillenbrand-9781898113836","title":"The Great Mongol Shahnama","description":"A detailed study of the Great Mongol Shahnama, considered to be the greatest of all Persian illustrated manuscripts​  The Great Mongol Shahnama is widely considered to be the definitive version of Firdausi’s epic poem, and the greatest of all Persian illustrated manuscripts. The paintings from this manuscript are held in private collections and institutions around the world, and have only been seen together in a single volume once since they were originally dispersed. This monograph reunites the paintings and reproduces them as 67 full-page, high quality color plates, alongside an analysis by leading scholar of Islamic art, Robert Hillenbrand. With newly commissioned photographs and insights into technical aspects of the paintings, The Great Mongol Shahnama is a comprehensive resource for those interested in Persian art and manuscripts.    Distributed for Hali Publications Ltd. and the Freer|Sackler, Smithsonian. Co-published by Hali Publications Ltd. and the Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s National Museum of Asian Art, and supported by Qatar Museums.   Exhibition Schedule:  Freer Gallery of Art and Arthur M. 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Focusing on the multifaceted relation of architecture to society, Robert Hillenbrand covers public architecture in the Middle East and North Africa from the medieval period to 1700. Extensive photographs and ground plans- among which are hundreds of newly executed three-dimensional drawings that provide an accurate and vivid depiction of the structure-are presented with an emphasis on the way the specific details of the building fulfilled their function.  Included are chapters on religious and secular architecture and the architecture of tombs. Each building is discussed in terms of function, the links between particular forms and specific uses, the role of special types of buildings in the Islamic order, and the expressions of different sociocultural groups in architectural terms. Here the student or historian of Islamic architecture will find an astonishing resource, including Maghribi palaces, Anatolian madrasas, Indian minarets, Fatimid mausolea, and Safavid mosques, each rendered in lavish illustrations and explained with incomparable precision.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49857035993361,"sku":"CIN0231101333VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":50347010785553,"sku":"CIN0231101333A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51879056441617,"sku":"GOR014441716","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0231101333.jpg?v=1750738595"},{"product_id":"architecture-of-ottoman-jerusalem-book-robert-hillenbrand-9781901435092","title":"The Architecture of Ottoman Jerusalem","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50916122591505,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50916122657041,"sku":"GOR002385533","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1901435091.jpg?v=1751028070"},{"product_id":"islamic-architecture-book-robert-hillenbrand-9780748604791","title":"Islamic Architecture","description":"A comprehensive and authoritative survey of Islamic Architecture from the world's leading expert.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51682511290641,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51682511585553,"sku":"GOR014358631","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51708174795025,"sku":"GOR014372026","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0748604790.jpg?v=1750913362"},{"product_id":"architecture-of-the-iranian-world-1000-1250-book-robert-hillenbrand-9781474434188","title":"The Architecture of the Iranian World, 1000-1250","description":null,"brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52418367979793,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52418368012561,"sku":"NGR9781474434188","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781474434188.jpg?v=1758928683"},{"product_id":"studies-in-medieval-islamic-architecture-volume-ii-book-robert-hillenbrand-9781899828760","title":"Studies in Medieval Islamic Architecture, Volume II","description":"Professor Hillenbrand has written extensively over the last twenty-five years on Islamic architecture from Spain to India and from the seventh to the twentieth century. He has paid consistent attention to the architecture of Iran, focusing particularly on the Saljuq period (11th-12th centuries), but has also worked on Umayyad monuments in the Levant between 660 and 750 A.D., a period when Islamic architecture came of age. Apart from recording unfamiliar buildings, he has increasingly concerned himself with the iconographic significance of Muslim buildings    The papers in these two volumes closely reflect these interests. Some present primary material, others attempt to explore the achievements of a specific period or dynasty while yet others analyse the religious, royal, or political context of an important monument or school of architecture. The opportunity has been taken to add illustrations to articles, and to provide additional notes and a comprehensive index.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52586087579921,"sku":"NLS9781899828760","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781899828760.jpg?v=1761054009"},{"product_id":"studies-in-medieval-islamic-architecture-vol-i-book-robert-hillenbrand-9781899828142","title":"Studies in Medieval Islamic Architecture, Vol. I","description":"Professor Hillenbrand has written extensively over the last twenty-five years on Islamic architecture from Spain to India and from the seventh to the twentieth century. He has paid consistent attention to the architecture of Iran, focusing particularly on the Saljuq period (11th-12th centuries), but has also worked on Umayyad monuments in the Levant between 660 and 750 A.D., a period when Islamic architecture came of age. Apart from recording unfamiliar buildings, he has increasingly concerned himself with the iconographic significance of Muslim buildings    The papers in these two volumes closely reflect these interests. Some present primary material, others attempt to explore the achievements of a specific period or dynasty while yet others analyse the religious, royal, or political context of an important monument or school of architecture. 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Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume.    These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52590593409297,"sku":"NLS9781904597506","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781904597506.jpg?v=1761062357"},{"product_id":"studies-in-medieval-islamic-architecture-volume-ii-book-robert-hillenbrand-9781899828159","title":"Studies in Medieval Islamic Architecture, Volume II","description":"Professor Hillenbrand has written extensively over the last twenty-five years on Islamic architecture from Spain to India and from the seventh to the twentieth century. 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Apart from recording unfamiliar buildings, he has increasingly concerned himself with the iconographic significance of Muslim buildings    The papers in these two volumes closely reflect these interests. Some present primary material, others attempt to explore the achievements of a specific period or dynasty while yet others analyse the religious, royal, or political context of an important monument or school of architecture. 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They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters.  Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama  ( The Book of Kings ), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. 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