{"title":"Rose Kerr","description":"\u003cp\u003eDelve into the world of Rose Kerr, a celebrated author known for insightful explorations of Chinese art and culture. Her works offer a captivating glimpse into history and aesthetics.\u003c\/p\u003e","products":[{"product_id":"chinese-art-and-design-book-rose-kerr-9781851770175","title":"Chinese Art and Design","description":"Taking the V \u0026amp; A's Chinese collection as its starting point, this book shows how art objects were used by the Chinese in sumptuous burials, in temples, in the elegant mansions of the rich and the splendid setting of the Imperial Court. 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To achieve these effects, the production of Jun ware was complex and ingenious, relying on novel techniques.   This book gathers illustrations and descriptions of some of the finest Jun wares in private and public collections around the world. The account starts with ceramics dating to the Song, Jin and Yuan dynasties and proceeds to the stunning ‘Official’ Jun wares made in the early Ming dynasty. Copious illustrations are augmented with a scholarly essay. 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There are two outstanding features of the beautiful Longquan ceramics, one is that the body is made of porcelain, and the other, that the glaze contains kaolin in its composition. This gives Longquan ware unique colour and quality. The body is smooth and dense, the glaze either unctuous or shiny, the colour a myriad shades of kingfisher blue and jade green. The result of development of porcelain technology at Longquan was a tough, attractive, and versatile celadon material that was ideally suited for export. Longquan vessels found their way to a variety of markets around the world, from royal palaces to common dwellings. During the Yuan dynasty a peak in quantity was reached, with more than 150 kiln sites overall. Many new decoration techniques and forms of mass production for global exports emerged, until production almost expired entirely during the late Ming dynasty, due to a range of still-debated reasons. It is readily apparent that the Longquan kilns in Zhejiang province produced a wide range of wares, in vast quantities, over a period of more than 500 years. During the Southern Song period premier kinuta ceramics glazed with shimmering pale bluish-green colours attracted the highest approbation. During the early Ming dynasty the Daoyao kiln manufactured superlative imperial ceramics for the imperial household. However, despite their great beauty and perceived worth, Longquan ceramics have never been regarded as one of the “Five Great Wares”. 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