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Looking too at the film's controversial reception by international critics and censors, and its subsequent impact on experimental filmmakers, Street explores issues of technique, style, performance and interpretation to reveal the continued relevance of Black Narcissus today.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49571351036177,"sku":"GOR003575010","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":49763252830481,"sku":"CIN1845110463G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53333166424337,"sku":"GOR005592583","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1845110463.jpg?v=1750995198"},{"product_id":"british-national-cinema-book-sarah-street-9780415384223","title":"British National Cinema","description":"The first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. 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A broken treaty A wolf in sheep's clothing  And a love that will need to defy all odds to survive   HER RED HOOD CAN'T PROTECT HER HEART . . .  A fifty-year-old treaty between pirates and the city of Bray lies in tatters, so Mersey sets out to free her city - and herself - from the clutches of the Heartless King. But when her reckless plan fails, she finds herself captured by the world's most notorious pirate crew.  As Mersey battles between fighting for Bray's safety and falling into the arms of the ship's cold-blooded first mate, Golde, she's soon caught up in the beginnings of a war; one she knows will have disastrous consequences for the people she loves, but just might be the thing to set her free.   Amid lies, betrayal and a blossoming love for someone she is supposed to want dead, Mersey is torn between two lives.  Uncover lurking wolves prepared to pounce and a sweeping romantasy in this enemies-to-lovers fairytale twist set upon stormy seas. 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Sarah Street's illuminating study is the first to trace the history of colour in British cinema, and analyses the use of colour in a range of films, both fiction and non-fiction, including The Open Road, The Glorious Adventure, This is Colour, Blithe Spirit, This Happy Breed, Black Narcissus, The Red Shoes, The Tales of Hoffmann and Moulin Rouge. Beautifully illustrated with full colour film stills, this important study provides fascinating insights into the complex process whereby the challenges and opportunities of new technologies are negotiated within creative practice. 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In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture.  Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50346143973649,"sku":"CIN0231179839G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0231179839.jpg?v=1751323569"},{"product_id":"global-film-color-book-sarah-street-9781978836808","title":"Global Film Color","description":"Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. 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Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based ‘spaces of the imagination’ that produced some of cinema’s most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures.  The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. 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