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Through careful analysis of his correspondence with Civil War generals and his early poetry, the contributors, all literary and cultural critics, give readers a unique look into Lincoln's private life. 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With a special focus on the depictions of the American Revolution and the use of the family as model and instrument of political forces, she examines how the historical novel formalizes some of the more extravagant features of the gothic novel while incorporating a sentimental vision of the family.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51320928928017,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51320929747217,"sku":"CIN0195079884G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52143065923857,"sku":"NLS9780195079883","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0195079884.jpg?v=1751164191"},{"product_id":"haunted-by-the-civil-war-book-shirley-samuels-9780691248578","title":"Haunted by the Civil War","description":"How the legacy of the Civil War—as presented by writers, poets, and artists of the time—has shaped American visions of democracy  In Haunted by the Civil War, Shirley Samuels explores the work of Walt Whitman, Emily Dickinson, Herman Melville, Frederick Douglass, Charlotte Perkins Gilman, and others to investigate the long cultural shadow of America’s cataclysmic sundering. Juxtaposing these texts with images—ranging from paintings by Winslow Homer to newspaper and magazine illustrations of political controversies—Samuels argues that the Civil War still haunts our attitudes toward democracy. The recent toppling of Confederate monuments, the continuing protests over racial and sexual discrimination, immigration, and Indigenous land rights: each of these forms part of the war’s legacy.  Examining the fraught deliberations about an ideal American democracy in the early republic, Samuels turns to the language of sensation in the poetry of Melville, Dickinson, and Whitman alongside Lincoln’s relation to the poetic and visual culture of his time. She considers the haunted afterlives of war in the work of Louisa May Alcott and Harriet Beecher Stowe as well as in popular nineteenth-century inspirational fiction. And she investigates the literature of men at sea (and on rivers, enabling both connection and escape), as seen in Melville and Mark Twain, while examining women’s wartime work and experience, in writings by Gilman and Frances Harper.  Why does the Civil War still haunt us? To find the answer, Samuels identifies not only the ghosts that cannot rest but also the cultural practices that name them.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51597748863249,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51597749059857,"sku":"NGR9780691248578","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0691248575.jpg?v=1751463450"},{"product_id":"race-and-vision-in-the-nineteenth-century-united-states-book-shirley-samuels-9781498573115","title":"Race and Vision in the Nineteenth-Century United States","description":"Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. 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Moving beyond the canonical debates about sentimentality, the collection makes visible the particular racial and gendered forms that define the aesthetics and politics of the American culture of sentiment. The contributors use evidence from American cultural history, American studies, and literary criticism, to examine the process by which nineteenth-century American culture was both produced and contested. They present incisive readings of scenes like an antebellum murder trial, the erotic attention audiences paid to the statues of Hiram Powers, and the engravings of Godey's Ladies Book. In addition, they use the writings of Harriet Jacobs, Mark Twain, James Fenimore Cooper, Pauline Hopkins, W.E.B. DuBois, and Harriet Beecher Stowe, to question the political fables immanent in this literature. More generally, they portray nineteenth-century American sentimentality as a national project - a project about imagining the nation's bodies and the national body. With essays by Lauren Berlant, Ann Fabian, Susan Gillman, Karen Halttunen, Carolyn L. Karcher, Joy Kasson, Amy Schrager Lang, Isabelle Lehuu, Harryette Mullen, Dana Nelson, Lora Romero, Shirley Samuels, Karen Sanchez-Eppler, Lynn Wardley, and Laura Wexler, The Culture of Sentiment significantly reorients the field of nineteenth-century American literature, art, culture, and history. 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