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Kermode's lectures form the core of this book: he assesses the influence and meaning of all of Forster's novels as well as his criticism, reflects on his profound musicality (Britten thought Forster the most musical of all writers) and offers a fascinating interpretation of his greatest work, A PASSAGE TO INDIA. The second part of the book takes the form of a causerie, a brilliant and wide-ranging series of loosely organized, interweaving discussions in which Forster is reduced in size, placed in the wider context of his times, and occasionally scolded by Kermode for being not quite the author he would have preferred him to be. Kermode reflects not only on Forster's considerable talent but on the social and personal circumstances that restricted it, on the dizzying changes in English society in the first half of the twentieth century, and the preoccupations and uncertainties of those, like Forster, who found themselves caught between two worlds. 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