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Did 9\/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9\/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy?  Stephen Prince is the first scholar to trace the effect of 9\/11 on the making of American film. From documentaries like Fahrenheit 9\/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9\/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9\/11. 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Almost everything revealed by this research is contrary to what most have believed about Hollywood and film violence. With chapters such as \"Throwing the Extra Punch\" and \"Cruelty, Sadism, and the Horror Film,\" this book will become the defining work on classical film violence and its connection to the graphic mayhem of today's movies.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50636750684433,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50636751044881,"sku":"GOR011501940","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813532817.jpg?v=1761388378"},{"product_id":"savage-cinema-book-stephen-prince-9780485300871","title":"Savage Cinema","description":"Peckinpah's \"The Wild Bunch\" and \"Straw Dogs\" are classics of the violent and opened the door to a fresh disturbing trend in modern film-making. 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It is a recording of a personal journey that delves amongst both the esoteric fringes and mainstream of culture, and which at times holds a shadowed scrying mirror up to the modern world and some of its ills, while also reflecting visions of a hopeful future in its depths.Alongside other experimenters in electronic sound the book explores Boards of Canada's invoking of \"the past inside the present\"; Paul Weller's visiting of Ghost Box Records' elsewhere universe; work by Cosey Fanni Tutti, Hannah Peel and the reformed Radiophonic Workshop, and their collaborations across time with electronic music pioneer Delia Derbyshire; Dominik Scherrer and Natasha Khan's summoning of \"pastoral spook\" via a hidden language of angels; and takes a trip in the company of fairground and rural ghosts conjured up on records released by Castles in Space.Alongside these it examines the paranormal and \"worlds beyond\" via the semi-lost supernatural-orientated television series Leap in the Dark which included work by Alan Garner and David Rudkin, Sharron Kraus' contemporary investigations into the preternatural and the conjuring of modern-day phantasms in Luciana Haill's artwork.The book also includes an intertwined consideration of the \"deluxe dystopias\" that can be found in films such as Rollerball and Andrew Niccol's Gattaca and prescient views of the future's past \u0026amp; media collusion in film and television including Nigel Kneale's work and the overlooked corners of science fiction.* * * * *The book is released as part of the A Year In The Country project, which since 2014 via the posts on its website, artwork, music and book releases has explored the wyrd, eerie and re-enchanted landscape, folk horror, the further reaches of folk music and culture and the spectral parallel worlds of hauntology.* * * \"A Year In The Country make excellent music and excellent books about all things dark rural, folk horror, liminal England and hauntology.\" Stuart Maconie, Freak Zone, BBC Radio 6* * * \"A Year In The Country epitomises the confluence of interest and dark synergy between nature, myth, occultism and ghost traces of hauntological memory.\" Rob Young, The Magic Box","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50695005667601,"sku":"GOR014038841","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51054011678993,"sku":"NIN9781916095274","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1916095275.jpg?v=1766659451"},{"product_id":"new-pot-of-gold-book-stephen-prince-9780520232662","title":"A New Pot of Gold","description":"Facing an economic crisis in the 1980s, the Hollywood industry moved boldly to control the ancillary markets of videotape, video disk, pay-cable and pay-per-view, and the major studios found themselves targeted for acquisition by global media and communications companies. 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The author analyzes Kurosawa's entire career and places the films in context by drawing on the director's autobiography--a fascinating work that presents Kurosawa as a Kurosawa character and the story of his life as the kind of spiritual odyssey witnessed so often in his films. After examining the development of Kurosawa's visual style in his early work, The Warrior's Camera explains how he used this style in subsequent films to forge a politically committed model of filmmaking. 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The book wanders amongst the overlooked, the hidden from view, isolated spaces and parallel planes of existence in cinema, taking in films that interconnect with both rural and urban wyrd culture from the shores of Albion out into the American Deep South and across the snowbound landscapes of Europe. Amongst its pages, you'll find a wide-ranging interthreaded journey that takes in the woodland wraiths of Without Name and The Watcher in the Woods, Columbus' love letter to a time capsule of modernist architecture, Nadja and Vampir-Cuadecuc's media phantom reimaginings of their genres, Dark Tower's concrete bound haunting, Ghost Dog's intertwining of spectral hip-hop with ancient Japanese tradition, No Surrender's black comedy set amongst 1980s urban decay, the creating and discovering of new worlds of electronic sound in The Shock of the Future and the darkly seductive temptations of a preternatural carnival in Something Wicked This Way Comes. Elsewhere the book journeys through the American wyrd frontier in Searching for the Wrong-Eyed Jesus and explores the folk horror precursor The White Reindeer, the unearthing of buried secrets in Stephen Poliakoff's Hidden City and Glorious 39, the rudderless tumbling down the rabbit hole in Kate and Laura Mulleavy's Woodshock and the thinning of the barriers of time and place in Mike Hodges' Black Rainbow. * * * The book is released as part of the A Year In The Country project, which since 2014 via the posts on its website, artwork, music and book releases has explored the wyrd, eerie and re-enchanted landscape, folk horror, the further reaches of folk music and culture and the spectral parallel worlds of hauntology. * * * A Year In The Country make excellent music and excellent books about all things dark rural, folk horror, liminal England and hauntology. Stuart Maconie, Freak Zone, BBC Radio 6 * * * A Year In The Country epitomises the confluence of interest and dark synergy between nature, myth, occultism and ghost traces of hauntological memory. 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