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Arranged in alphabetical order, from “Alphabet\/Abecedario” to “Zombieland,” Tatum’s essays aim to discover how his eclectic selection of texts both produce uncanny literary effects and bear witness to the entangled capitalist, geopolitical, and ecological crises that shape our external world and our “unhomely” textual worlds.   In keeping with the etymological and conceptual linkage between the unhomely and the uncanny, Tatum’s critical meditations focus on both uncanny textual architectures and architecturally unhomely junkspaces of abandonment and ruin, of corporeal displacement, and of cognitive or affective disorientation. And since an emergent unhomely structure of feeling exposes how our lived present is saturated with history’s apparitional revenants, this collection of essays-comprising a new lexicon of unhomely Wests-conveys a hauntology underwritten by spectrality as a theme, a trope, an image. 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Arranged in alphabetical order, from “Alphabet\/Abecedario” to “Zombieland,” Tatum’s essays aim to discover how his eclectic selection of texts both produce uncanny literary effects and bear witness to the entangled capitalist, geopolitical, and ecological crises that shape our external world and our “unhomely” textual worlds.   In keeping with the etymological and conceptual linkage between the unhomely and the uncanny, Tatum’s critical meditations focus on both uncanny textual architectures and architecturally unhomely junkspaces of abandonment and ruin, of corporeal displacement, and of cognitive or affective disorientation. And since an emergent unhomely structure of feeling exposes how our lived present is saturated with history’s apparitional revenants, this collection of essays-comprising a new lexicon of unhomely Wests-conveys a hauntology underwritten by spectrality as a theme, a trope, an image. 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