{"title":"Suzanne Preston Blier","description":"\u003cp\u003eDelve into the world of African art history with Suzanne Preston Blier. Explore the intersection of art, gender, and power in her insightful studies. A must-read for those fascinated by cultural heritage.\u003c\/p\u003e","products":[{"product_id":"royal-arts-of-africa-book-suzanne-preston-blier-9781856691130","title":"Royal Arts of Africa","description":"A fascinating overview of African art that explores the diverse ways in which African rulers have employed art and architecture in kingdoms from West and Central Africa to define individual and state identity. 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This indispensable introductory guide explores the art of the African continent from its early origins over 150,000 years ago to the contemporary, set in the context of post-colonial debates, the restitution of cultural objects and artefacts, and the challenges of the present. This enormous and complex field of study, once under-appreciated by the Western art world, is now of global importance and an essential subject of education in art history.    For ease of reference and analysis, this indispensable guide is structured chronologically into manageable and meaningful chapters covering ancient art, the Middle Ages, travel and trade, encounters with Europe in the age of exploration, the colonial era, the rebuilding of the continent in recent times, and contemporary art. It addresses core, continent-wide themes in African visual and cultural expression, from the life-cycle (motherhood, children, initiation, religion) to the body and representations of power dynamics. Important regional artistic expressions are also explored, such as the cultures of Mali (the Western Sudan), Nigeria (the lower Niger and Benue area), the Congo Basin and various nomadic populations across the continent.    Written from an inclusive modern perspective, focusing not only on royal traditions but also the broader global history of the continent and its artistic practices, this is an excellent introduction for students, museum visitors and anyone with an interest in fine art, African history and cultural studies.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49742298939665,"sku":"NGR9780500296257","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51002906870033,"sku":"NIN9780500296257","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51469182697745,"sku":"CIN0500296251G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51477309948177,"sku":"GOR013332971","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0500296251.jpg?v=1751439464"},{"product_id":"art-of-the-senses-book-suzanne-preston-blier-9780878466597","title":"Art of the Senses","description":"\u003cp\u003eThis publication is for those who are concerned with the identification of wood samples and the fibre constituents of paper and paper products, an ability essential for anyone in the pulp industry. In determining the quality of a paper product, the inherent properties of wood are as importantand, if not more so, than the pulping process and other mill treatments to which the wood subjected. Besides wood, a large number of nonwoody fibres find their way into paper products and it is equally important to be able to identify these as well as the woody fibres. \u003c\/p\u003e \u003cp\u003eThis book brings together what are considered the most useful wood and fibre features for the purposes of indentification. In the first section separate keys are given for the identification of both softwood and hardwood pulps and wood samples. The keys distinguish between different tree genera or dissimilar groups of species within the same genus. The diagnostic features of all commercial pulpwoods have been numbered, defined and illustrated, with a total of 88 photomicrographs, and instructions are given on how to prepare a sample and proceed with its examination and subsequent identification. \u003c\/p\u003e \u003cp\u003eThe second section of the book deals with the identification of 28 natural nonwoody and 9 man-made fibres. The features of the individual fibres as well as the results of staining and solubility tests, where applicable, are described in detail. Ninety-five photomicrographs illustrate this section which includes an identification key summarizing the useful features of these fibres. \u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49961081667857,"sku":"NGR9780878466597","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0878466592.jpg?v=1750883272"},{"product_id":"african-vodun-book-suzanne-preston-blier-9780226058603","title":"African Vodun","description":"Beads, bones, rags, straw, leather, pottery, fur, feathers and blood - these are the raw materials of \"vodun\" artworks. As objects of fury and force, these works are intended to protect and empower people and cultures that have long been oppressed. In this major study Suzanne Preston Blier examines the artworks of the contemporary \"vodun\" cultures of southern Benin and Togo in West Africa as well as the related \"voudou\" traditions of Haiti, New Orleans, and historic Salem, Massachusetts. Blier employs a variety of theoretical psychological, anthropological, and art historical approaches to explore the contrasts inherent in the \"vodun\" arts - commoners versus royalty, popular versus elite, \"low\" art versus \"high.\" She examines the relation between art and the slave trade, the psychological dynamics of artistic expression, the significance of the body in sculptural expression, and indigenous perceptions of the psyche. Throughout, Blier seeks to pushe African art history to a new height of cultural awareness that recognizes the complexity of traditional African societies as it acknowledges the role of social power in shaping aesthetics and meaning generally. This book should be of critical interest not only to those concerned with African, African American, and Caribbean art, but also to anthropologists, African diaspora scholars, students of comparative religion and comparative psychology.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":49980683125009,"sku":"CIN0226058603VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53376684851473,"sku":"GOR014887423","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226058603.jpg?v=1750779503"},{"product_id":"royal-arts-of-africa-book-suzanne-preston-blier-9780134402079","title":"The Royal Arts of Africa","description":"For use in an undergraduate or graduate course in African Art; also suitable as a supplementary reading for art history surveys. Lavishly illustrated, this historically grounded text draws together key traditions from West, Central, Eastern and Southern Africa to present an informative and captivating survey of the most important royal arts in the great sub-Saharan African kingdoms. Exploring the diverse ways that African rulers employed art and architecture to define individual and state identity, it provides an overview of the major themes in royal African art and discusses what these arts reveal about the nature of kingship.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50106653344017,"sku":"CIN0134402073G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":52102865027345,"sku":"CIN0134402073A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52816715120913,"sku":"CIN0134402073VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0134402073.jpg?v=1750694406"},{"product_id":"royal-arts-of-africa-book-suzanne-preston-blier-9780131833432","title":"The Royal Arts of Africa","description":"A fascinating overview of African art that explores the diverse ways in which African rulers have employed art and architecture in kingdoms from West and Central Africa to define individual and state identity. 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It introduces a new dimension whereby the architectural medium can be used to illuminate much of the entire belief system of any culture.\"—Labelle Prussin, African Arts  \"In this excellent book Blier provides a richly detailed and searching account of what architecture means to the Batammaliba of northern Togo and Benin....The finest account I have yet read of the relations between systems of beliefs, ritual practices, and African aesthetics and plastic arts....The ethnography and basic insight should be the envy of any social anthropologist.\"—T.O. 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