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Designers of the 1920s drew inspiration from the whole spectrum of the arts: riotous colour combinations from the Ballets Russes and the Fauves; geometric shapes from Cubism the contrast of black and white from Neo-Plasticism; a fascination with the mechanical world from Futurism; and themes from Egypt, the Far East and Africa. Raulet's informative text covers the creations of the Haute Joaillerie (the establishment jewelers such as Cartier, Van Cleef et Arpels, Mauboussin and Chaumet) and of the avant-garde designers or 'pioneers', as they were called (Jean Fouquet, Raymond Templier, Gerard Sandoz, Jean Dunand and Paul Brandt), to whom we owe some of the most brilliant and daring creations of the period. Alongside the jewelry, there is an exquisite range of accessories vanity cases, cigar and cigarette cases and a spectacular array of clocks. 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How are narratives and experiences in the present related to experiences and narratives in the past? In this foundational work by sociologist Gabriele Rosenthal, he answers these questions with a theoretical and empirical study of the interconnections between remembering, experiencing, and presenting what was experienced at different points of the life course and of the associated collective histories. He also discusses rules for conducting interviews that support processes of remembering and for carrying out an analysis that does justice to this dialectic. \u003cp\u003e\u003c\/p\u003e This edition contains a new introduction and a new chapter that explores the later expansion of Rosenthal's approach to sociological biographical research, reflecting the inspiration she took from the figurational sociology of Norbert Elias. 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