{"title":"Tom Mcdonough","description":null,"products":[{"product_id":"situationists-and-the-city-book-tom-mcdonough-9781844673643","title":"The Situationists and the City","description":"The Situationist International (SI), led by the revolutionary Guy Debord, were active throughout the 1950s and 60s. They published the journal Internationale Situationniste that included many incendiary texts on politics and art, and were a galvanizing force in the revolutions of May 1968. The importance of their work has been felt particularly in their revolutionary analysis of cities. The SI were responsible for utopian imaginings of the city, where its alienating effects from its routine use as a site of consumption and work were banished and it was instead to be turned into a place of play. Tom McDonough collects all the SI's key work in this area for an essential one-stop collection. Including such essential works as 'The Theory of the Derive', 'Formulary for a New Urbanism', and many previously untranslated texts, the book will also be strikingly illustrated by the images that were core to the Situationist project.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49547019059473,"sku":"GOR013650619","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49661099147537,"sku":"GOR003291290","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51057441341713,"sku":"NIN9781844673643","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53457747935505,"sku":"GOR008832330","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1844673642.jpg?v=1751346472"},{"product_id":"guy-debord-and-the-situationist-international-book-tom-mcdonough-9780262633000","title":"Guy Debord and the Situationist International","description":"\u003cb\u003eCritical texts, translations, documents, and photographs on the work of the Situationist International.\u003c\/b\u003e \u003cp\u003eThis volume is a revised and expanded version of a special issue of the journal \u003ci\u003eOctober\u003c\/i\u003e (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.\u003c\/p\u003e \u003cp\u003eGuy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book \u003ci\u003eThe Society of the Spectacle\u003c\/i\u003e.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49607049314577,"sku":"GOR006752392","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51423693242641,"sku":"CIN0262633000G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52688675864849,"sku":"NLS9780262633000","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53615355429137,"sku":"GOR006037224","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262633000.jpg?v=1750843880"},{"product_id":"boredom-book-tom-mcdonough-9780854882526","title":"Boredom","description":null,"brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49730380366097,"sku":"NGR9780854882526","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0854882529.jpg?v=1751202228"},{"product_id":"wolfgang-tillmans-whats-wrong-with-redistribution-book-tom-mcdonough-9783863358228","title":"Wolfgang Tillmans: Whats wrong with redistribution?","description":"Published to accompany the largest installation of Tillmanss truth study centre to date at the Hamburger Bahnhof, Berlin, from November 2015.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49738309501201,"sku":"NGR9783863358228","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":50996993065233,"sku":"NIN9783863358228","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":51707244478737,"sku":"GOR007874812","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51907522298129,"sku":"GOR014456101","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3863358228.jpg?v=1750871365"},{"product_id":"guy-debord-and-the-situationist-international-book-tom-mcdonough-9780262134040","title":"Guy Debord and the Situationist International","description":"\u003cp\u003eThis volume is a revised and expanded version of a special issue of the journal \u003ci\u003eOctober \u003c\/i\u003e(Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.\u003c\/p\u003e\u003cp\u003eGuy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book \u003ci\u003eThe Society of the Spectacle\u003c\/i\u003e.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50346378658065,"sku":"CIN0262134047G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50961448796433,"sku":"GOR014148504","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262134047.jpg?v=1750738433"},{"product_id":"beautiful-language-of-my-century-book-tom-mcdonough-9780262516099","title":"The Beautiful Language of My Century","description":"\u003cp\u003e\u003cb\u003eHow culture became a field of struggle over meaning in France: the appropriation of elements from advertising, journalism, and other sources to serve political ends in art, film, and the activities of the French left, culminating in the upheavals of May 1968.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used--or stole, plagiarized, and expropriated--elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named beautiful language of this book's title, itself an appropriation from Guy Debord's collaged M moires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist. \u003ci\u003eThe Beautiful Language of My Century\u003c\/i\u003e describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today.\u003c\/p\u003e\u003cp\u003eMcDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of d tournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War (La France d chir e), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the end of art as a theoretical position and describes the leftist idea of the f te as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968--when the struggle over language and culture merged with a broader resistance to capitalist modernization.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50347332632849,"sku":"CIN0262516098VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50347466817809,"sku":"CIN0262516098G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262516098.jpg?v=1751258956"},{"product_id":"boredom-book-tom-mcdonough-9780262533447","title":"Boredom","description":"\u003cp\u003e\u003cb\u003eBoredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eWithout boredom, arguably there is no modernity. The current sense of the word emerged simultaneously with industrialization, mass politics, and consumerism. From Manet onwards, when art represents the everyday within modern life, encounters with tedium are inevitable. And starting with modernism's retreat into abstraction through subsequent demands placed on audiences, from the late 1960s to the present, the viewer's endurance of repetition, slowness or other forms of monotony has become an anticipated feature of gallery-going. \u003c\/p\u003e\u003cp\u003eIn contemporary art, boredom is no longer viewed as a singular experience; rather, it is contingent on diverse social identifications and cultural positions, and exists along a spectrum stretching from a malign condition to be struggled against to an something to be embraced or explored as a site of resistance. This anthology contextualizes the range of boredoms associated with our neoliberal moment, taking a long view that encompasses the political critique of boredom in 1960s France; the simultaneous aesthetic embrace in the United States of silence, repetition, or indifference in Fluxus, Pop, Minimalism and conceptual art; the development of feminist diagnoses of malaise in art, performance, and film; punk's social critique and its influence on theories of the postmodern; and the recognition, beginning at the end of the 1980s, of a specific form of ennui experienced in former communist states. Today, with the emergence of new forms of labor alienation and personal intrusion, deadening forces extend even further into subjective experience, making the divide between a critical and an aesthetic use of boredom ever more tenuous.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eArtists surveyed include\u003c\/b\u003e\u003cbr\u003eChantal Akerman, Francis Alÿs, John Baldessari, Vanessa Beecroft, Bernadette Corporation, John Cage, Critical Art Ensemble, Merce Cunningham, Marcel Duchamp, Fischli \u0026amp; Weiss, Claire Fontaine, Dick Higgins, Jasper Johns, Donald Judd, Ilya Kabakov, Boris Mikhailov, Robert Morris, John Pilson, Sigmar Polke, Yvonne Rainer, Robert Rauschenberg, Ad Reinhardt, Gerhard Richter, Situationist International, Mierle Laderman Ukeles, Andy Warhol, Faith Wilding, Janet Zweig\u003c\/p\u003e\u003cp\u003e\u003cb\u003eWriters include\u003cbr\u003e\u003c\/b\u003eIna Blom, Nicolas Bourriaud, Jennifer Doyle, Alla Efimova, Jonathan Flatley, Julian Jason Haladyn, The Invisible Committee, Jonathan D. 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