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The fourth iteration Prospect.4: The Lotus in Spite of the Swamp, evokes New Orleans’s natural environment—surrounded by bayous, lakes and wetlands near the mouth of the Mississippi River—and alludes to the city’s unique cultural landscape as a creative force. By positioning itself in the city of New Orleans, the Prospect triennial aims to echo the city’s history of cross-cultural fertilization. From Creole culture to jazz, in waves of migration and colonization, and as the American South’s largest port, New Orleans is truly a cultural and historic nexus. Prospect.4 relies on New Orleans’s richly hybrid character to offer a diverse and exhilarating panoply of new and exciting art. Contributors include Trevor Schoonmaker, William Cordova, Miranda Lash, Omar Lopez-Chahoud, Wangechi Mutu, Filipa Oliveira, Ebony G. 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His unique work contains elements of both American realism and postmodernism, occupying a space between the portraitists Chuck Close and Alex Katz and the pioneering black conceptualists David Hammons and Adrian Piper. Hendricks is best known for his life-sized portraits of people of color from the urban northeast. His bold portrayal of his subject's attitude and style elevates the common person to celebrity status. Cool, empowering, and sometimes confrontational, Hendricks' artistic privileging of a culturally complex black body has paved the way for today's younger generation of artists.  This richly illustrated book contains 100 color images of paintings created from 1964 to the present. It focuses primarily on the artist's full-figure portraits, as well as lesser known early works and the artist's more recent portal-like landscape paintings. The catalog includes the most comprehensive bibliography on Hendricks to date, a timeline of the artist's life, and an interview with the artist by Thelma Golden, Director and Chief Curator at the Studio Museum in Harlem. It also includes essays by Barkley L. Hendricks, Duke University art historian Richard J. Powell, exhibition curator Trevor Schoonmaker, and Franklin Sirmans, Curator of Modern and Contemporary Art at the Menil Collection.  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The exhibition and catalogue center the voices of underrepresented artists, approaching ecological awareness and environmental, social, and racial justice from the perspectives of the marginalized communities most negatively affected by today’s crises. Acting as environmental stewards, the artists reveal nature to be a repository of cultural memory, a place of sanctuary, a contested site of resistance, and a source of spiritual nourishment. As land and water provide a sense of place and community, the exhibition aims to reconnect people to the natural world, illustrating our interdependence with all life on Earth. Spirit in the Land speaks to the urgency of today and projects a hopeful path for our future, where nature is cared for by humans, so that in turn nature may heal humanity.   Artists: Terry Adkins, Firelei Báez, Radcliffe Bailey, Rina Banerjee, Christi Belcourt, María Berrío, Mel Chin, Andrea Chung, Sonya Clark, Maia Cruz Palileo, Annalee Davis, Tamika Galanis, Allison Janae Hamilton, Barkley L. Hendricks, Alexa Kleinbard, Hung Liu, Hew Locke, Meryl McMaster, Wangechi Mutu, Dario Robleto, Jim Roche, Kathleen Ryan, Sheldon Scott, Renée Stout, Monique Verdin, Stacy Lynn Waddell, Charmaine Watkiss, Marie Watt, Carrie Mae Weems, Peter Williams   The exhibition will be on view at the Nasher Museum of Art at Duke University from February 16 to July 9, 2023.   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