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Nobody wrote about making ends meet, about the history of the slave trade or the comedy of the daily grind, with the same breathtaking originality and brio; and few writers, before or since, have had the courage to write with such honesty about their everyday experience of life - and love - in an unjust world.\u003cbr\u003e\u003cbr\u003eThis is the first ever UK publication of the poetry of Wanda Coleman: a beat-up, broke and Black woman who wrote with defiance, humour and clarity about her life on the margins, and who went overlooked by the establishment for decades - even as she was known colloquially as 'the unofficial poet laureate of Los Angeles'.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eWicked Enchantment\u003c\/i\u003e gathers 130 of Coleman's poems in a selection by Terrance Hayes. 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Coleman applies a poet's economy of words to her fiction, setting a scene with lightning-quick strokes, letting a detail, a dialogue, or the brisk vernacular speak for itself. .","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49565288825105,"sku":"CIN1574232126G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":50392081858833,"sku":"CIN1574232126A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51329754333457,"sku":"CIN1574232126VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1574232126.jpg?v=1751118667"},{"product_id":"heart-first-into-this-ruin-book-wanda-coleman-9781574232530","title":"Heart First into this Ruin","description":"\u003cp\u003e\u003cb\u003e“Fantastically entertaining and deeply engaging...potent distillations of creative rage, social critique, and subversive wit.”—\u003ci\u003eWashington Post\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\n\n“Terrifying and fearlessly inventive.”—\u003ci\u003eNew York Times\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eThe first complete collection of Wanda Coleman’s original and inventive sonnets. Long regarded as among her finest work, these one hundred poems give voice to loving passions, social outrage, and hard-earned wisdom.\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e \n\nWanda Coleman was a beat-up, broke Black woman who wrote with anger, humor, and ruthless intelligence: “to know, i must survive myself,” she wrote in “American Sonnet 7.” A poet of the people, she created the experimental “American Sonnet” form and published them between 1986 and 2001. The form inspired countless others, from Terrance Hayes to Billy Collins.\u003cbr\u003e\u003cbr\u003eDrawn from life’s particulars, Coleman’s art is timeless and universal. In “American Sonnet 61” she writes:\u003cbr\u003e\u003cbr\u003e\n\nreaching down into my griot bag\u003cbr\u003e\nof womanish wisdom and wily\u003cbr\u003e\nsocial commentary, i come up with bricks\u003cbr\u003e\nwith which to either reconstruct\u003cbr\u003e\nthe past or deconstruct a head....\u003cbr\u003e\nfrom the infinite alphabet of afroblues\u003cbr\u003e\nintertwinings, i cull apocalyptic visions\u003cbr\u003e\n(the details and lovers entirely real)\u003cbr\u003e\nand articulate my voyage beyond that\u003cbr\u003e\npoint where self disappears\u003cbr\u003e\u003cbr\u003e\n\nThese one hundred sonnets—borne from influences as diverse as Huey P. Newton  and Herman Melville, Amiri Baraka and Robert Duncan—tell Coleman’s own tale, as well as the story of Black and white America. 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The 26 pieces gathered here—a “hopscotch” of essays, memoirs, interviews, and reports—include a haunting memoir of her first husband, a moth drawn to the flames of the more extreme forms of ’60s radicalism, and Coleman’s now famous “bad” review of Maya Angelou’s “Song Flung Up to Heaven”—“the most controversial piece I’ve yet written” – and a caustically funny report on its fallout.\u003cbr\u003e\u003cbr\u003eOf this nonfiction collection, the \u003ci\u003eLos Angeles Times\u003c\/i\u003e said: “Coleman is best known for her ‘warrior voice.’ But her voice too can weep elegiac, summoning memories of childhood’s neighborhoods – her South L.A.’s wild-frond palms, the smog-smear of pre-ecology consciousness. Her voice hits notes as desperate as Billie Holiday’s tours of sorrow’s more desolate stretches. 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