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This book is about the love of books, of language, and all that goes into making them, be it paper or words. It provides both a respectful litany of writers' fears and a dismissal of the alibis offered to excuse them.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49603869016337,"sku":"GOR002265290","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51818358997265,"sku":"GOR013027964","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0803212399.jpg?v=1751329598"},{"product_id":"why-i-have-not-written-any-of-my-books-book-warren-motte-9780803261396","title":"Why I Have not Written Any of My Books","description":"Provides both a litany of writers' fears and a dismissal of the alibis offered to excuse them. 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It is an archival project, based on a wealth of material collected daily by celebrated critic Warren F. Motte over thirty-five years and squirreled away for some eventual winter. It is also a love letter, a confession, a tale of deep obsession, and a cry for help addressed to anyone who takes literature seriously.   “At heart, this is not just a book about mirror scenes, interesting as they are— and they are interesting. It’s also a look at passion, at collection, at personal taxonomies and the game of creating order from disorder (do we ever win that game?). It’s about how we read and why we read. And it’s about the Delphic maxim, “Know thyself.” Motte explores how characters look for (or suddenly catch) themselves in mirrors, as well as how (or whether) the act of writing is a reflection, distorted or true, of writers themselves.”— Julie Larios, Numero Cinq  “I believe (and I’m choosing my words carefully) that this is the most extraordinary book about reading I have ever read” – Jacques Jouet  “Wonderfully luminous, entertaining, thought-provoking, and wide-ranging…an essential book” – Gerald Prince  “Motte has collected around ten thousand mirror scenes from roughly 1,500 books. This, in and of itself, is noteworthy, but the book is not simply a reprinting of quotes from various books. It is a deeply considered analysis of what it actually means to look into a mirror. For the serious reader, this book will serve as a trip through your reading past. I was reminded—somewhat nostalgically—of much of the literature that has defined the early part of my adult life. From Nabokov to Salinger to Rilke to Calvino, the book makes its way into just about every corner of American and European literature.” – Nancy Smith, YourImpossibleVoice","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51041648836881,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51041651425553,"sku":"NIN9781628970142","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52588086133009,"sku":"NLS9781628970142","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1628970146.jpg?v=1751408739"},{"product_id":"french-fiction-today-book-warren-motte-9781943150168","title":"French Fiction Today","description":"French Fiction Today focuses on the French novel in the twenty-first century, examining a series of works that are exemplary of broader currents in the genre. Each of these texts wagers insistently upon our willingness to speculate about literature and its uses, in an age when the value of literature is no longer taken as axiomatic. Each of these texts may be thought of as a critical novel, a form that calls upon us to engage with it in a critical manner, promising that meaning will arise in the articulation of writing and reading. 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Though they have pursued significantly different paths, each one of them is committed to the principle of literary innovation, to making French literature new. They work in full cognizance of literary history and of the tradition that they inherit, even as they reshape that tradition in each of their books. They invite their readers to take a critical stance with regard to those books, and to participate actively in the construction of literary meaning. Both bold and mobile in their own practice, they encourage us to be just as agile in our own readerly practice, offering us a rare degree of franchise in a literary dynamic founded on the notion of articulation. 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Each of the authors invoked exemplified in his or her work a different set of strategies, concerns, and approaches: one of them transposes the Book of Judith to the Parisian suburbs; another imagines the most taciturn of cowboys in the American West; still another goes well beyond death, into the afterlife of a concert pianist. 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