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His fascinating aesthetic insights bring to life this elusive and often misunderstood genre. \"An important contribution. Highly sophisticated, the study tends to raise its reader's impression of visual poetry in the twentieth century from trivial pastime to serious preoccupation.\"--Journal of Modern Literature","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50774400729361,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50774400958737,"sku":"GOR009115604","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226063259.jpg?v=1750738011"},{"product_id":"reading-apollinaire-s-alcools-book-willard-bohn-9781611496314","title":"Reading Apollinaire's Alcools","description":"Reviewing the previous scholarship for seventeen of the most important poems in Alcools, this book provides a detailed analysis of each work and includes a state-of-the-art survey of current Apollinaire criticism. Besides acquainting readers with the existing scholarship, the book considers all the interpretations that have been proposed and indicates profitable directions to pursue. Each poem is subjected to a rigorous, line-by-line analysis that engages in a succession of dialogues with previous critics. The studies themselves are arranged in roughly chronological order, beginning with the “Rhénanes” in 1901-1902 and concluding with “Zone” in 1912. Although each chapter is basically conceived as an independent unit, readers are able to follow the evolution of Apollinaire’s aesthetics from his first mature creations through his subsequent experiments with fantastic, hermetic, visionary, and cubist poetry. 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The volume seeks to rehabilitate four experimental genres in particular that have received relatively little attention. The first chapter examines a charming artist’s book entitled The Bestiary, which features illustrations by Raoul Dufy. The second is concerned with a group of poems that celebrate ordinary, everyday life. The next chapter considers Apollinaire’s little-known debt to children’s rhymes. The final chapter discusses an avant-garde drama that was destined to play a key role in the evolution of modern French theater. This book will be of interest to anyone interested in avant-garde aesthetics. 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In an analysis that spans the first two-thirds of the twentieth century, Bohn surveys writers and artists from France, Italy, Germany, Spain, Argentina, Mexico, Chile, and the United States, examining both their aversion to mimesis and the solutions they devised to replace it. Much of the book is concerned with competing artistic models and with different strategies for creating avant-garde works, and focuses on such figures as Guillaume Apollinaire, Max Weber, Marius de Zayas, Francis Picabia, Giorgio de Chirico, Andr  Breton, J. V. Foix, and Joan Mir . 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