{"title":"Chicago Studies In Ethnomusicology","description":"\u003cp\u003eDelve into the diverse world of music and culture with the Chicago Studies in Ethnomusicology series. Explore the sounds, traditions, and social contexts that shape musical expression across the globe. Discover new perspectives today.\u003c\/p\u003e","products":[{"product_id":"revolution-s-echoes-book-nomi-dave-9780226654638","title":"The Revolution's Echoes","description":"Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But as Nomi Dave shows us in The Revolution's Echoes, the opposite is also true--music can often support, rather than challenge, the powers that be.   Examining fifty years of history in Guinea, Dave introduces readers to the music supporting the authoritarian regime of former president S kou Tour , and to the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn't just the result of state manipulation--even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution's Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49593085952273,"sku":"GOR011811414","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/022665463X.jpg?v=1751164267"},{"product_id":"django-generations-book-siv-b-lie-9780226811000","title":"Django Generations","description":"Django Generations shows how relationships between racial identities, jazz, and national belonging become entangled in France.   Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France’s most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France’s assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others.   In this book, Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739211669777,"sku":"NGR9780226811000","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/022681100X.jpg?v=1751433880"},{"product_id":"sing-and-sing-on-book-kay-kaufman-shelemay-9780226810027","title":"Sing and Sing On","description":"A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution.  Sing and Sing On is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world’s oldest monarchies and installed a brutal military regime. Musicians were among the first to depart the region, their lives shattered by revolutionary violence, curfews, and civil war. Reconstructing the memories of forced migration, Sing and Sing On traces the challenges musicians faced amidst revolutionary violence and the critical role they played in building communities abroad.   Drawing on the recollections of dozens of musicians, Sing and Sing On details personal, cultural, and economic hardships experienced by musicians who have resettled in new locales abroad. Kay Kaufman Shelemay highlights their many artistic and social initiatives and the ways they have offered inspiration and leadership within and beyond a rapidly growing Ethiopian American diaspora. While musicians held this role as sentinels in Ethiopian culture long before the revolution began, it has taken on new meanings and contours in the Ethiopian diaspora. The book details the ongoing creativity of these musicians while exploring the attraction of return to their Ethiopian homeland over the course of decades abroad. 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Like many states emerging from oppressive political rule, Taiwan saw a cultural explosion in the late 1980s, when nearly four decades of martial law under the Chinese Nationalist Party ended. As members of a multicultural, multilingual society with a complex history of migration and colonization, Taiwanese people entered this moment of political transformation eager to tell their stories and grapple with their identities. In Renegade Rhymes, ethnomusicologist Meredith Schweig shows how rap music has become a powerful tool in the post-authoritarian period for both exploring and producing new knowledge about the ethnic, cultural, and political history of Taiwan.  ​  Schweig draws on extensive ethnographic fieldwork, taking readers to concert venues, music video sets, scenes of protest, and more to show how early MCs from marginalized ethnic groups infused rap with important aspects of their own local languages, music, and narrative traditions. Aiming their critiques at the educational system and a neoliberal economy, new generations of rappers have used the art form to nurture associational bonds and rehearse rituals of democratic citizenship, making a new kind of sense out of their complicated present.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49742234485009,"sku":"NGR9780226819587","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50346921787665,"sku":"CIN0226819582G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51000256495889,"sku":"NIN9780226819587","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226819582.jpg?v=1751434110"},{"product_id":"voice-of-the-rural-book-alessandra-ciucci-9780226816760","title":"The Voice of the Rural","description":"A moving portrait of the contemporary experiences of migrant Moroccan men.   Umbria is known to most Americans for its picturesque rolling hills and medieval villages, but to the many migrant Moroccan men who travel there, Umbria is better known for the tobacco fields, construction sites, small industries, and the outdoor weekly markets where they work. Marginalized and far from their homes, these men turn to Moroccan traditions of music and poetry that evoke the countryside they have left— l-‘arubiya, or the rural. In this book, Alessandra Ciucci takes us inside the lives of Moroccan workers, unpacking the way they share a particular musical style of the rural to create a sense of home and belonging in a foreign and inhospitable nation. Along the way, she uncovers how this culture of belonging is not just the product of the struggles of migration, but also tied to the reclamation of a noble and virtuous masculine identity that is inaccessible to Moroccan migrants in Italy.    The Voice of the Rural allows us to understand the contemporary experiences of migrant Moroccan men by examining their imagined relationship to the rural through sound, shedding new light on the urgent issues of migration and belonging.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49742371717393,"sku":"NGR9780226816760","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226816761.jpg?v=1751133329"},{"product_id":"sonic-mobilities-book-adam-kielman-9780226817804","title":"Sonic Mobilities","description":"A fascinating look at how the popular musical culture of Guangzhou expresses the city’s unique cosmopolitanism.     Guangzhou is a large Chinese city like many others. With a booming economy and abundant job opportunities, it has become a magnet for rural citizens seeking better job prospects as well as global corporations hoping to gain a foothold in one of the world’s largest economies. This openness and energy have led to a thriving popular music scene that is every bit the equal of Beijing’s. But the musical culture of Guangzhou expresses the city’s unique cosmopolitanism. A port city that once played a key role in China’s maritime Silk Road, Guangzhou has long been an international hub. Now, new migrants to the city are incorporating diverse Chinese folk traditions into the musical tapestry.     In Sonic Mobilities, ethnomusicologist Adam Kielman takes a deep dive into Guangzhou's music scene through two bands, Wanju Chuanzhang (Toy Captain) and Mabang (Caravan), that express ties to their rural homelands and small-town roots while forging new cosmopolitan musical connections. These bands make music that captures the intersection of the global and local that has come to define Guangzhou, for example by writing songs with a popular Jamaican reggae beat and lyrics in their distinct regional dialects mostly incomprehensible to their audiences. These bands create a sound both instantly recognizable and totally foreign, international and hyper-local. This juxtaposition, Kielman argues, is an apt expression of the demographic, geographic, and political shifts underway in Guangzhou and across the country. Bridging ethnomusicology, popular music studies, cultural geography, and media studies, Kielman examines the cultural dimensions of shifts in conceptualizations of self, space, publics, and state in a rapidly transforming the People’s Republic of China.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49744298606865,"sku":"NGR9780226817804","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50292669186321,"sku":"CIN0226817806VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51000259051793,"sku":"NIN9780226817804","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52102626541841,"sku":"CIN0226817806G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226817806.jpg?v=1751070354"},{"product_id":"voice-of-the-rural-book-alessandra-ciucci-9780226818696","title":"The Voice of the Rural","description":"A moving portrait of the contemporary experiences of migrant Moroccan men.   Umbria is known to most Americans for its picturesque rolling hills and medieval villages, but to the many migrant Moroccan men who travel there, Umbria is better known for the tobacco fields, construction sites, small industries, and the outdoor weekly markets where they work. Marginalized and far from their homes, these men turn to Moroccan traditions of music and poetry that evoke the countryside they have left— l-‘arubiya, or the rural. In this book, Alessandra Ciucci takes us inside the lives of Moroccan workers, unpacking the way they share a particular musical style of the rural to create a sense of home and belonging in a foreign and inhospitable nation. Along the way, she uncovers how this culture of belonging is not just the product of the struggles of migration, but also tied to the reclamation of a noble and virtuous masculine identity that is inaccessible to Moroccan migrants in Italy.    The Voice of the Rural allows us to understand the contemporary experiences of migrant Moroccan men by examining their imagined relationship to the rural through sound, shedding new light on the urgent issues of migration and belonging.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49744382132497,"sku":"NGR9780226818696","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50346850058513,"sku":"CIN0226818691G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51000352833809,"sku":"NIN9780226818696","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226818691.jpg?v=1751164334"},{"product_id":"scattered-court-book-richard-david-williams-9780226825458","title":"The Scattered Court","description":"Presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century.     How far did colonialism transform north Indian music? In the period between the Mughal empire and the British Raj, how did the political landscape bleed into aesthetics, music, dance, and poetry? Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, The Scattered Court challenges our assumptions about the period. Richard David Williams presents a long history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali Shah (1822–1887), the last ruler of the kingdom of Awadh. He charts the movement of musicians and dancers between the two courts in Lucknow and Matiyaburj, as well as the transregional circulation of intellectual traditions and musical genres, and demonstrates the importance of the exile period for the rise of Calcutta as a celebrated center of Hindustani classical music. Since Lucknow is associated with late Mughal or Nawabi society and Calcutta with colonial modernity, examining the relationship between the two cities sheds light on forms of continuity and transition over the nineteenth century, as artists and their patrons navigated political ruptures and social transformations. The Scattered Court challenges the existing historiography of Hindustani music and Indian culture under colonialism by arguing that our focus on Anglophone sources and modernizing impulses has directed us away from the aesthetic subtleties, historical continuities, and emotional dimensions of nineteenth-century music.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49745662771473,"sku":"NGR9780226825458","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51115203232017,"sku":"NIN9780226825458","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226825450.jpg?v=1750940906"},{"product_id":"love-songs-in-motion-book-christina-j-woolner-9780226827391","title":"Love Songs in Motion","description":"An intimate account of everyday life in Somaliland, explored through an ever-evolving musical genre of love songs.   At first listen, both music and talk about love are conspicuously absent from Somaliland’s public soundscapes. The lingering effects of war, the contested place of music in Islam, and gendered norms of emotional expression limit opportunities for making music and sharing personal feelings. But while Christina J. Woolner was researching peacebuilding in Somaliland’s capital, Hargeysa, she kept hearing snippets of songs. Almost all of these, she learned, were about love. In these songs, poets, musicians, and singers collaborate to give voice to personal love aspirations and often painful experiences of love-suffering. Once in circulation, the intimate and heartfelt voices of love songs provide rare and deeply therapeutic opportunities for dareen-wadaag (feeling-sharing). In a region of political instability, these songs also work to powerfully unite listeners on the basis of shared vulnerability, transcending social and political divisions and opening space for a different kind of politics.     Taking us from 1950s recordings preserved on dusty cassettes to new releases on YouTube and live performances at Somaliland’s first postwar music venue—where the author herself eventually takes the stage—Woolner offers an account of love songs in motion that reveals the capacity of music to connect people and feelings across time and space, creating new possibilities for relating to oneself and others.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49747716047121,"sku":"NGR9780226827391","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51302871892241,"sku":"NIN9780226827391","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":52692304724241,"sku":"GOR014579270","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ LIKE_NEW \/ SBYB","offer_id":52879781626129,"sku":"CIN0226827399LN","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226827399.jpg?v=1750974174"},{"product_id":"efficacy-of-sound-book-ruthie-meadows-9780226828954","title":"Efficacy of Sound","description":"The first book-length ethnographic study on music and Ifá divination in Cuba and Nigeria.   Hailing from Cuba, Nigeria, and various sites across Latin America and the Caribbean, Ifá missionary-practitioners are transforming the landscape of Ifá divination and deity (òrìṣà\/oricha) worship through transatlantic travel and reconnection. In Cuba, where Ifá and Santería emerged as an interrelated, Yorùbá-inspired ritual complex, worshippers are driven to “African traditionalism” by its promise of efficacy: they find Yorùbá approaches more powerful, potent, and efficacious.     In the first book-length study on music and Ifá, Ruthie Meadows draws on extensive, multisited fieldwork in Cuba and Yorùbáland, Nigeria, to examine the controversial “Nigerian-style” ritual movement in Cuban Ifá divination. Meadows uses feminist and queer of color theory along with critical studies of Africanity to excavate the relation between utility and affect within translocal ritual music circulations. Meadows traces how translocal Ifá priestesses (ìyánífá), female batá drummers (bataleras), and priests (babaláwo) harness Yorùbá-centric approaches to ritual music and sound to heighten efficacy, achieve desired ritual outcomes, and reshape the conditions of their lives. Within a contentious religious landscape marked by the idiosyncrasies of revolutionary state policy, Nigerian-style Ifá-Òrìṣà is leveraged to transform femininity and masculinity, state religious policy, and transatlantic ritual authority on the island.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49747764969745,"sku":"NGR9780226828954","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51000363122961,"sku":"NIN9780226828954","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226828956.jpg?v=1750940911"},{"product_id":"prodigy-s-calling-book-paul-f-berliner-9780226835174","title":"A Prodigy's Calling","description":"The coming-of-age story of a master musician in mid-twentieth century colonial Rhodesia as he learns his community’s most cherished art, all while navigating profound social transformation.     Ethnomusicologist Paul F. Berliner has been studying Zimbabwean mbira for more than fifty years. When he first arrived in what was then Rhodesia after the nation declared independence from the United Kingdom, he met Cosmas Magaya, a mbira player who would become his teacher and lifelong collaborator. A Prodigy’s Calling chronicles the early years of Magaya’s life, documenting the master mbira player’s journey from child prodigy to established expert. As a child, Magaya was immersed in mbira music through his father’s work as a healer and spirit medium. As Magaya grew, so too did his world; his performances extended beyond the family compound as his skill and knowledge increased, bringing him into contact with a society fraught with decolonial conflict.     Following Magaya’s childhood, readers will learn how his upbringing guided his journey through the community’s social networks and how his early sensibilities, proclivities, and talents shaped his development. At the same time, his deepening engagement with music and the ancestors was affected by overlapping tensions between Shona cosmology and Christian ideology, rural and urban lifestyles, and the escalating African nationalist struggle and the white supremacist state. While Magaya’s story reflects profound social changes in the nation, it is also a story of musical apprenticeship. Readers following Magaya’s discovery of ever finer details in the music’s richly layered patterns will enhance their ability to hear mbira music’s forms, variations, and sonic qualities. Linocut illustrations by South African artist Lucas Bambo bring the narrative to life, and Berliner’s spirited storytelling is accompanied by QR codes that take readers directly to recordings of music as Magaya learns it. Appendices for musicians interested in learning or improving their mbira playing complement the story of Magaya’s early life. Inviting the reader into the very tradition it recounts, the book offers intimate insights into the relationships among music, Shona cosmology, and colonial politics in everyday life.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50259132809489,"sku":"NGR9780226835174","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226835170.jpg?v=1750909235"},{"product_id":"music-as-social-life-book-thomas-turino-9780226816975","title":"Music as Social Life","description":"People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. In \"Music as Social Life\", Thomas Turino explores why it is that music and dance are so often at the center of our most profound personal and social experiences.Turino begins by developing tools to think about the special properties of music and dance that make them fundamental resources for connecting with our own lives, our communities, and the environment. These concepts are then put into practice as he analyzes various musical examples among indigenous Peruvians, rural and urban Zimbabweans, and American old-time musicians and dancers. To examine the divergent ways that music can fuel social and political movements, Turino looks at its use by the Nazi Party and by the American civil rights movement. Wide-ranging, accessible to anyone with an interest in music's role in society, and accompanied by a compact disc, \"Music as Social Life\" is an illuminating initiation into the power of music.","brand":"WoB","offers":[{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":50290328568081,"sku":"GOR013914533","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226816974.jpg?v=1750779716"},{"product_id":"visions-of-sound-book-beverly-diamond-9780226144764","title":"Visions of Sound","description":"This study of the musical instruments of native people in Northeastern North America focuses on interpretations by elders and consultants from Iroquois, Wabanati, Innuat and Anishnabek communities. Beverley Diamond, M. Sam Cronk and Franziska von Rosen present these instruments in a theoretically innovative setting organized around such abstract themes as complementarity, twinness and relationship. As sources of metaphor - in both sound and image - instruments are interpreted within a framework that regards meaning as \"emergent\" and that challenges a number of previous ethnographic descriptions. Finally, the association between sound and \"motion\" - an association that illuminates the unity of music and dance and the life-cycles of individual musical instruments - is explored. Featuring photographs of instruments, dialogues among the co-authors, numerous interviews with individual music-makers, and an appended catalogue of over 700 instrument descriptions, this book should prove of interest to all ethnomusicologists and students of Native American culture, as well as general readers interested in Native American mythology and religious life.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50345988391185,"sku":"CIN0226144763G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226144763.jpg?v=1750973974"},{"product_id":"in-township-tonight-book-david-b-coplan-9780226115672","title":"In Township Tonight!","description":"David B. Coplan's pioneering social history of black South Africa's urban music, dance, and theater established itself as a classic soon after its publication in 1985. As the first substantial history of black performing arts in South Africa, \"In Township Tonight!\" was championed by a broad range of scholars and treasured by fans of South African music. Now completely revised, expanded, and updated, this new edition takes account of developments over the last thirty years while reflecting on the massive changes in South African politics and society since the end of the apartheid era.In vivid detail, Coplan comprehensively explores more than three centuries of the diverse history of South Africa's black popular culture, taking readers from indigenous musical traditions into the world of slave orchestras, pennywhistlers, clergyman-composers, the gum-boot dances of mineworkers, and touring minstrelsy and vaudeville acts. This up-to-date edition of a landmark work will be welcomed by scholars of ethnomusicology and African studies, world music fans, and anyone concerned with South Africa and its development.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50346798678289,"sku":"CIN0226115674G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":53627573928209,"sku":"CIN0226115674A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0226115674.jpg?v=1750779521"},{"product_id":"island-time-book-jessica-swanston-baker-9780226837307","title":"Island Time","description":"A close look at how wylers, a popular musical style from the island of St. Kitts and Nevis, expresses a unique mode of relation in the postcolonial Caribbean.     In Island Time, ethnomusicologist Jessica Swanston Baker examines wylers, a musical form from St. Kitts and Nevis that is characterized by speed. Baker argues that this speed becomes a useful and highly subjective metric for measuring the relationship between Caribbean aspirations and the promises of economic modernity; women’s bodily autonomy and the nationalist fantasies that would seek to curb that autonomy; and the material realities of Kittitian-Nevisian youth living in the disillusionment following postcolonial independence. She traces the wider Caribbean musical, cultural, and media-based resonances of wylers, posing an alternative model to scholarship on Caribbean music that has tended to privilege the big islands—Trinidad, Jamaica, and Haiti—thus neglecting not only the unique cultural worlds of smaller nations but also the unbounded nature of musical exchange in the region. The archipelago emerges as a useful model for apprehending the relationality across scales that governs the temporal and spatial logics that undergird Caribbean performance. 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