{"title":"Classical Memories Modern Identities","description":null,"products":[{"product_id":"modern-odysseys-book-michelle-zerba-9780814214640","title":"Modern Odysseys","description":"\u003cdiv\u003eMichelle Zerba's \u003ci\u003eModern Odysseys\u003c\/i\u003e explores three major writers in global modernism from the Mediterranean, Anglo-European Britain, and the Caribbean whose groundbreaking literary works have never been studied together before. Using language as an instrument of revolution and social change, C. P. Cavafy, Virginia Woolf, and Aimé Césaire gave expression to the forms of human experience we now associate with modernity: homoeroticism, transsexuality, and racial consciousness. More specifically, Zerba argues that Odyssean tropes of diffusion, isolation, passage, and return give form to works by these writers but in ways that invite us to reconsider and revise the basic premises of reception studies and intellectual history. Combining close readings of literary texts with the study of interviews, essays, diaries, and letters, Zerba advances a revisionary account of how to approach relationships between antiquity and modernity. Instead of frontal encounters with the \u003ci\u003eOdyssey,\u003c\/i\u003e Cavafy, Woolf, and Césaire indirectly--but no less significantly--engage with Homer's epic poem. 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Aristotle proposed \u003ci\u003ecatharsis, \u003c\/i\u003e an emotional cleansing-or, in later interpretations, a sense of equilibrium-as tragedy's outcome, and Sigmund Freud and Jacques Lacan, grand theorists of the forces of anti-mastery in human and nonhuman existence, surprisingly agreed. Notwithstanding this deferral to Aristotle, their theorizations of the death drive-together with Jacques Derrida's notion of the archive as a place of conservation that inevitably fails-provide the groundwork for a radically new way of understanding tragic aesthetics. \u003cp\u003e\u003c\/p\u003e With bold readings of thirteen plays by Aeschylus, Sophocles, and Euripides, including the Oedipus cycle, the \u003ci\u003eOresteia, \u003c\/i\u003e \u003ci\u003eMedea, \u003c\/i\u003e and \u003ci\u003eBacchae\u003c\/i\u003e; an eclectic synthesis of Freud, Lacan, Derrida, Zizek, Deleuze, and other critical theorists; and an engagement with art, architecture, and film, Mario Tel 's \u003ci\u003eArchive Feelings: A Theory of Greek Tragedy\u003c\/i\u003e locates Greek tragedy's aesthetic allure beyond catharsis in a vertiginous sense of giddy suspension, in a spiral of life and death that resists equilibrium, stabilization, and all forms of normativity. 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Since the production of Foucault's History of Sexuality, the field of classics has been caught in a recursive loop of argument regarding the existence--or lack thereof--of sexuality (particularly homosexuality) as a meaningful cultural concept for ancient Greece and Rome. Much of the argument concerning these issues, however, has failed to engage with the central argument of Foucault's work, namely, the assertion that sexuality as we understand it is the correlative of a historically specific form of medical and legal discourse that emerged only in the late nineteenth century. \u003cp\u003e\u003c\/p\u003e Rather than reopening old debates, Ancient Sex takes up Foucault's call for discursive analysis and elucidates some of the ways that ancient Greek and Roman texts and visual arts articulate a culturally specific discourse about sexual matters. Each contributor presupposes that sexual and gendered identities are discursively produced, and teases out some of the ways that the Greeks and Romans spoke and thought about these issues. Comprising essays by emerging and established scholars, this volume emphasizes in particular: sexual discourses about women; the interaction between sexual identities and class status; gender as an unstable discursive category (even in antiquity); and the relationships between ancient and modern sexual categories.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51630308000017,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51630308950289,"sku":"NGR9780814252116","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52586483876113,"sku":"NLS9780814252116","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814252117.jpg?v=1751233659"},{"product_id":"archive-feelings-book-mario-tel-9780814257739","title":"Archive Feelings","description":"Do we take pleasure in reading ancient Greek tragedy despite the unsettling content or because of it? 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Her reconsideration of highly determined pieces by Gorgias, Lysias, Isocrates, and Plato encourages readers to inherit the rhetorical tradition differently, and it pinpoints the important rhetorical dimensions of Derrida's own work. Drawing on Derrida's (non)definition of ethics and his pointed accounts of performativity, Rollins argues that this vital ethical component of many ancient theories, practices, and pedagogies of persuasion has been undertheorized for more than two millennia. Through deconstructive readings of some of these texts, she shows us that we are not simply sovereign beings who both wield and guard against linguistic techniques of rule. 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Seeking to transcend the superficiality, commercialism, and precariousness of life in post-World War II America, the Beat writers found in their classical models both a venerable literary heritage and a discourse of sublimity through which to articulate their desire for purity.\u003cbr\u003e  \u003cbr\u003e In this volume, a diverse group of contributors explore for the first time the fascinating tensions and paradoxes that arose from interactions between these avant-garde writers and a literary tradition often seen as conservative and culturally hegemonic. With essays that cover the canonical Beat authors--such as Allen Ginsberg, Jack Kerouac, and William Burroughs--along with less well-known figures--including Kenneth Rexroth, Ed Sanders, and Diane di Prima--\u003ci\u003eHip Sublime: Beat Writers and the Classical Tradition\u003c\/i\u003e brings long overdue attention to the Beat movement's formative appropriation of the Greek and Latin classics.\u003cbr\u003e  \u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52125674864913,"sku":"NLS9780814213551","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814213551.jpg?v=1776938606"},{"product_id":"virginia-woolf-s-mythic-method-book-amy-c-smith-9780814215135","title":"Virginia Woolf's Mythic Method","description":"\u003cdiv\u003eIn \u003ci\u003eVirginia Woolf's Mythic Method\u003c\/i\u003e, Amy C. 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The eighteenth century is famous for its celebration and deployment of ideals such as optimism, reason, and human progress--ideals seemingly contradicted by the pessimism and passion of much classical tragedy. Moreover, tragedy in the Enlightenment is also often overlooked in favor of its illustrious seventeenth-century predecessors. In \u003ci\u003eShadows of the Enlightenment\u003c\/i\u003e, an assemblage of respected experts specializing in classical, eighteenth-century, comparative, and modernist literary traditions offer a corrective analysis, proving that the Enlightenment was a critical period for tragic drama, during which the signature classical influences of the era coexisted with an emerging modern identity. By analyzing a highly diverse set of works--from Johann Christoph Gottsched to Voltaire to Joanna Baillie--with a rare pan-European scope, the contributors excavate the dynamic, and indeed paradoxical, entanglement of antiquity and modernity encapsulated by Enlightenment tragedy.  Contributors: Joshua Billings, Logan J. Connors, Adrian Daub, Cécile Dudouyt, James Harriman-Smith, Joseph Harris, Alex Eric Hernandez, Blair Hoxby, Russ Leo, Larry F. 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Alston and Spentzou explore Roman subjectivity to illuminate a society whose fragmentation presented considerable challenges to contemporary thinkers. These members of the elite and intellectual classes faced complex ideological choices in relation to how they could define themselves in relation to imperial society.\u003cbr\u003e  \u003cbr\u003e \u003ci\u003eReflections of Romanity\u003c\/i\u003e draws on present-day reflections on selfhood while at the same time uncovering processes of self-analysis, notably by tracing individuals' reactions to moments of crisis or uncertainty. Thus it sets up a dialogue between the ancient texts it discusses, including the epics of Lucan and Statius, the letters of the Younger Pliny, Silius Italicus' \u003ci\u003ePunica,\u003c\/i\u003e and Tacitus' historical writings, and works of the modern period. 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Blevins asserts that influence and imitation are primarily driven by anxious desires to identify the poetic self with the past while simultaneously affirming the autonomy and individuality of the self within its own cultural, ideological, and poetic moment. Since the poet cannot hold positions simultaneously in both past and present, anxiety irrupts as the poet fails to understand the fissures in his sense of identity and how that identity is articulated in poetic expression.\u003cbr\u003e \u003cbr\u003e Blevins grounds his approach in the theories of Jacques Lacan, whose work challenges the very notions of what identity is and, as a result, exposes the complexities of identity formation. Areas and authors covered include imitations and translations of classical works of the sixteenth and seventeenth centuries in England and France by Andrew Marvell, Edmund Spencer, Pierre Ronsard, Joachim Du Bellay, Ben Jonson, Sir Thomas Wyatt, and John Milton.\u003cbr\u003e \u003cbr\u003e This book not only provides a new perspective on early modern poetic imitation, but also offers a foundational methodology for examining the classical presence within the modern self.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52592319037713,"sku":"NLS9780814252994","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814252994.jpg?v=1761065683"},{"product_id":"odyssean-identities-in-modern-cultures-book-hunter-gardner-9780814252970","title":"Odyssean Identities in Modern Cultures","description":"\u003cdiv\u003eAddressed to both classicists and students of modern culture, \u003ci\u003eOdyssean Identities in Modern Cultures: The Journey Home\u003c\/i\u003e traces the \u003ci\u003eOdyssey\u003c\/i\u003e's central theme of homecoming in a wide range of narratives from the late nineteenth to the early twenty-first century. Accounts of the journey home in novels, plays, lyric poems, paintings, and a television series explore the challenges of returning from a long absence to reclaim a former life. These retellings raise fresh questions about the relationship between home and the identities we expect to find rooted there and stress the elusiveness of a satisfying homecoming. They remind us that the \u003ci\u003eOdyssey\u003c\/i\u003e's happy ending is itself qualified by the hero's unsettled future, the violence of his return, and the independent desires of his friends and family members. At the same time, they highlight new obstacles to homecoming posed by the modern world with its political and economic upheavals, newly configured family relations and gender roles, and diminished confidence in the stability of identity. The authors discussed include Charlotte Yonge, James Joyce, Virginia Woolf, Rebecca West, George Seferis, Yannis Ritsos, Gwendolyn Brooks, Charles Frazier, W. B. 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But what \u003ci\u003eis\u003c\/i\u003e \"philology,\" and how can we attend to it, either as a contemporary practice or as an age-old object of endorsement and critique?\u003cbr\u003e  \u003cbr\u003e In this volume, edited by Sean Gurd, noted scholars discuss the history of philology from antiquity to the present. This book addresses a wide variety of authors, documents, and movements, among them Greek papyri, Latin textual traditions, the Renaissance, eighteenth-century antiquarianism, and deconstruction.\u003cbr\u003e  \u003cbr\u003e It is too easy to see philology as the bearer of an antiquated but forceful authority. When philologists take up the tools of textual criticism, they contribute to the very form of texts; seeking to articulate the protocols of correct interpretation, they aspire to be the legislators of reading practice. 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Whereas the tradition of emulating classical ideals in German intellectual life has generally emerged from the impulse to identify with models, the challenge of \u003ci\u003etranslating\u003c\/i\u003e the Greeks underscores the linguistic and historical discontinuities inherent in the recourse to ancient material and inscribes that experience of disruption as fundamental to modernity.\u003c\/p\u003e \u003cp\u003eFriedrich Hölderlin's translations are a case in point. Regarded in his own time as the work of a madman, his renditions of Sophoclean tragedy intensify dramatic effect with the unsettling experience of familiar language slipping its moorings. His attention to marking the distances between ancient source text and modern translation has granted his \u003ci\u003eOedipus\u003c\/i\u003e and \u003ci\u003eAntigone\u003c\/i\u003e a distinct longevity as objects of discussion, adaptation, and even retranslation. 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The essays in \u003ci\u003eNiobes\u003c\/i\u003e present her as a set of complex figurations, an elusive mythical character but also an overdetermined figure who has long exerted a profound influence on various modes of modern thought, especially in the domains of aesthetics, ethics, psychoanalysis, and politics. As a symbol of both exclusion and resistance, Niobe calls for critical attention at a time of global crisis. Reconstructing the dialogues of Phillis Wheatley, G. W. F. Hegel, Walter Benjamin, Aby Warburg, and others with Niobe as she appears in Aeschylus, Sophocles, Ovid, and the visual arts, a collective of major thinkers--classicists, art historians, and critical theorists--reflect on the space that she can occupy in the humanities today. Inspiring new ways of connecting the classical tradition and ancient tragic discourse with crises and political questions relating to gender, race, and social justice, Niobe insists on living on. 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Instead of frontal encounters with the \u003ci\u003eOdyssey,\u003c\/i\u003e Cavafy, Woolf, and Césaire indirectly--but no less significantly--engage with Homer's epic poem. In demonstrating how such encounters operate, \u003ci\u003eModern Odysseys\u003c\/i\u003e explores issues of race and sexuality that connect antiquity with the modern period.  \u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52685153206545,"sku":"NLS9780814257814","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814257814.jpg?v=1762324835"},{"product_id":"classics-beyond-the-pleasure-principle-book-paul-allen-miller-9780814216156","title":"Classics Beyond the Pleasure Principle","description":"\u003cdiv\u003e\n\u003ci\u003eClassics Beyond the Pleasure Principle\u003c\/i\u003e explores the concept of the Freudian death drive to interrogate both the ancient past and the present, highlighting how destruction and its remnants resist erasure and shape historical memory. 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