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Within, they seek a wholeness and collective identity they manifestly lack, with their pain expressed via an ordered emotional palette that, despite being muted, cries out for attention. As Kornhaber shows, Anderson's films offer nothing less than a fascinating study in the sensation of belonging--told by characters who possess it the least.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49728620232977,"sku":"NGR9780252082726","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50347311038737,"sku":"CIN0252082729G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53216925286673,"sku":"GOR010608410","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0252082729.jpg?v=1767352927"},{"product_id":"roman-polanski-book-james-morrison-9780252074462","title":"Roman Polanski","description":"Tracing the filmmaker Roman Polanski's remarkably diverse career from its beginnings to the present, this book provides commentary on the major films in their historical, cultural, social, and artistic contexts.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51688182776081,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51688182874385,"sku":"CIN0252074467G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0252074467.jpg?v=1767349727"},{"product_id":"chris-marker-book-nora-m-alter-9780252073168","title":"Chris Marker","description":"Having spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s and developed a distinctive style involving still images, Chris Marker stands among the most influential filmmakers of the postwar era. 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Films such as The Bellboy, The Errand Boy, Three on a Couch, and The Big Mouth present a series of thematic variations on this tension, in which such questions as how to be a man, how to be popular, and how to maintain relationships are posed within frameworks that set up a liberating and exhilarating confusion of roles and norms. The Nutty Professor and The Patsy are especially profound and painful examinations of the difficulty experienced by Lewis's character in reconciling loving himself and being loved by others. With sharp, concise observations, Chris Fujiwara examines this visionary director of self-referential comedic masterpieces. The book also includes an enlightening interview with Lewis that offers unique commentary on the creation and study of comedy.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53023883821329,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":53023884017937,"sku":"CIN0252076796G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780252076794.jpg?v=1768400760"},{"product_id":"jane-campion-book-kathleen-mchugh-9780252074479","title":"Jane Campion","description":"In considering Jane Campion's early award-winning short films on through international sensation The Piano and beyond, Kathleen McHugh traces the director's distinctive visual style as well as her commitment to consistently renovating the conventions of \"women's films.\" By refusing to position her female protagonists as victims, McHugh argues, Campion scrupulously avoids the moral structures of melodrama, and though she often works with the narratives, mise-en-scene, and visual tropes typical of that genre, her films instead invite a distanced or even amused engagement.     Jane Campion concludes with four brief, revelatory interviews and a filmography. Campion spoke twice with Michel Ciment—after the screening of her short and medium-length films at the Cannes Film Festival 1986, and three years later, after the Cannes screening of Sweetie. Judith Lewis narrates a Beverly Hills interview with Campion that followed the release of Holy Smoke, and Lizzie Francke's interview, reprinted from Sight and Sound,centers on Campion's film In the Cut, adapted from Susanna Moore's novel.    A volume in the series Contemporary Film Directors, edited by James R. 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