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Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. 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Taking in the 80s nightmares of Darrell Roodt and concluding with an analysis of the recent boom-period in South African fright-films, including discussion of such contemporary efforts as The Tokoloshe (Jerome Pikwane, 2018) and the Troma-esque leanings of Fried Barry (Ryan Kruger, 2020), South African Horror Cinema focuses on ever-changing identities and perspectives, and embraces the frequently carnivalesque and grotesque elements of a most unique lineage in macabre motion pictures.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51604799586577,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51604799684881,"sku":"NGR9781501385063","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52475317977361,"sku":"NLS9781501385063","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501385062.jpg?v=1751211094"},{"product_id":"global-cult-cinemas-book-dolores-tierney-9781501375200","title":"Global Cult Cinemas","description":"Global Cult Cinemas calls for a decolonisation of cult film studies.   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Chapters include investigations of specific cult film traditions within countries such as Brazil, Indonesia and Pakistan, alongside explorations of the politics of indigenous cult filmmaking, the global circulation of cult icons such as El Santo, and the status of auteurs such as Alejandro Jodorowsky in the era of #MeToo. 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How might he be understood in relation to genre, one of which he is sometimes credited with having pioneered?   This volume addresses these questions through a thorough analysis of Bava's shifting reputation as a stylist and genre pioneer and also discusses the formal and narrative properties of a filmography marked by an emphasis on spectacle and atmosphere over narrative coherence and the ways in which his lauded cinematic style intersects with different production contexts. 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