{"title":"Italica Press Poetry In Translation","description":null,"products":[{"product_id":"rinaldo-book-torquato-tasso-9781599103594","title":"Rinaldo","description":"\u003cp\u003eTorquato Tasso, at the age of eighteen, composed his first epic poem, \u003cem\u003eRinaldo. \u003c\/em\u003eIt combines romantic epic -- a form popularized by Italian masters like Boiardo and Ariosto -- with classical influences from Virgil and Aristotle. Despite Tasso's youth, his \u003cem\u003eRinaldo\u003c\/em\u003e was a remarkably original achievement in terms of style, organization and plot. Tasso's story-telling abilities are clear as he manages to shape an enormous array of characters, geographical backdrops, uncanny events and mysterious devices into an impressively unified narrative.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe hero of the poem begins his quest for knighthood spurred on by his own sense of unworthiness in the shadow of Orlando, his world-famous cousin. Rinaldo quickly enters a world of jousts and maidens, love and magic spells, hidden enemies and secret friends, disastrous shipwrecks, enchanted castles and unexpected meetings. Tasso's work has all the elements of the best of Renaissance tales of noble fortunes gone wrong and righted. Max Wickert's introduction opens the reader to the literary scene of mid-cinquecento Italy: a complex world of competition, jealousy and innovation. In this world Tasso's own father Bernardo, a court poet and diplomat, had tried his hand at an enormous epic, \u003cem\u003eAmadigi,\u003c\/em\u003e which met with more prestige than success. Planning to protect his son from the disappointments of a writer's life, he arranged for him to study law at the University of Padua. The call of the literary life proved too strong, however. While he should have been pursuing his legal studies, Torquato published his \u003cem\u003eRinaldo\u003c\/em\u003e at Venice in 1562, only two years after his father's own epic.\u003c\/p\u003e\u003cp\u003eIntroduction, bibliography, glossary, chronology, plot summary, index. 492 pages.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51038859100433,"sku":"NIN9781599103594","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51915544789265,"sku":"CIN1599103591VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52474530824465,"sku":"NLS9781599103594","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1599103591.jpg?v=1751120167"},{"product_id":"rinaldo-book-torquato-tasso-9781599103587","title":"Rinaldo","description":"\u003cp\u003eTorquato Tasso, at the age of eighteen, composed his first epic poem, \u003cem\u003eRinaldo. \u003c\/em\u003eIt combines romantic epic -- a form popularized by Italian masters like Boiardo and Ariosto -- with classical influences from Virgil and Aristotle. Despite Tasso's youth, his \u003cem\u003eRinaldo\u003c\/em\u003e was a remarkably original achievement in terms of style, organization and plot. Tasso's story-telling abilities are clear as he manages to shape an enormous array of characters, geographical backdrops, uncanny events and mysterious devices into an impressively unified narrative.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe hero of the poem begins his quest for knighthood spurred on by his own sense of unworthiness in the shadow of Orlando, his world-famous cousin. Rinaldo quickly enters a world of jousts and maidens, love and magic spells, hidden enemies and secret friends, disastrous shipwrecks, enchanted castles and unexpected meetings. Tasso's work has all the elements of the best of Renaissance tales of noble fortunes gone wrong and righted. Max Wickert's introduction opens the reader to the literary scene of mid-cinquecento Italy: a complex world of competition, jealousy and innovation. 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At the age of twenty-two, he published his first collection, Mal giocondo (1889, Troubled Joy), followed quickly by three further volumes, Pasqua in Gea (1891, Easter in Gea), Elegie renane (1895, Rhenish Elegies) and Zampogna (1901, Bagpipes). In 1912 he published his final volume of poetry, Fuori di chiave (Offkey), but he continued to publish poetry in literary journals and anthologies until his death in 1936.\u003c\/p\u003e \u003cp\u003eIn a literary career that spans the turning of the twentieth century, his poetry reflected many of the currents of his time: modernism and relativism, the tension between faith and science and the place of the individual in a world devoid of coherence. He writes movingly of nature -- silent, indifferent, unconscious, enduring -- as the very antithesis of chaotic human activity. He writes of life and death, children and coffee, of love, earth and dreams. His style might seem traditional -- more traditional than would be expected of an author whose work for theater surpassed mere innovation -- and while his forms might be conservative, his ideas matched the spirit of his age.\u003c\/p\u003e \u003cp\u003eAs the translator George Hochfield writes in his introduction, These poems reveal a somber and sensitive man, the dramatist, who, when the play is over and the curtain is drawn, comes to the front of the stage and addresses the audience directly.\u003c\/p\u003e \u003cp\u003eThis dual-language edition presents for the first time in English translation a selection of work from the entire range of Pirandello's poetic output. 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