{"title":"John And Robin Dickson Series In Texas Music","description":"\u003cp\u003eDelve into the heart of Texas music with John and Robin Dickson's insightful series. Perfect for music lovers and history buffs alike, these books celebrate the unique sounds and stories of the Lone Star State.\u003c\/p\u003e","products":[{"product_id":"americana-music-book-lee-zimmerman-9781623497019","title":"Americana Music","description":"With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate.  As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, “Americana” covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer\/songwriters, R\u0026amp;B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional.  Mining the firsthand insights of those whose stories help shape the sound—people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more—Americana Music provides a history of how Americana originated, how it reached a broader audience in the '60s and '70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49736106475793,"sku":"NGR9781623497019","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51338043752721,"sku":"GOR014228701","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1623497019.jpg?v=1763481293"},{"product_id":"pickers-and-poets-book-craig-clifford-9781623494469","title":"Pickers and Poets","description":"Many books and essays have addressed the broad sweep of Texas music—its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love\/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as “ruthlessly poetic.” All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center.  Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were “folk singers.” Unlike Dylan, however, these were folk singers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted.  That rootedness, in fact, is reflected in the book’s emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the “founders” got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49885383622929,"sku":"CIN162349446XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51885938114833,"sku":"CIN162349446XVG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/162349446X.jpg?v=1750863089"},{"product_id":"without-getting-killed-or-caught-book-tamara-saviano-9781623494544","title":"Without Getting Killed or Caught","description":"For more than forty years, Guy Clark has been writing and recording unforgettable songs. His lyrics and melodies paint indelible portraits of the people, places, and experiences that shaped him. He has served as model, mentor, supporter, and friend to at least two generations of the world’s most talented and influential singer-songwriters. In songs like “Desperadoes Waiting for a Train,” “The Randall Knife,” “She Ain’t Goin’ Nowhere,” and “Texas, 1947,” Clark’s poetic mastery has given voice to a vision of life, love, and trouble that has resonated not only with fans of Americana music, but also with the prominent artists—including Johnny Cash, Ricky Skaggs, Jerry Jeff Walker, and others—who have recorded and performed Clark’s music.  Now, in Without Getting Killed or Caught: Th e Life and Music of Guy Clark  , writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy-nominated album This One’s for Him: A Tribute to Guy Clark.  Part memoir, part biography, Saviano’s skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting emotions that make up the life of this modern-day poet and troubadour.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49938691752209,"sku":"CIN1623494540G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50265340018961,"sku":"GOR008778720","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":52708356686097,"sku":"GOR010921378","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53026864759057,"sku":"CIN1623494540VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1623494540.jpg?v=1751310748"},{"product_id":"messenger-book-brian-t-atkinson-9781623497781","title":"The Messenger","description":"Texas singer-songwriter Hayes Carll declared, \"Ray would be at the top of the list if I were gonna read about somebody's life.\" In The Messenger: The Songwriting Legacy of Ray Wylie Hubbard, author, journalist, and music producer Brian T. Atkinson demonstrates why Carll and so many others hold Ray Wylie Hubbard in such high regard. Atkinson takes readers into and beyond the seedy bar in Red River, New Mexico, where the incident occurred that inspired Hubbard's most famous song, \"Redneck Mother.\" Hubbard tells the stories, and Atkinson enlists other musicians to expound on the nature of his abiding influence as songwriter, musician, and unflinching teller of uncomfortable truths.   Featuring interviews with well-known artists such as Eric Church, Steve Earle, Kinky Friedman, Chris Robinson, and Jerry Jeff Walker, and also mining the insights of up-and-comers such as Elizabeth Cook, Jaren Johnston, Ben Kweller, Aaron Lee Tasjan, and Paul Thorn, The Messenger makes clear why so many musicians across a wide spectrum admire Ray Wylie Hubbard. Readers will also learn why \"Redneck Mother,\" the song that put Hubbard on the map for most listeners, is also a curse, of sorts, in its diminution of both his spiritual depth as a lyricist and his multidimensional musical reach. As Hubbard himself says, \"The song probably should have never been written, let alone recorded, let alone recorded again.. . . the most important part of songwriting is right after you write a song, ask yourself, \"Can I sing this for twenty-five years?'\"    Atkinson's work makes a convincing case that Ray Wylie Hubbard's truest and most lasting contributions will long outlive him. And, with a couple of good breaks, they may even outlive \"Redneck Mother.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50116313612561,"sku":"CIN1623497787G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50700162826513,"sku":"CIN1623497787VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53645994918161,"sku":"NIN9781623497781","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1623497787.jpg?v=1761990642"},{"product_id":"seeing-stevie-ray-book-tracy-anne-hart-9781623498139","title":"Seeing Stevie Ray","description":"It may be difficult to say anything about Stevie Ray Vaughan that hasn't already been said. The skinny kid from Oak Cliff on the south side of Dallas who followed his older brother Jimmie in and out of local blues clubs and eventually to Austin would go on to establish himself as the finest guitar player of his generation and perhaps the best of all time. Vaughan was truly a conduit for the symphony of the universe. The music that flowed through him endeared him to hordes of fans and won him near-divine status among guitarists. Vaughan continues to inspire and enthrall even decades after his passing.What others have attempted to portray in prose, photographer Tracy Anne Hart has expressed in imagery. From 1983 until just before his death in 1990, Hart captured Vaughan as he summoned magic with his passion, his technique, his intensity, and his love and respect for the music. The result is a deeply felt visual portrait of Stevie Ray Vaughan that tells us almost as much about the photographer behind the camera as it does about the musician in front. Through Hart's eyes and mind, readers will experience his genius in an entirely new way.  Hart also provides a glimpse at Vaughan's legacy, offering evidence of some of the next generation of guitarists who consider Vaughan a principal influence. The sum of her efforts comprises a work that offers a visual feast for guitar enthusiasts and music fans in Texas and beyond. 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In the years that followed, the Upsetters became the backing band for Sam Cooke and crisscrossed the country as the go-to-band for revue-style tours featuring James Brown, Gladys Knight and the Pips, the Supremes, Jackie Wilson, Little Willie John, and Etta James.  In I've Been Out There, the Houston blues and R\u0026amp;B legend Grady Gaines speaks candidly about his sixty-year music career and life on the road supporting some of the biggest names in blues, soul, and R\u0026amp;B. This annotated autobiographical account details Gaines's professional triumphs and personal sacrifices.  The book contains anecdotes about life on the road and in the studio during a period when the entertainment industry was vastly different, affording readers a glimpse into the creative makeup of a man whose distinctive sax playing powered some of the most popular songs of the era, helped define the genre, and mesmerized countless audiences.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52094685905169,"sku":"GOR014487494","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53075083329809,"sku":"CIN162349270XVG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781623492700.jpg?v=1763474101"},{"product_id":"broken-spoke-book-donna-marie-miller-9781623495190","title":"The Broken Spoke","description":"James and Annetta White opened the Broken Spoke in 1964, then a mile south of the Austin city limits, under a massive live oak, and beside what would eventually become South Lamar Boulevard. 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