{"title":"Literature Religion And Postsecular Stud Ser","description":null,"products":[{"product_id":"theology-of-sense-book-scott-dill-9780814255001","title":"A Theology of Sense","description":"\u003cdiv\u003eScott Dill's \u003ci\u003eA Theology of Sense: John Updike, Embodiment, and Late Twentieth-Century American Literature\u003c\/i\u003e brings together theology, aesthetics, and the body, arguing that Updike, a central figure in post-1945 American literature, deeply embeds in his work questions of the body and the senses with questions of theology. Dill offers new understandings not only of the work of Updike--which is importantly being revisited since the author's death in 2009--but also new understandings of the relationship between aesthetics, religion, and physical experience. Dill explores Updike's unique literary legacy in order to argue for a genuinely postsecular theory of aesthetic experience. Each chapter takes up one of the five senses and its relation to broader theoretical concerns: affect, subjectivity, ontology, ethics, and theology. While placing Updike's work in relation to other late twentieth-century American writers, Dill explains their notions of embodiment and uses them to render a new account of postsecular aesthetics. No other novelist has portrayed mere sense experience as carefully, as extensively, or as theologically--repeatedly turning to the doctrine of creation as his stylistic justification. Across this examination of his many stories, novels, poems, and essays, Dill proves that Updike forces us to reconsider the power of literature to revitalize sense experience as a theological question.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51630309835025,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51630311899409,"sku":"NGR9780814255001","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52619408113937,"sku":"NLS9780814255001","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814255000.jpg?v=1751233662"},{"product_id":"constructing-nineteenth-century-religion-book-joshua-king-9780814213971","title":"Constructing Nineteenth-Century Religion","description":"\u003cdiv\u003eBringing together scholars from literary, historical, and religious studies,\u003ci\u003eConstructing Nineteenth-Century Religion\u003c\/i\u003einterrogates the seemingly obvious category of \"religion.\" This collection argues that any application of religion engages in complex and relatively modern historical processes. In considering the various ways that nineteenth-century religion was constructed, commodified, and practiced, contributors to this volume \"speak\" to each other, finding interdisciplinary links and resonances across a range of texts and contexts.   The participle in its title--\u003ci\u003eConstructing\u003c\/i\u003e--acknowledges that any articulation of nineteenth-century religion is never just a work of the past: scholars also actively construct religion as their disciplinary assumptions (and indeed personal and lived investments) shape their research and findings. \u003ci\u003eConstructing Nineteenth­Century Religion\u003c\/i\u003e newly analyzes the diverse ways in which religion was debated and deployed in a wide range of nineteenth­century texts and contexts. While focusing primarily on nineteenth­century Britain, the collection also contributes to the increasingly transnational and transcultural outlook of postsecular studies, drawing connections between Britain and the United States, continental Europe, and colonial India.  \u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51630462599441,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51630464205073,"sku":"NGR9780814213971","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52672814776593,"sku":"NLS9780814213971","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814213979.jpg?v=1751329456"},{"product_id":"lake-methodism-book-jasper-cragwall-9780814254127","title":"Lake Methodism","description":"Lake Methodism: Polite Literature and Popular Religion in England, 1780-1830, reveals the traffic between Romanticism s rhetorics of privilege and the most socially toxic religious forms of the eighteenth and nineteenth centuries. The Lake Poets, of whom William Wordsworth and Samuel Taylor Coleridge are the most famous, are often seen as crafters of a poetics of spontaneous inspiration, transcendent imagination, and visionary prophecy, couched within lexicons of experimental simplicity and lyrical concision. But, as Jasper Cragwall argues, such postures and principles were in fact received as the vulgarities of popular Methodism, an insurgent religious movement whose autobiographies, songs, and sermons reached sales figures of which the Lakers could only dream.With these religious histories, Lake Methodism unsettles canonical Romanticism, reading, for example, the grand declaration opening Wordsworth s spiritual autobiography to the open fields I told a prophecy not as poetic self-sanctification, but as a means of embarrassing Methodism, responsible for the suppression of The Prelude for half a century. The book measures this fearful symmetry between Romantic and religious enthusiasms in figures iconic and unfamiliar: John Wesley, Robert Southey, Wordsworth, Coleridge, as well as the eponymous scientist of Mary Shelley s Frankenstein, and even Joanna Southcott, an illiterate servant turned latter-day Virgin Mary, who, at the age of sixty-five, mistook a fatal dropsy for the Second Coming of Christ (and so captivated a nation).","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52143322956049,"sku":"NLS9780814254127","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52466699239697,"sku":"GOR014532208","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814254127.jpg?v=1757583949"},{"product_id":"clashing-convictions-book-albert-h-tricomi-9780814253076","title":"Clashing Convictions","description":"\u003cdiv\u003e\n\u003ci\u003eClashing Convictions: Science and Religion in American Fiction\u003c\/i\u003e is the first study to identify a body of twentieth-century American fiction that represents the increasing tensions experienced by people of Christian faith in response to Darwinism, the higher biblical criticism, and modern medicine. Delineating how these works dramatize clashes between scientific and conservative Protestant understandings of the world, Albert H. Tricomi examines a canon of ten novels and one iconic play that present a cultural history of inner turmoil as well as social conflict.  The three parts of the study chart this increasing inner turmoil, a rising secularist ideology, and finally a fundamentalist revival among alienated biblical literalists.\u003cbr\u003e  \u003cbr\u003e With chapters on James Lane Allen's \u003ci\u003eThe Reign of Law,\u003c\/i\u003e Harold Frederic's \u003ci\u003eThe Damnation of Theron Ware,\u003c\/i\u003e William Dean Howells's \u003ci\u003eThe Leatherwood God\u003c\/i\u003e, Sinclair Lewis's \u003ci\u003eArrowsmith\u003c\/i\u003e and \u003ci\u003eElmer Gantry\u003c\/i\u003e, Jerome Lawrence and Robert E. Lee's \u003ci\u003eInherit the Wind\u003c\/i\u003e, and James Scott Bell's \u003ci\u003eThe Darwin Conspiracy,\u003c\/i\u003e Tricomi offers new readings emphasizing how this canon represents science and religion as in deep, if not irreconcilable, conflict. Tricomi's sweeping study, with its emphasis on the twentieth century, thus reveals from several directions the processes of secularism even as it identifies the emergence of what some have come to describe as the current \"postsecular\" moment in America.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52405552480529,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52405553201425,"sku":"NLS9780814253076","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814253076.jpg?v=1776938400"},{"product_id":"victorian-sacrifice-book-ilana-m-blumberg-9780814254110","title":"Victorian Sacrifice","description":"\u003cdiv\u003eIn \u003ci\u003eVictorian Sacrifice: Ethics and Economics in Mid-Century Novels\u003c\/i\u003e, Ilana Blumberg offers a major reconsideration of the central Victorian ethic of self-sacrifice, suggesting that much of what we have taken to be the moral psychology of Victorian fiction may be understood in terms of the dramatic confrontation between Christian theology and the world of modern economic theory. As Victorian writers Charlotte Mary Yonge, Charles Dickens, George Eliot, Anthony Trollope, Wilkie Collins, and Mary Augusta Ward strove to forge a practicable ethics that would reconcile the influences of an evangelical Christianity and its emphasis on selfless charity with the forces of laissez-faire capitalism and its emphasis on individual profit, they moved away from the cherished ideal of painful, solitary self-sacrifice in service of another's good. Instead, Blumberg suggests, major novelists sought an ethical realism characterized by the belief that virtuous action could serve the collective benefit of the parties involved. At a mid-century moment of economic optimism, novelists transformed the ethical landscape by imagining what the sociologist Herbert Spencer would later call a \"measured egoism,\" an ethically responsible self-concern which might foster communal solidarity and material abundance.\u003cbr\u003e  \u003cbr\u003e Bringing the recent literary turns to ethics and to economics into mutual conversation, Blumberg offers us a new lens on a matter as pressing today as 150 years ago: the search for an ethics adequate to the hopes and fears of a new economy.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52473135005969,"sku":"NLS9780814254110","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814254110.jpg?v=1759839659"},{"product_id":"secular-scriptures-book-william-franke-9780814251973","title":"Secular Scriptures","description":"\u003cdiv\u003eWith \u003ci\u003eSecular Scriptures: Modern Theological Poetics in the Wake of Dante\u003c\/i\u003e, William Franke reexamines the role that literature plays in theological revelation. In the modern world, secularism typically means the exclusion of God from the world. Yet Franke, recognizing that secularity itself is built into religion and revelation, argues that theologically sensitive poetry has driven secularization throughout the modern period. The essays in this volume construct a trajectory through modern poetic literature as it struggled with the sense of a loss of the very possibility of theological revelation. Can literature replace religion? Can it do so triumphantly or only mournfully? Is this literary transmogrification of revelation the death of religion or its rebirth in a vital new form?\u003cbr\u003e \u003ci\u003eSecular Scriptures\u003c\/i\u003e examines, through its own original speculative outlook, some of the most compelling exemplars of religious-poetic revelation in modern Western literature. The essays taken as an ensemble revolve around and are bookended by Dante, but they also explore the work of Chaucer, Shakespeare, Milton, Blake, Leopardi, Baudelaire, Dickinson, and Yeats. Looking both backward and forward from the vantage of Dante, Franke explores the roots of secularized religious vision in antiquity and the Middle Ages, even as he also looks forward toward its fruits in modern poetry and poetics. Ultimately, Franke's analyses demonstrate the possibilities opened by understanding literature as secularized religious revelation.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52585706488081,"sku":"NLS9780814251973","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814251973.jpg?v=1761053345"},{"product_id":"conspicuous-bodies-book-jean-kane-9780814252826","title":"Conspicuous Bodies","description":"\u003cdiv\u003eIn \u003ci\u003eConspicuous Bodies: Provincial Belief and the Making of Joyce and Rushdie,\u003c\/i\u003e Jean Kane re-examines the literature of James Joyce and Salman Rushdie from a post-secularist perspective, arguing that their respective religions hold critical importance in their works. Though Joyce and Rushdie were initially received as cosmopolitans, both authors subsequently reframed their public images and aligned themselves instead with a provincial religious identity, which emphasized the interconnections between religious devotion and embodiment. At the same time, both Joyce and Rushdie managed to resist the doctrinal content of their religions.\u003cbr\u003e \u003cbr\u003e \u003ci\u003eConspicuous Bodies\u003c\/i\u003e presents Joyce as a founder and Rushdie as an inheritor of a distinctive discourse of belief about the importance of physical bodies and knowledge in religious practice. In doing so, it moves the reception of Joyce and Rushdie away from what previous critics have emphasized--away from questions of aesthetics and from a narrow understanding of belief--and instead questions the assumption that belief should be segregated from matters of physicality and knowledge. Kane reintroduces the concept of spiritual embodiment in order to expand our understanding of what counts as spiritual agency in non-western and minority literatures.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52593033347345,"sku":"NLS9780814252826","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814252826.jpg?v=1761067078"},{"product_id":"female-piety-and-the-invention-of-american-puritanism-book-bryce-traister-9780814252628","title":"Female Piety and the Invention of American Puritanism","description":"\u003cdiv\u003e\n\u003ci\u003eFemale Piety and the Invention of American Puritanism\u003c\/i\u003e reconsiders the standard critical view that women's religious experiences were either silent consent or hostile response to mainstream Puritan institutions. In this groundbreaking new approach to American Puritanism, Bryce Traister asks how gendered understandings of authentic religious experience contributed to the development of seventeenth-century religious culture and to the \"post-religious\" historiography of Puritanism in secular modernity. He argues that women were neither marginal nor hostile to the theological and cultural ambitions of seventeenth-century New England religious culture and, indeed, that radicalized female piety was in certain key respects the driving force of New England Puritan culture.\u003cbr\u003e  \u003cbr\u003e Uncovering the feminine interiority of New England Protestantism, \u003ci\u003eFemale Piety and the Invention of American Puritanism\u003c\/i\u003e positions itself against prevalent historical arguments about the rise of secularism in the modern West. Traister demonstrates that female spirituality became a principal vehicle through which Puritan identity became both absorbed within and foundational for pre-national secular culture. 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Like many Victorian women writers, they experienced a sense of what Barrett Browning termed mother-want inextricably connected to mother-god-want. These millenarian and socialist feminist grandmothers believed the time had come for women to initiate the earthly paradise that patriarchal institutions had failed to establish. Recuperating a symbolic divine in the form of the Great Mother--a pagan Virgin Mary, a female messiah, and a titanic Eve--Joanna Southcott, Eliza Sharples, Frances Wright, and others set the stage for Victorian women writers to envision and impart emanations of puissant Christian and pagan goddesses, enabling them to acquire the authorial legitimacy patriarchal culture denied them. Though the Victorian authors studied by Houston--Barrett Browning, Charlotte Bront , Florence Nightingale, Anna Jameson, and George Eliot--often masked progressive rhetoric, even in some cases seeming to reject these foremothers, their radical genealogy reappeared in mystic, metaphysical revisions of divinity that insisted that deity be understood, at least in part, as substantively female.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52596650082577,"sku":"NLS9780814255131","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814255131.jpg?v=1761072955"},{"product_id":"imagined-spiritual-communities-in-britain-s-age-of-print-book-joshua-king-9780814251980","title":"Imagined Spiritual Communities in Britain's Age of Print","description":"\u003cdiv\u003eIn \u003ci\u003eImagined Spiritual Communities in Britain's Age of Print\u003c\/i\u003e, Joshua King demonstrates how nineteenth-century Britons turned to the printed page to imagine themselves in Christian communities spanning their nation. In contrast with traditional views of the nineteenth century, which regard the period as a turning point for religion from a public life to a privatized decline, \u003ci\u003eImagined Spiritual Communities\u003c\/i\u003e argues that the rapid growth of print culture and a voluntary religious market inspired vigorous efforts to form virtual national congregations of readers.\u003cbr\u003e  \u003cbr\u003e Focusing primarily on the work of Anglicans between the 1820s and 1890s, this study begins by freshly interpreting reading and educational programs promoted by Samuel Taylor Coleridge, Frederick Denison Maurice, and Matthew Arnold. King then traces the emergence of John Keble's \u003ci\u003eChristian Year\u003c\/i\u003e as a catalyst for competing visions of a Christian nation united by private reading. He argues that this phenomenon illuminates the structure and reception of best-selling poetic cycles as diverse as Alfred Tennyson's \u003ci\u003eIn Memoriam\u003c\/i\u003e and Christina Rossetti's late \u003ci\u003eVerses\u003c\/i\u003e.  Ultimately, \u003ci\u003eImagined Spiritual Communities\u003c\/i\u003e reveals how dreams of print-mediated spiritual communion generated new poetic genres and rhetorical strategies, theories and theologies of media and reading, and ambitious schemes of education and church reform.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52597164540177,"sku":"NLS9780814251980","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814251980.jpg?v=1761073866"},{"product_id":"puritanism-and-modernist-novels-book-lynne-w-hinojosa-9780814252055","title":"Puritanism and Modernist Novels","description":"\u003cdiv\u003eIn \u003ci\u003ePuritanism and Modernist Novels: From Moral Character to the Ethical Self\u003c\/i\u003e, Lynne W. Hinojosa complicates traditional interpretations of the novel and literary modernism as secular developments of modernity by arguing that the British novel tradition is fundamentally shaped by Puritan hermeneutics and Bible-reading practices. This tradition, however, simultaneously works to dismantle the categories associated with social morality and moral character, helping to form \"Puritanism\" into a fictional stereotype. Hinojosa demonstrates that the novel thus perpetuates a narrative that associates Puritanism with moral and religious confinement, on the one hand, and modern longing with escape, on the other--even as it remains tied to Puritan views of history and the self.\u003cbr\u003e \u003cbr\u003e \u003ci\u003ePuritanism and Modernist Novels\u003c\/i\u003e offers new formal and contextual readings of early modernist novels by Oscar Wilde, E. M. Forster, James Joyce, and Ford Madox Ford. Hinojosa demonstrates that, while they long for escape, these authors still question the value of the novelistic narrative of confinement and escape. Bridging modernist and novel studies, \u003ci\u003ePuritanism and Modernist Novels\u003c\/i\u003e contributes to conversations about secularization and religion in both fields, highlighting the limitations created by the secularization narrative of modernity.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52599441228049,"sku":"NLS9780814252055","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814252055.jpg?v=1761079176"},{"product_id":"sex-celibacy-and-deviance-book-duc-dau-9780814215036","title":"Sex, Celibacy, and Deviance","description":"\u003cdiv\u003e\n\u003cb\u003eFinalist for the American Acad\u003ci\u003ee\u003c\/i\u003emy of Religion's Award for Excellence in Textual Studies\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003ci\u003eSex, Celibacy, and Deviance\u003c\/i\u003e is the first major study to explore the Song of Songs (or Song of Solomon) in Victorian literature and art. As the Bible's only erotic poem, the Song of Songs is \u003ci\u003ethe\u003c\/i\u003e canonical Judeo-Christian book about love, furnishing the Victorians with an authoritative and literary language for love, marriage, sex, mourning, and religious celibacy.\u003cbr\u003e \u003cbr\u003e Duc Dau adopts a queer and feminist lens to consider how Victorians employed and interpreted the Song of Songs in their work. How did writers and artists fashion and, most importantly, challenge the norms of gender, romantic love, and marriage? Spanning the early Victorian era through the first two decades of the twentieth century, \u003ci\u003eSex, Celibacy, and Deviance\u003c\/i\u003e considers the works of Charlotte Brontë, Thomas Hardy, Christina Rossetti, John Gray, Michael Field, Edward Burne-Jones, and Simeon Solomon alongside two lesser-known figures: Irish-born Scottish artist Phoebe Anna Traquair and the Catholic religious leader Augusta Theodosia Drane. By addressing the relevance of the Song of Songs in light of shifting and conflicting religious and social contexts, Dau provides a fresh perspective on Victorian literature, religion, and culture.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52610851242257,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52610851307793,"sku":"NLS9780814215036","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814215036.jpg?v=1771499892"},{"product_id":"theology-of-sense-book-scott-dill-9780814213834","title":"A Theology of Sense","description":"\u003cdiv\u003eScott Dill's \u003ci\u003eA Theology of Sense: John Updike, Embodiment, and Late Twentieth-Century American Literature\u003c\/i\u003e brings together theology, aesthetics, and the body, arguing that Updike, a central figure in post-1945 American literature, deeply embeds in his work questions of the body and the senses with questions of theology. Dill offers new understandings not only of the work of Updike--which is importantly being revisited since the author's death in 2009--but also new understandings of the relationship between aesthetics, religion, and physical experience. Dill explores Updike's unique literary legacy in order to argue for a genuinely postsecular theory of aesthetic experience. Each chapter takes up one of the five senses and its relation to broader theoretical concerns: affect, subjectivity, ontology, ethics, and theology. While placing Updike's work in relation to other late twentieth-century American writers, Dill explains their notions of embodiment and uses them to render a new account of postsecular aesthetics. No other novelist has portrayed mere sense experience as carefully, as extensively, or as theologically--repeatedly turning to the doctrine of creation as his stylistic justification. Across this examination of his many stories, novels, poems, and essays, Dill proves that Updike forces us to reconsider the power of literature to revitalize sense experience as a theological question.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52619201249553,"sku":"NLS9780814213834","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814213834.jpg?v=1761535252"},{"product_id":"good-words-book-mark-knight-9780814213933","title":"Good Words","description":"\u003cdiv\u003eThis new study explores how evangelicalism played a vital role in the development of the Victorian novel. In contrast to those who see the evangelical movement as trivial to our histories of the novel and part of the losing side in religion's battle with secularity, \u003ci\u003eGood Words: Evangelicalism and the Victorian Novel\u003c\/i\u003e examines fiction by major writers of the nineteenth century--Thackeray, Dickens, Wood, MacDonald, Collins, and Butler--and reveals the extent to which the novel was shaped by evangelical thought and practice. Rather than getting lost in historical and theological rabbit holes, \u003ci\u003eGood Words\u003c\/i\u003e invites readers to think about why evangelicalism still matters for the stories we tell about fiction in the Victorian period. The result has major implications for our understanding of the Victorian novel, our conception of the relationship between nineteenth-century literature and religion, the way in which we think about evangelical culture in the modern world, and our ideas about the practices and protocols of scholarly reading.\u003c\/div\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52657400840465,"sku":"NLS9780814213933","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780814213933.jpg?v=1762228561"},{"product_id":"enlightened-individualism-book-kyle-garton-gundling-9780814213926","title":"Enlightened Individualism","description":"\u003cdiv\u003eBuddhism and Hinduism have spread in the US largely through texts and are now recognizable facets of American literature and culture. But the US has defined itself through goal-oriented individualism, whereas Buddhism and Hinduism teach that individuality is a delusion and thus worldly desires are misguided. Given this apparent contradiction, what can Buddhist and Hindu influences offer American identities? \u003ci\u003eEnlightened Individualism \u003c\/i\u003eexplores how post-1945 American writers, including Jack Kerouac, Alice Walker, and Maxine Hong Kingston, have tried to answer this question. Playing on \u003ci\u003eenlightenment \u003c\/i\u003eas both Anglo-American liberalism and Asian mysticism, this book argues that recent American literature seeks to reconcile seemingly incompatible liberal models of individual autonomy with Buddhist and Hindu ideals of transcending selfhood.   This \"enlightened individualism\" uses Buddhist and Hindu philosophy to reframe American freedom in terms of spiritual liberation, and it also reinterprets Asian teachings through Western traditions of political activism and countercultural provocation. Garton-Gundling argues that even though works by Kerouac, Walker, Kingston, and others wrestle with issues of exoticism and appropriation, their characters are also meaningfully challenged and changed by Asian faiths. 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Winter Jade Werner makes this surprising connection in order to write against standard understandings of missionary work as well as typical understandings of cosmopolitanism as a deeply secular project. \u003cbr\u003e\u003ci\u003eMissionary Cosmopolitanism \u003c\/i\u003eidentifies the nineteenth-century novel as thematically and formally attuned to the tension between missionaries' cosmopolitan values and the moral impoverishment of their imperialist and expansionist practices. Werner's chapters interact with canonical works such as Charlotte Bront 's \u003ci\u003eJane Eyre\u003c\/i\u003e and Charles Dickens's \u003ci\u003eBleak House, \u003c\/i\u003e along with lesser-known works by Robert Southey and Sydney Owenson. 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Carson traces out how an exceptionalist belief system began to emerge historically with a distorted picture of religious commitment. He then connects this trend to writers such as Don DeLillo, Ana Castillo, Thomas Pynchon, George Saunders, and Marilynne Robinson to argue that these authors dismantle the privatization of religion in their writing and then offer their own alternatives. Their work, he argues, redefines religion in terms of practice and discipline, gauging it by its power to ground and guide behavior, morality, and sociality.   As American exceptionalism resurfaces in public discourse, Carson's timely work invites readers to reconsider the nexus of religion, politics, and culture. Carson argues that defining religion according to secularist criteria has insulated ostensibly secular ideologies as well as traditional religion from public scrutiny. DeLillo's, Castillo's, Pynchon's, Saunders's, and Robinson's redefinitions of religion result in a better grasp of how individuals actually live out their religious lives. 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In considering the various ways that nineteenth-century religion was constructed, commodified, and practiced, contributors to this volume \"speak\" to each other, finding interdisciplinary links and resonances across a range of texts and contexts.   The participle in its title--\u003ci\u003eConstructing\u003c\/i\u003e--acknowledges that any articulation of nineteenth-century religion is never just a work of the past: scholars also actively construct religion as their disciplinary assumptions (and indeed personal and lived investments) shape their research and findings. \u003ci\u003eConstructing Nineteenth­Century Religion\u003c\/i\u003e newly analyzes the diverse ways in which religion was debated and deployed in a wide range of nineteenth­century texts and contexts. 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