{"title":"Maritime Literature And Culture","description":"\u003cp\u003eDive into tales of the sea with the Maritime Literature and Culture series. From gripping naval history to captivating seafaring adventures, chart a course through our collection and discover maritime stories.\u003c\/p\u003e","products":[{"product_id":"shipboard-literary-cultures-book-susann-liebich-9783030853419","title":"Shipboard Literary Cultures","description":"The essays collected within this volume ask how literary practices are shaped by the experience of being at sea—and also how they forge that experience. Individual chapters explore the literary worlds of naval ships, whalers, commercial vessels, emigrant ships, and troop transports from the seventeenth to the twentieth-first century, revealing a rich history of shipboard reading, writing, and performing. Contributors are interested both in how literary activities adapt to the maritime world, and in how individual and collective shipboard experiences are structured through—and framed by—such activities. In this respect, the volume builds on scholarship that has explored reading as a spatially situated and embodied practice. 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This volume proposes a hydro-critical approach to issues related to the colonial period. The analysed texts demonstrate not only the presence of water and oceanic trajectories as metaphorical devices, but the inherent implication of navigation, ports, islandic territories, drainage systems, floodings and the like in configuration of collective imaginaries, from colonial times to the present. This book encompasses studies of the decisive role water played in the world view from\/about the “New World” since the discovery, both for the monarchy and the church, and the impact of oceanic journeys for the advancement of colonization and slavery. In chapters that combine historical,linguistic, literary and ethnographic approaches, this volume constitutes an attempt to expand the scope and methodology of colonial studies. At the same time, the continuity of maritime perspectives reaches the analysis of contemporary literature, thus demonstrating the importance of this critical paradigm for the study of Caribbean cultures. 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Michael Titlestad points to a range of narrative conventions, literary tropes and questions concerning representation and its limits in narratives about these historic shipwrecks. The second part engages novels, poems, films, artwork, and musical composition that grapple with shipwreck. Collectively the chapters suggest the spectacular productivity of shipwreck narrative; the multiple ways in which its concerns and logic have inspired anxious creativity in the last century. Titlestad recognizes in weaving in his personal experience that shipwreck—the destruction of form and the advent of disorder—could be seen not only as a corollary for his own neurological disorder, but alsoan abiding principle in tropology. 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It covers the entanglements of maritime mobility and immobility as they are  articulated and problematized in selected literature and cultural forms from the  early modern period to the present. In particular, it brings cultural mobility studies  into conversation with the maritime and oceanic humanities. 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It covers the entanglements of maritime mobility and immobility as they are  articulated and problematized in selected literature and cultural forms from the  early modern period to the present. In particular, it brings cultural mobility studies  into conversation with the maritime and oceanic humanities. 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Exquemelin’s 1678 Buccaneers of America and ending at the onset of the US-American Civil War. Examining both canonical and understudied texts—from Puritan sermons, James Fenimore Cooper’s The Red Rover, and Herman Melville’s “Benito Cereno” to the popular cross-dressing female pirate novelette Fanny Campbell, and satirical decorated Union envelopes, this book argues that piracy acted as a trope to negotiate ideas of legitimacy in the contexts of U.S. colonialism, nationalism, and expansionism. The readings demonstrate how pirates were invoked in transatlantic literary production at times when dominant conceptions of legitimacy, built upon categorizations of race, class, and gender, had come into crisis. 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The use of sea voyages derived from the reception of Hippocratic medical treatises in the early Renaissance period that argued for the benefits of exposure to sea air and salt water for sufferers of depression and nervous disorders. Copestake traces how Western perceptions of the ocean, historically dominated by fear, were impacted by the works of writers, artists, and philosophers who took sea journeys to improve their mental health. Focusing on the Hippocratic medical discourse behind these journeys and the need for the ocean instilled by the mental health concerns of William Cowper, Samuel Taylor Coleridge, Ralph Waldo Emerson, Herman Melville, William James and Virgina Woolf in particular, he illustrates how the work that resulted from their respective associations of health with the ocean and bodies of water saw them each introduce individual modes of \"oceanic thinking.\" The author also explores how these portrayals have positively impacted Western perceptions of the sea and our understanding of mental health up to the present day.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53240910086417,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":53240910577937,"sku":"NLS9783032165923","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783032165923.jpg?v=1773268907"}],"url":"https:\/\/www.worldofbooks.com\/en-gb\/collections\/maritime-literature-and-culture-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}