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The Golden Ass, the only ancient Roman novel to survive in its entirety, tells of a young man changed into an ass by magic and his bawdy adventures and narrow escapes before the goddess Isis changes him back again. Its centerpiece is the famous story of Cupid and Psyche. Julia Gaisser follows Apuleius' racy tale from antiquity through the sixteenth century, tracing its journey from roll to codex in fourth-century Rome, into the medieval library of Monte Cassino, into the hands of Italian humanists, into print, and, finally, over the Alps and into translation in Spanish, French, German, and English. She demonstrates that the novel's reception was linked with Apuleius' reputation as a philosopher and the persona he projected in his works. She relates Apuleius and the Golden Ass to a diverse cast of important literary and historical figures--including Augustine, Fulgentius, Petrarch, Boccaccio, Bessarion, Boiardo, and Beroaldo.\nPaying equal attention to the novel's transmission (how it survived) and its reception (how it was interpreted), she places the work in its many different historical contexts, examining its representation in art, literary imitation, allegory, scholarly commentary, and translation. The volume contains several appendixes, including an annotated list of the manuscripts of the Golden Ass. 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Asking such questions as, \"what is lost when words are wasted?\" and \"who profits when words are saved?\", Carson reveals the two poets' striking commonalities. In Carson's view, Simonides and Celan share a similar mentality or disposition toward the world, language and the work of the poet. \"Economy of the Unlost\" begins by showing how each of the two poets stands in a state of alienation between two worlds. In Simonides' case, the gift economy of 5th-century BC Greece was giving way to one based on money and commodities, while Celan's life spanned pre- and post-Holocaust worlds, and he himself, writing in German, became estranged from his native language.\nCarson goes on to consider various aspects of the two poets' techniques for coming to grips with the invisible through the visible world. A focus on the genre of the epitaph grants insights into the kinds of exchange the poets envision between the living and the dead. Assessing the impact on Simonidean composition of the material fact of inscription on stone, Carson suggests that a need for brevity influenced the exactitude and clarity of Simonides' style, and proposes a comparison with Celan's interest in the \"negative design\" of printmaking: both poets, though in different ways, employ a kind of negative image making, cutting away all that is superfluous. This book's juxtaposition of the two poets illuminates their differences - Simonides' fundamental faith in the power of the word, Celan's ultimate despair - as well as their similarities; it provides fertile ground for the interplay of Carson's scholarship and her poetic sensibility.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":54119188005137,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":54119188103441,"sku":"GOR009740779","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780691036779.jpg?v=1786472117"}],"url":"https:\/\/www.worldofbooks.com\/en-gb\/collections\/martin-classical-lectures-book-series.oembed?page=2","provider":"World of Books ","version":"1.0","type":"link"}