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So begins the title piece in this debut collection of short fiction, eight stories that explore the gap between the stories we tell ourselves and the stories we have lived. In Punitive Damages, a father, the beneficiary of a huge financial settlement in compensation for his son's death, must confront the truth of the life that the son's death has provided. In Punnett's Squares, winner of the \u003ci\u003eChicago Tribune\u003c\/i\u003e's Nelson Algren Award, an adopted son seeks to prove, against all evidence to the contrary, that his adoptive father is in fact his biological father. In Induction Ceremony, a small-town basketball hero returns to his hometown no longer a man but now a woman, and his onetime teammate-and-friend must reconsider who they were and who they are now. 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It's a long way to go just to dump some ashes, and if Ira makes this pilgrimage, his absence might jeopardize the fragile relationship he's managed to maintain with his ex-wife (they're still having sex every Friday night).\u003c\/p\u003e \u003cp\u003eIn Spivak in Babylon, \u003ci\u003eLittle Men\u003c\/i\u003e's other novella, it's 1982, and Leo Spivak, an ambitious 30-year-old copywriter at a large Chicago advertising agency, is about to get his big break: a chance to go to Hollywood to participate for the first time in the filming of a television commercial. A week in Hollywood, on the company's expense account  A room at the fabled Chateau Marmont (Garbo's old suite, in fact)  The only problem is the subject of the commercial itself: a new feminine hygiene spray to be marketed to pre-adolescent girls. 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How do you make your arm do that?--the stories in Geoff Wyss's \u003ci\u003eHow\u003c\/i\u003e search for answers to the mysteries of an astonishing range of characters. The narrator of \"How I Come to Be Here at the GasFast\" explains why he hasn't left a truck stop in the two days since he scratched a winning lottery ticket. In \"How to Be a Winner,\" a sports consultant browbeats a high school football team with his theory of history and a justification of his failed coaching career. Lost in the mazes they've made of themselves, Wyss's characters search for exits on ground that shifts dizzyingly from humor to pathos, from cynicism to earnestness, from comedy to tragedy, often within the same sentence. 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