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Drawing above all on Freud, Klein, Winnicott, and Lacan, Rudnytsky integrates a range of psychoanalytic perspectives with deconstruction, new historicism, and psychobiography to highlight issues of gender and sexuality not only in Augustine and Milton but also in Gottfried’s Tristan, Sir Gawain and the Green Knight, More’s History of King Richard III, Shakespeare’s Othello and King Lear, as well the poetry of Marvell and other 17th-century writers who exhibit the “dissociation of sensibility” Rudnytsky links to the execution of King Charles I.   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Stephen Frosh describes Freud’s life in Vienna and the patients with whom he worked; looks at the relationships he formed with his teachers and followers; and focuses on how his theories developed in the context of the enormous social and political upheavals of the time – disruptions that eventually prompted Freud to move to England, in order “to die in freedom.” Frosh’s expertise on antisemitism is especially vital to his discussion of the challenges Freud faced, as a Jewish intellectual in Vienna, to the dissemination of his radical ideas.   As more people feel comfortable seeking psychotherapy, and as the socio-political world in which we live becomes more emotionally challenging, we all — knowingly or not — draw on Freud’s ideas about unresolved conflicts and traumatic memories as we try to make sense of things. 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However, Ryan Engley argues that seriality is not only a narrative structure but also a psychic structure. Seriality – in its dependence on gaps, delay, and constraint – names the fundamental trauma of contemporary life: that there exists an intrinsic relation between self and other, a relation that is often difficult to see and difficult to bear.  Through formal readings of media texts alongside Freudian and Lacanian psychoanalysis, the dialectical method of G.W.F. Hegel, and Jean-Paul Sartre’s existentialism, Seriality: Media and the Psychic Form of Everyday Life shifts the focus of seriality studies. In so doing, Engley presents a rebuttal to the common refrain that our lives, like contemporary media, have become endlessly fragmented. 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