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Susan Meyer argues that each of these domestic novelists uses race relations as a metaphor through which to explore the relationships between men and women at home in England.   In the fiction of, for example, Anthony Trollope and Charles Dickens, as in nineteenth-century culture more generally, the subtle and not-so-subtle comparison of white women and people of color is used to suggest their mutual inferiority. The Bronte sisters and George Eliot responded to this comparison, Meyer contends, transforming it for their own purposes. Through this central metaphor, these women novelists work out a sometimes contentious relationship to established hierarchies of race and gender. Their feminist impulses, in combination with their use of race as a metaphor, Meyer argues, produce at times a surprising, if partial, critique of empire. Through readings of Jane Eyre, Wuthering Heights, The Mill on the Floss, Daniel Deronda, and Charlotte Brontë's African juvenilia, Meyer traces the aesthetically and ideologically complex workings of the racial metaphor. 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Prins and Shreiber have interwoven sophisticated feminist critical essays with poetic meditations on genre and gender; the dialogues they set up are lyrically elegant as well as intellectually exhilarating. This collection not only sets a new standard for feminist theorizing about poetic genres, it performs the pleasures of feminist reading in all their diversity.\"—Mary Loeffelholz, author of Dickinson and the Boundaries of Feminist TheoryDwelling in Possibility cuts across conventional boundaries between critical and creative writing by featuring the work of both women poets and feminist critics as they explore and exemplify the relationship between gender and poetic genres. The contributors suggest new ways of thinking and writing about poetry in light of contemporary questions about history and identity. 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Yamamoto, Kingston, and Kogawa interweave speech and silence, narration and ellipses, autobiography and fiction as they adapt and recast Asian and Euro-American precursors. Drawing freely from both traditions, they reinvent the past by decentering, disseminating, and interrogating authority-but not by reappropriating it. 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These writings reveal how the silent protest emblematized by the madwoman, and celebrated in feminist critical practice, simply serves to lock women into stereotypes long used to oppress them. The text offers an alternative explanation for the compelling nature of the figure of the madwoman, allowing a critical move away from the disempowering notions of the subersive potential of madness.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50292696645905,"sku":"CIN0801485142G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":50368402096401,"sku":"CIN0801485142A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0801485142.jpg?v=1751264628"},{"product_id":"penelope-voyages-book-karen-r-lawrence-9780801499135","title":"Penelope Voyages","description":"Looking at travel writing by British women from the seventeenth century on, Karen R. 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Lawrence shows how writings by Frances Burney, Mary Wollstonecraft, Sarah Lee, Mary Kingsley, Virginia Woolf, and Brigid Brophy reconceive the meanings of femininity in relation to such apparent oppositions as travel\/home, other\/self, and foreign\/domestic. Despite the differences-historical, generic, political-among these writers, Lawrence maintains, they share common insights. 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Langland offers provocative readings of nineteenth-century fiction as well as a rare glimpse into etiquette guides, home management manuals, and cookbooks. She traces the implications of a profound contradiction: although the home was popularly depicted as a private moral haven, running the middle-class household—which included at least one servant—was in fact an exercise in class management. Drawing on the work of Foucault, Benjamin, and Bourdieu, and of recent feminist theorists, Langland considers novels by Dickens, Gaskell, Oliphant. and Eliot, as well as the memoirs of Hannah Cullwick, a former domestic servant who married a middle-class man.   Langland discovers that the middle-class wife assumed a more complex and important function than has previously been recognized. 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