{"title":"Refiguring Modernism","description":"\u003cp\u003eExplore 'Refiguring Modernism', a series reshaping our understanding of early 20th-century literature and culture. Dive into fresh perspectives on key modernist figures and movements. An insightful journey for literature enthusiasts.\u003c\/p\u003e","products":[{"product_id":"art-and-form-book-sam-rose-9780271082387","title":"Art and Form","description":"This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today.  In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the world outside. 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Léonce Rosenberg’s Cubism shakes up the canon, revealing its artificial nature and pointing to a different, more inclusive understanding of the development of Cubism.  Kahnweiler’s Cubism was narrowly focused. In contrast, Giovanni Casini shows us, the influential art dealer Léonce Rosenberg bought virtually any piece that could be labeled “Cubist” and proposed a radically different understanding of the movement. At Rosenberg’s Galerie L’Effort Moderne in Paris, artists such as Joseph Csáky, Auguste Herbin, Jean Metzinger, Diego Rivera, Gino Severini, and Georges Valmier were accorded the same treatment as Pablo Picasso or Georges Braque. In this book, Casini considers Rosenberg’s contribution to the history of Cubism, reflecting on the ways in which artistic movements are manufactured—and interpretive paradigms adopted.  Deftly weaving biography with a scholarly analysis built on extensive archival research, Léonce Rosenberg’s Cubism is a fresh look at the history of interwar modernism and the definitive study of a figure who has been unjustly sidelined in the history of art. It will be compulsory reading for scholars of Cubism and Modernism.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49746362990865,"sku":"NGR9780271094892","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0271094893.jpg?v=1750780648"},{"product_id":"beyond-pleasure-book-margaret-iversen-9780271029719","title":"Beyond Pleasure","description":"In Beyond the Pleasure Principle, Freud observed that the life-enhancing pleasure principle seems disrupted by something internal to the psyche. He took into account the possibility of a “death instinct” bent on returning the living organism to its origin of undifferentiated matter. 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Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939—a decade marked, on the one hand, by dictatorship, civil war, and Franco’s rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions.   Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel’s and Dalí’s documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso’s famed painting of the Fascist bombing of a Basque town—Guernica—was exhibited along with monumental photomurals by Josep Renau.   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Through an interdisciplinary examination that includes close studies of Rilke, Döblin, Dos Passos, Pinthus, Musil, and Hofmannsthal—and relies on the theoretical works of Foucault, Benjamin, and particularly Friedrich Kittler—Harris proposes that literary authors in the early twentieth century, while generally considered far removed from mass culture, engaged in an inevitable, if uneasy, relationship with widespread emergent technologies. 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