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Successivamente diviene oggetto di riflessioni teoriche e a partire dall'idea aristotelica dell'homo ridens, viene definito \"privilegio dell'uomo\", unico \"animale risibile\" (Leopardi, Elogio degli Uccelli), o \"sentimento del contrario\" (Pirandello, L'Umorismo).\u003c\/p\u003e \u003cp\u003eAnalogamente evolvono manifestazioni e accezioni del pianto: Dante piange ripetutamente nella Commedia; nelle agiografie medievali e rinascimentali i santi piangono liberando gli occhi dalla cecità spirituale; piangono gli eroi e i cavalieri delle epopee antiche (Iliade ed Odissea), medievali e rinascimentali (Pulci, Morgante; Boiardo, Orlando innamorato; Ariosto, Orlando furioso). Un'intera tradizione, incentrata sul pianto per la perdita di un figlio, si dipana dal Duecento (Jacopone da Todi, Donna de Paradiso) al Novecento (Giosuè Carducci, Pianto antico). 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