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The author argues that it would probably have been performed over the course of three days: two sessions each day, with each recitation maintaining its own artistic unity.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51020513247505,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51020514623761,"sku":"NIN9781138978119","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52616322547985,"sku":"NLS9781138978119","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1138978116.jpg?v=1751367724"},{"product_id":"from-homer-to-tragedy-book-richard-garner-9781138021310","title":"From Homer to Tragedy","description":"The role of poetic allusion in classical Greek poetry, to Homer especially, has often largely been neglected or even almost totally ignored. 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The overall result is less a systematic history than a series of independent studies differing in scale and focus, the chapter on Gladstone being the most comprehensive and detailed. First published in 1958.  The author gives greatest attention to those who made active use of Homer rather than passive, even if admiring, readers: Virgil because he wrote the Aeneid, Gladstone because he brought him to prominence in Oxford education, Wood because he sought out the geography and Schliemann because he dug for the kings. The emphasis is thus placed less on the purely academic critic than on the traveller and the innovative amateur.   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