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Described affectionately as ‘Change’ by his contemporaries, Hove’s longing and desire for a free Zimbabwe runs through his works both in his first language, ChiShona, and in his second language, English. Whilst nationalist struggles promised a sense of suture from the wounds of colonialism, in the postcolonial period a new political elite introduced new ruptures, looting resources and flouting the rule of law. Hove’s narratives of decolonisation, globalisation and indigenous becoming in his works point to these unfinished historical processes of rupture and suture, bringing in contrasting themes of beauty and ugliness, democracy and despotism, development and anarchy, independence and corruption. In deploying a framework of rupture and suture to Hove’s work, this book disrupts fundamentalist frameworks suggesting a return to a pristine precolonial past and argues instead that the process of decolonising is relational and reflexive. 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The chapters in this book constitute a sustained and insightful reflection on the salient components of this literary genre as well as evaluating its connections to themes of conflict, violence, women’s rights, trauma, oppression, culture, governance, and connecting to the African self. As well as theorizing magical realism, this book engages with African expressive performance across various formats, novels, plays, and films. This book investigates African magical realism from its origins up to the present day, where local oral traditions link indigenous cosmogonic stories with Western literature, as well as with the specific narrative traditions of Arabo‑Islamic literature. The rich analysis draws on works from across the continent, including Egypt, Sudan, Mauritania, Cameroon, Kenya, Tanzania, Angola, and Mozambique.  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Compared to the diverse and centuries-old oral literature, or religious-philosophical poetry tradition developing since at least the 17th century, the novel is a relatively young phenomenon in the rich body of Swahili literary output, emerging only in the last hundred years. Since then, academia has focused primarily on male novelists, largely disregarding important female writers such as Ndyanao Balisidya, Zainab Burhani, Martha Mvungi Mlangala, Zainab Mwanga, Lucy Nyasulu, and Zainab Alwi Baharoon. This book traces the evolution of women’s writing in Tanzania, highlighting emancipatory and feminist discourses, as well as intersectional themes of class, education, and urbanisation. The author demonstrates how concepts such as utu 'the essence of humanity', aibu 'shame', 'disgrace' and heshima 'honor', 'social respectability' are used in the novels to articulate the value systems and social norms in Swahili communities, including the gendered perceptions of women that they create.  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Spanning the colonial period to the contemporary moment, the book reconfigures the contours of Zimbabwean literature by challenging dominant narratives and reasserting the significance of women writers’ contributions to national discourses. The Zimbabwean literary landscape has been profoundly shaped by its tumultuous history, marked by colonialism, the struggle for independence, and the entangled socio-economic and political challenges that followed. This book argues that within this context, Zimbabwean women writers emerge as incisive, indispensable voices, offering nuanced, insurgent perspectives on national consciousness, while contesting and recasting dominant narratives of identity, belonging, and cultural memory. The book centres and celebrates the creative contributions of Tsitsi Dangarembga, Panashe Chigumadzi, Sue Nyathi, Irene Sabatini, Samatha Rumbidzai Vazhure, Yvonne Vera, Novuyo Rosa Tshuma, Siphiwe Gloria Ndlovu, NoViolet Bulawayo, Valerie Tagwira, Petina Gappah, and Virginia Phiri. The richly varied chapters illuminate the diverse ways in which these authors imagine, interrogate, and rescript the nation, opening up new critical horizons that are essential for a comprehensive understanding of Zimbabwean literature, culture, race, gender, and national struggles.  Arriving at a pivotal moment in Zimbabwe’s postcolonial trajectory, this book will be an indispensable resource and a compelling intervention for researchers across the fields of African literature, gender studies, postcolonial studies, and cultural history, as well as for readers invested in the evolving narratives of Zimbabwe’s literary and national life.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53480098169105,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":53480098234641,"sku":"NGR9781041195788","price":0.0,"currency_code":"GBP","in_stock":false}]},{"product_id":"african-shakespeare-book-ifeoluwa-aboluwade-9781032487830","title":"African Shakespeare","description":"African Shakespeare: Subversions, Appropriations, Negotiations uncovers the multidimensional inventions, synergies, and experimentations that have emerged from performative, political, literary, and conceptual encounters with Shakespeare and his oeuvre in African contexts.   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