{"title":"Signale: Modern German Letters Cultures And Thought","description":null,"products":[{"product_id":"total-work-of-art-in-european-modernism-book-david-roberts-9780801450235","title":"The Total Work of Art in European Modernism","description":"Situating the Gesamtkunstwerk at the heart of European modernism.","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49639623328017,"sku":"GOR013143877","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50257611424017,"sku":"CIN0801450233VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0801450233.jpg?v=1760177392"},{"product_id":"redemption-of-things-book-samuel-frederick-9781501761560","title":"The Redemption of Things","description":"Collecting is usually understood as an activity that bestows permanence, unity, and meaning on otherwise scattered and ephemeral objects. In The Redemption of Things, Samuel Frederick emphasizes that to collect things, however, always entails displacing, immobilizing, and potentially disfiguring them, too. He argues that the dispersal of objects, seemingly antithetical to the collector's task, is essential to the logic of gathering and preservation.    Through analyses of collecting as a dialectical process of preservation and loss, The Redemption of Things illustrates this paradox by focusing on objects that challenge notions of collectability: ephemera, detritus, and trivialities such as moss, junk, paper scraps, dust, scent, and the transitory moment. In meticulous close readings of works by Gotthelf, Stifter, Keller, Rilke, Glauser, and Frisch, and by examining an experimental film by Oskar Fischinger, Frederick reveals how the difficulties posed by these fleeting, fragile, and forsaken objects help to reconceptualize collecting as a poetic activity that makes the world of scattered things uniquely palpable and knowable.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49752175116561,"sku":"CIN1501761560G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501761560.jpg?v=1758968178"},{"product_id":"no-spiritual-investment-in-the-world-book-willem-styfhals-9781501731006","title":"No Spiritual Investment in the World","description":"Throughout the twentieth century, German writers, philosophers, theologians, and historians turned to Gnosticism to make sense of the modern condition. While some saw this ancient Christian heresy as a way to rethink modernity, most German intellectuals questioned Gnosticism's return in a contemporary setting. In No Spiritual Investment in the World, Willem Styfhals explores the Gnostic worldview's enigmatic place in these discourses on modernity, presenting a comprehensive intellectual history of Gnosticism's role in postwar German thought.    Establishing the German-Jewish philosopher Jacob Taubes at the nexus of the debate, Styfhals traces how such figures as Hans Blumenberg, Hans Jonas, Eric Voegelin, Odo Marquard, and Gershom Scholem contended with Gnosticism and its tenets on evil and divine absence as metaphorical detours to address issues of cultural crisis, nihilism, and the legitimacy of the modern world. These concerns, he argues, centered on the difficulty of spiritual engagement in a world from which the divine has withdrawn. Reading Gnosticism against the backdrop of postwar German debates about secularization, political theology, and post-secularism, No Spiritual Investment in the World sheds new light on the historical contours of postwar German philosophy.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50195545358609,"sku":"CIN1501731009G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501731009.jpg?v=1758966556"},{"product_id":"memory-metaphor-and-aby-warburg-s-atlas-of-images-book-christopher-d-johnson-9780801477423","title":"Memory, Metaphor, and Aby Warburg's Atlas of Images","description":"The work of German cultural theorist and art historian Aby Warburg (1866–1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Mnemosyne-Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Mnemosyne-Atlas as a vital form of metaphoric thought.   While the nondiscursive, frequently digressive character of the Mnemosyne-Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that \"pathos formulas\" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Mnemosyne-Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Mnemosyne-Atlas. As Johnson demonstrates, the Mnemosyne-Atlas is not simply the culmination of Warburg’s lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50367968444689,"sku":"CIN0801477425G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0801477425.jpg?v=1760176834"},{"product_id":"chain-of-things-book-eric-downing-9781501715914","title":"The Chain of Things","description":"In The Chain of Things, Eric Downing shows how the connection between divinatory magic and reading shaped the experience of reading and aesthetics among nineteenth-century realists and modernist thinkers. He explores how writers, artists, and critics such as Gottfried Keller, Theodor Fontane, and Walter Benjamin drew on the ancient practice of...","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50522802684177,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50522805829905,"sku":"CIN1501715917G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501715917.jpg?v=1758966564"},{"product_id":"adorno-s-gamble-book-mikko-immanen-9781501779527","title":"Adorno's Gamble","description":"Adorno's Gamble offers a startling reinterpretation of the evolution of Theodor W. Adorno's thought, usually seen as a mix of critical Marxism, Freudian psychoanalysis, aesthetic modernism, and Jewish tradition. Mikko Immanen argues for another, previously unacknowledged source of Adorno's thinking on instrumental reason, dialectic of enlightenment, and frailty of democracy: the intellectual underpinnings of Germany's \"conservative revolutionary\" movement of the 1920s.   In a dramatic reappraisal of the leading light of the Frankfurt School, Immanen follows Adorno's path of philosophical development from the late Weimar era through years in exile to the postwar period, establishing his debt to thinkers of radical conservative bent. In particular, he focuses on Adorno's enduring, and daring, effort to harness two of the most infamous works from this tradition—Oswald Spengler's Decline of the West and Ludwig Klages's The Spirit as Adversary of the Soul—and to repurpose their reactionary teachings for emancipatory ends.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":51216004088081,"sku":"NGR9781501779527","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501779524.jpg?v=1760176517"},{"product_id":"homo-temporalis-book-nitzan-itzhak-lebovic-9781501779565","title":"Homo Temporalis","description":"Homo Temporalis focuses on the importance of temporal concepts for four German Jewish thinkers who profoundly shaped twentieth-century intellectual history: Martin Buber, Walter Benjamin, Hannah Arendt, and Paul Celan. By analyzing the concept of time, Nitzan Lebovic explores Buber's stress on the temporality of the dialogue between I and Thou; Benjamin's now-time and \"dialectics in standstill\"; Arendt's understanding of democracy as \"natality\" or a \"permanent revolution\"; and the \"breathturn\" that informs Celan's poetry. Framing the reception of German Jewish thinking in the second half of the twentieth century as a parallel story to the rise of the modern humanities, Homo Temporalis also highlights how these foundational temporal concepts illuminate the causes of the present crisis in the humanities and its disciplinary limitations in the age of biopolitics and the Anthropocene.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51216004874513,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51216007037201,"sku":"NGR9781501779565","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501779567.jpg?v=1760177431"},{"product_id":"unsettling-difference-book-adi-nester-9781501779688","title":"Unsettling Difference","description":"Unsettling Difference challenges the major-minor pattern that has framed discussions of German Jewish difference, focusing on instances that fall outside traditional understandings of minority culture. Exploring expressions of Jewish identity and difference in biblical-themed musical dramas and their literary sources, Adi Nester argues that the issue of Jewish difference should be treated as an aesthetic question in the first half of the twentieth century, even amid the rise of pseudoscientific theories about race and blood.   Drawing on the fraught, parallel histories of opera and the modern reception of the Hebrew Bible in Germany, both significant in debates at the time about the nature of Jewish separateness, Unsettling Difference shows how this discourse troubles concepts of Jewish marginality and (non-Jewish) German dominance. Through innovative readings of key works in this tradition—Rudolf Borchardt's poem, Das Buch Joram; Paul Ben-Haim's oratorio, Joram; Arnold Schoenberg's opera, Moses und Aron; Joseph Roth's novel, Hiob; and Eric Zeisl's opera, Hiob—Nester shows how these biblical adaptations foreground alternative notions of difference that rely on confusion, ambiguity, radical heterogeneity, excess, and repetition.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51216014442769,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51216016900369,"sku":"NGR9781501779688","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501779680.jpg?v=1760177319"},{"product_id":"paradigms-for-a-metaphorology-book-hans-blumenberg-9780801449253","title":"Paradigms for a Metaphorology","description":"\"Paradigms for a Metaphorology may be read as a kind of beginner's guide to Blumenberg, a programmatic introduction to his vast and multifaceted oeuvre. Its brevity makes it an ideal point of entry for readers daunted by the sheer bulk of Blumenberg's later writings, or distracted by their profusion of historical detail. Paradigms expresses many of Blumenberg's key ideas with a directness, concision, and clarity he would rarely match elsewhere. What is more, because it served as a beginner’s guide for its author as well, allowing him to undertake an initial survey of problems that would preoccupy him for the remainder of his life, it has the additional advantage that it can offer us a glimpse into what might be called the 'genesis of the Blumenbergian world.’\"—from the Afterword by Robert Savage   What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought?   In Paradigms for a Metaphorology, originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920–1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of \"absolute metaphors\" that cannot be translated back into conceptual language. These metaphors answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill.   An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51361551319313,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51361551483153,"sku":"GOR014239677","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0801449251.jpg?v=1758968222"},{"product_id":"waiting-water-book-alexander-sorenson-9781501777103","title":"The Waiting Water","description":"The Waiting Water addresses one of the most recurrent and troubling motifs in German Realist literature—death by drowning. Characters find themselves before bodies of water, presented with the familiar realm above the surface and the unobservable, uncanny domain beneath it. With somber regularity, they then disappear into the depths. Alexander Sorenson explores the role that these hidden deaths in water play within a literary movement that set out precisely to reveal universal truths about human life. The poetics of submergence, he argues, revolve around two concepts fundamental to Poetic Realism—order and sacrifice.   Focusing on texts by Adalbert Stifter, Gottfried Keller, Marie von Ebner-Eschenbach, and Theodor Storm, along with material from earlier and later epochs, The Waiting Water shows that the pervasive symbolism of drowning scenes in German Realism, which typically occur in zones of narrative invisibility on the social periphery, reveals the extent to which realist narrative uses the natural environment to work through deeply embedded and hidden tensions that troubled the social and moral life of the age.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51385488146705,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51385489522961,"sku":"NGR9781501777103","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501777106.jpg?v=1760176477"},{"product_id":"formative-fictions-book-tobias-boes-9780801478031","title":"Formative Fictions","description":"The Bildungsroman, or \"novel of formation,\" has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature.   Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls \"cosmopolitan remainders,\" identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation.   In Formative Fictions, Boes presents readings of a number of novels—Goethe’s Wilhelm Meister’s Apprenticeship, Karl Leberecht Immermann’s The Epigones, Gustav Freytag’s Debit and Credit, Alfred Döblin’s Berlin Alexanderplatz, and Thomas Mann’s Doctor Faustus among them—that have always been felt to be particularly \"German\" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51421488644369,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51421489725713,"sku":"CIN0801478030G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0801478030.jpg?v=1758968666"},{"product_id":"creatures-of-attention-book-johannes-wankhammer-9781501775802","title":"Creatures of Attention","description":"Creatures of Attention excavates the early modern prehistory of our late modern crises of attention. At the threshold of modernity, philosophers, scientists, and poets across Europe began to see attention as the key to autonomous agency and knowledge. Recovering the philosophical and literary works from eighteenth-century Germany in which \"attention,\" \"subject,\" and \"aesthetics\" developed their modern meanings, Johannes Wankhammer examines control over attention as the cultural technique underpinning the ideal of individual autonomy. Aesthetics, founded by Alexander Baumgarten as a science of sense perception, challenged this ideal by reframing art as a catalyst for alternative modes of selfhood and attention.    While previous scholarship on the history of attention emphasized the erosion of subjectivity by industrial or technological modernization, Wankhammer asks how attention came to define subjectivity in the first place. When periodically recurring crises of attention threaten the coherence of the subject, the subject comes undone at the very seams that first sutured it together.    Creatures of Attention offers the first systematic study of a foundational discourse on attention from 1650 to 1780. Presenting pre-Kantian aesthetics as a critique of the Enlightenment paradigm of strained attention, the book offers a fresh perspective on poetics and aesthetics in eighteenth-century Germany.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51604818854161,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51604818952465,"sku":"NGR9781501775802","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501775804.jpg?v=1760176661"},{"product_id":"textual-entanglements-book-jacob-haubenreich-9781501781155","title":"Textual Entanglements","description":"Textual Entanglements explores how the material processes of writing manifest in the published works of three twentieth-century Austrian authors: Peter Handke, Thomas Bernhard, and Rainer Maria Rilke. These authors left behind material traces of their writing processes, whether in notebooks, piles of disorganized typewritten sheets, or manuscript fragments. The materials do not merely act as containers for their texts: They spill into the semantic content of the writing, becoming entangled in it. The idiosyncratic materials and methods of the writing process do not disappear when the work enters print.    Examining these material traces, Textual Entanglements contends that we cannot fully understand these texts' semantic dynamics without considering the material circumstances of their production. Jacob Haubenreich reads Handke, Bernhard, and Rilke to argue that the materiality of textual production opens up a broader semiotic field in which meaning can be created. Haubenreich's book offers a theoretical framework and methodological models for integrating analysis of textual materiality into literary analysis in ways that expand the boundaries of literary interpretation.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51604859617553,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51604859748625,"sku":"NGR9781501781155","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501781154.jpg?v=1760176891"},{"product_id":"textual-entanglements-book-jacob-haubenreich-9781501781162","title":"Textual Entanglements","description":"Textual Entanglements explores how the material processes of writing manifest in the published works of three twentieth-century Austrian authors: Peter Handke, Thomas Bernhard, and Rainer Maria Rilke. These authors left behind material traces of their writing processes, whether in notebooks, piles of disorganized typewritten sheets, or manuscript fragments. The materials do not merely act as containers for their texts: They spill into the semantic content of the writing, becoming entangled in it. The idiosyncratic materials and methods of the writing process do not disappear when the work enters print.    Examining these material traces, Textual Entanglements contends that we cannot fully understand these texts' semantic dynamics without considering the material circumstances of their production. Jacob Haubenreich reads Handke, Bernhard, and Rilke to argue that the materiality of textual production opens up a broader semiotic field in which meaning can be created. Haubenreich's book offers a theoretical framework and methodological models for integrating analysis of textual materiality into literary analysis in ways that expand the boundaries of literary interpretation.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51604860862737,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51604860993809,"sku":"NGR9781501781162","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501781162.jpg?v=1760176197"},{"product_id":"theater-of-the-void-book-teresa-kovacs-9781501781421","title":"Theater of the Void","description":"Theater of the Void explores contemporary German theater in the aftermath of the technology of the atomic bomb. Informed by threats of total annihilation—whether through nuclear technology or, more recently, global warming—German-language theater since the late 1970s encounters the void not as empty space or nothingness but as the possibility of radical transformation. Theater of the Void investigates theatrical forms that transform fundamental categories of time, space, and causality in light of the ontological and epistemological shifts of the nuclear age.    Teresa Kovacs focuses on four directors and playwrights whose works offer insights into the theater of the void: Heiner Müller, Elfriede Jelinek, Christoph Schlingensief, and René Pollesch. Kovacs shows that contemporary German theater has not turned away from the sciences after Hiroshima and Nagasaki but has remained entangled with scientific thinking about quantum physics, biology, and the environment. Investigating these entanglements, Theater of the Void finds in the works of these German theater-makers a grammar of the void that speaks to the possibilities of a transformed theater in the Anthropocene.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51604868563217,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51604868727057,"sku":"NGR9781501781421","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1501781421.jpg?v=1752316688"},{"product_id":"theater-of-the-void-book-teresa-kovacs-9781501781438","title":"Theater of the Void","description":"Theater of the Void explores contemporary German theater in the aftermath of the technology of the atomic bomb. Informed by threats of total annihilation—whether through nuclear technology or, more recently, global warming—German-language theater since the late 1970s encounters the void not as empty space or nothingness but as the possibility of radical transformation. Theater of the Void investigates theatrical forms that transform fundamental categories of time, space, and causality in light of the ontological and epistemological shifts of the nuclear age.    Teresa Kovacs focuses on four directors and playwrights whose works offer insights into the theater of the void: Heiner Müller, Elfriede Jelinek, Christoph Schlingensief, and René Pollesch. Kovacs shows that contemporary German theater has not turned away from the sciences after Hiroshima and Nagasaki but has remained entangled with scientific thinking about quantum physics, biology, and the environment. Investigating these entanglements, Theater of the Void finds in the works of these German theater-makers a grammar of the void that speaks to the possibilities of a transformed theater in the Anthropocene.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51604868890897,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51604869185809,"sku":"NGR9781501781438","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/150178143X.jpg?v=1772035437"},{"product_id":"feeling-of-the-form-book-joseph-r-metz-9781501783586","title":"The Feeling of the Form","description":"The Feeling of the Form explores the concept of Einfuehlung - the projection of human feelings and life into inanimate forms - developed by German aesthetic theorists in the late nineteenth century. The word would be translated into English as \"empathy\" and migrate in meaning from the aesthetic to the interpersonal sphere. Combining close analysis and cultural \"para-history,\" The Feeling of the Form reads literary texts by Georg Buechner, Adalbert Stifter, and Rainer Maria Rilke alongside philosophical texts by Robert Vischer, Vernon Lee, and Theodor Lipps to uncover the often-uncanny intersections of aesthetic and interpersonal empathy.  Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, \"other minds,\" artificial intelligence, object-oriented ontology, and cinema and video game aesthetics.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51770033766673,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51770033996049,"sku":"NGR9781501783586","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501783586.jpg?v=1759572167"},{"product_id":"feeling-of-the-form-book-joseph-r-metz-9781501783593","title":"The Feeling of the Form","description":"The Feeling of the Form explores the concept of Einfuehlung - the projection of human feelings and life into inanimate forms - developed by German aesthetic theorists in the late nineteenth century. The word would be translated into English as \"empathy\" and migrate in meaning from the aesthetic to the interpersonal sphere. Combining close analysis and cultural \"para-history,\" The Feeling of the Form reads literary texts by Georg Buechner, Adalbert Stifter, and Rainer Maria Rilke alongside philosophical texts by Robert Vischer, Vernon Lee, and Theodor Lipps to uncover the often-uncanny intersections of aesthetic and interpersonal empathy.  Traveling both backward and forward in time from the 1873 invention of Einfuehlung, Joseph R. Metz traces the diverse and multidirectional exchanges among subjects and objects, feelings and forms, and selves and others that together yield an expanded understanding of Einfuehlung, empathy, and the connections between them. In its surprising juxtapositions, The Feeling of the Form also shows how nineteenth- and early twentieth-century texts prefigure a wide array of later thought, including affect theory, \"other minds,\" artificial intelligence, object-oriented ontology, and cinema and video game aesthetics.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51770041073937,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51770041205009,"sku":"NGR9781501783593","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501783593.jpg?v=1759572042"},{"product_id":"inconceivable-effects-book-martin-blumenthal-barby-9780801478123","title":"Inconceivable Effects","description":"Blumenthal-Barby reads theoretical, literary and cinematic works that appear noteworthy for the ethical questions they raise.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51803232567569,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51803233026321,"sku":"NGR9780801478123","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780801478123.jpg?v=1760176455"},{"product_id":"persistence-of-folly-book-joel-b-lande-9781501727115","title":"Persistence of Folly","description":"Joel B. Lande's Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society.   Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande's work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51803245969681,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51803248853265,"sku":"NGR9781501727115","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501727115.jpg?v=1758966563"},{"product_id":"allegories-of-format-book-malika-maskarinec-9781501784064","title":"Allegories of Format","description":"Allegories of Format examines the significance of format to the literary oeuvre of the nineteenth-century Swiss author, Gottfried Keller (1819–1890), best known for his 1855 novel, Green Henry (Der grüne Heinrich). Malika Maskarinec understands format as the organization of a media object's relationship to a world of objects and persons; format orders a text's contents or, in the case of literature, what it represents. Maskarinec focuses on three formats of growing prominence in nineteenth-century media culture: the collected-works edition, the document, and the periodical.    The analysis demonstrates that different fictional worlds, characters, and plots in Keller's literary output allegorize the problems that specific print and paper formats pose to literary ideals of literature as an art form and to ideals of creative authorship. As Allegories of Format shows, attending to format allows for false antitheses inherited from the nineteenth century to be dismantled - between high and trivial literature, between the singular artwork and mass media products, and between creative literary works and the supposedly uncreative writing practices of office work.   This book is available as an Open Access volume thanks to funding from the University of Bern\/Universität Bern.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":52099414393105,"sku":"NGR9781501784064","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501784064.jpg?v=1762250234"},{"product_id":"allegories-of-format-book-malika-maskarinec-9781501784040","title":"Allegories of Format","description":"Allegories of Format examines the significance of format to the literary oeuvre of the nineteenth-century Swiss author, Gottfried Keller (1819–1890), best known for his 1855 novel, Green Henry (Der grüne Heinrich). Malika Maskarinec understands format as the organization of a media object's relationship to a world of objects and persons; format orders a text's contents or, in the case of literature, what it represents. Maskarinec focuses on three formats of growing prominence in nineteenth-century media culture: the collected-works edition, the document, and the periodical.    The analysis demonstrates that different fictional worlds, characters, and plots in Keller's literary output allegorize the problems that specific print and paper formats pose to literary ideals of literature as an art form and to ideals of creative authorship. As Allegories of Format shows, attending to format allows for false antitheses inherited from the nineteenth century to be dismantled - between high and trivial literature, between the singular artwork and mass media products, and between creative literary works and the supposedly uncreative writing practices of office work.   This book is available as an Open Access volume thanks to funding from the University of Bern\/Universität Bern.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":52099418587409,"sku":"NGR9781501784040","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501784040.jpg?v=1762252092"},{"product_id":"form-as-revolt-book-sebastian-zeidler-9780801479847","title":"Form As Revolt","description":"The German writer and art critic Carl Einstein (1885-1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein's multifaceted career, offering the first comprehensive intellectual biography of Einstein in English.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694616211729,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52694616277265,"sku":"NGR9780801479847","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780801479847.jpg?v=1762386504"},{"product_id":"counterpreservation-book-daniela-sandler-9781501703171","title":"Counterpreservation","description":"In Berlin, decrepit structures do not always denote urban blight. Decayed buildings are incorporated into everyday life as residences, exhibition spaces, shops, offices, and as leisure space. In this book, Daniela Sandler introduces the concept of counterpreservation as a way to understand this intentional appropriation of decrepitude.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53041990795537,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":53041991155985,"sku":"CIN150170317XG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781501703171.jpg?v=1768871913"}],"url":"https:\/\/www.worldofbooks.com\/en-gb\/collections\/signale-modern-german-letters-cultures-and-thought-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}