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While leaving enough room for the personal and experiential, Yarrow draws on concepts from sociology, anthropology, and critical theory as well as analytical readings of plays and performance events to examine how theater interacts with the otherworldly. This volume is essential reading for anyone intrigued by the intersection of drama and consciousness. “This book takes on the enormous task of identifying not only the sacred in theatre but also questions ideas of sacred across the spectrum. 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David Ian Rabey brings in sources ranging from medieval and Renaissance theatre to contemporary performances - in addition to recent writings from physics, philosophy and psychology - to analyse ways that time can be presented, communicated and transformed in the theatre. How do we experience time in theatre, and how can that experience be altered or manipulated? 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