{"title":"Theory Culture","description":null,"products":[{"product_id":"essays-on-life-writing-book-marlene-kadar-9780802067838","title":"Essays on Life Writing","description":"Marlene Kadar has brought together an interdisciplinary and comparative collection of critical and theoretical essays by diverse Canadian scholars.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49560629903633,"sku":"GOR010152563","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52532533133585,"sku":"NLS9780802067838","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52740106584337,"sku":"NIN9780802067838","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0802067832.jpg?v=1763473954"},{"product_id":"encyclopedia-of-contemporary-literary-theory-book-irena-makaryk-9780802068606","title":"Encyclopedia of Contemporary Literary Theory","description":"The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years.   Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address.   Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context.   Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use.   Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49804263686417,"sku":"CIN080206860XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50812116336913,"sku":"GOR005695948","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ WELL_READ \/ SBYB","offer_id":51743512953105,"sku":"CIN080206860XA","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":53005891764497,"sku":"CIN080206860XVG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/080206860X.jpg?v=1751011547"},{"product_id":"body-language-in-literature-book-barbara-korte-9780802076564","title":"Body Language in Literature","description":"The tilt of a head, the quirk of an eyebrow, or a shift in position can eloquently portray a wide range of emotions without a single word being spoken. Body language is a critical component of everyday communication, yet the importance of body language, or non-verbal communication, in such a verbal medium as literature has not been fully studied.   In Body Language in Literature, Barbara Korte has produced an important interdisciplinary study, by establishing a general theory that accounts for the varieties of body language encountered in literary narrative, based on a general history of the phenomenon in the English language. By focusing major works of literature, including stories by D.H. Laurence, Margaret Atwood, and J.D. 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He offers readings of texts drawn from four national literatures-French, Spanish, Portuguese, and Brazilian-testing his model across a cultural and temporal spectrum. This critical breadth also illustrates the significance of description in disparate contexts: the postmodern novel, which implicitly challenges conventional notions of foreground and background, as well as the naturalist and realist fiction of the nineteenth century.   Lopes applies his model to detailed readings of Emile Zola's Une Page d'amour, Claude Simon's Histoire, Benito PÉrez GaldÓs' La de Bringas, CornÉlio Penna's A Menina Morta, and Carlos de Oliveira's Finisterra. In addition to exploring the interplay of description and narration, these readings pay particular attention to spatial descriptions, and analyse the diverse roles of description in different contexts. 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The author's concern is both with a general theoretical question – the relationship between painting and poetry, between the visual and the verbal – and with a specific period of artistic history – the early years of the twentieth century, when Cubism flourished.   Rather than seeing any conflict or irreconcilable division between painting and poetry, Scobie proposes, as a model for their relation, the Derridean notion of 'the supplement.' This relation is grounded in the pervasiveness of language, in the ways in which language surrounds, imbues, structures, and supplements both verbal and non-verbal images.   Working from the double focus of theory and history, this book does not attempt to develop a consecutive argument, but rather navigates around its topics, adopting a slightly different approach in each chapter. 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