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Contributors benefit from the accumulation of new evidence of attitudes towards sexual practice, and they engage with a wide range of texts, including Ned Ward's History of the Clubs, Tobias Smollett's Roderick Random, Shakespeare's Taming of the Shrew and The Tempest, Dryden's All for Love, Anne Batten Cristall's Poetical Sketches, Isaac de Benserade's Iphis et Iante, and Alessandro Verri's Le Avventure di Saffo.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52120677024017,"sku":"NLS9781611485004","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53080870846737,"sku":"NIN9781611485004","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781611485004.jpg?v=1757426773"},{"product_id":"global-romanticism-book-evan-gottlieb-9781611486278","title":"Global Romanticism","description":"For several decades, interest in the British Romantics' theorizations and representations of the world beyond their national borders has been guided by postcolonial and, more recently, transatlantic paradigms. 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Combining archival research on treatises on happiness with illuminating readings of Samuel Johnson, Laurence Sterne, Denis Diderot, Jean-Jacques Rousseau, William Godwin and Mary Hays, Brian Michael Norton's innovative study asks us to see the novel itself as a key instrument of Enlightenment ethics. His central argument is that the novel form provided a uniquely valuable tool for thinking about the nature and challenges of modern happiness: whereas treatises sought to theorize the conditions that made happiness possible in general, eighteenth-century fiction excelled at interrogating the problem on the level of the particular, in the details of a single individual's psychology and unique circumstances. 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We begin with Margaret Cavendish, whose natural philosophy rejected ideas of superiority or inferiority between individuals based upon physical or mental difference. We then move to John Locke, the founder of empiricism in 1680, who believed that the basis of knowledge was observability, but who, faced with the lack of anything to observe, broke his own epistemological rules in his explanation of mental illness. Understanding the problems that empiricism set up, Anthony Ashley Cooper, Lord Shaftesbury, turned in 1711 to moral philosophy, but also founded his philosophy on a flaw. He believed in the harmony of “the aesthetic trinity of beauty, truth, and virtue” but he could not believe that a disabled friend, whom he knew to have been moral before his physical alteration, could change inside.  Lastly, we explore Thomas Reid who in 1788 returned to the body as the ground of philosophical enquiry and saw the body as a whole—complete in itself and wanting nothing, be it missing a sense (Reid was deaf) or a physical or mental capacity.\u003cbr\u003e\u003cbr\u003eAt the heart of the study of any historical artifact is the question of where to look for evidence, and when looking for evidence of disability, we have largely to rely upon texts. However, texts come in many forms, and the next two essays explore three types—the novel, the periodical and the pamphlet—which pour out their ideas of disability in different ways.\u003cbr\u003e\u003cbr\u003eEvidence of disabled people in the eighteenth century is sparse, and the lives the more evanescent. 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He was, and remains, a mercurial individual, an idiosyncratic yet strangely familiar writer of spiritual heights and material depths. His paradoxical exuberance fascinates scholars of eighteenth-century culture, and this collection of essays, a snapshot of current scholarship from both new and established Smart scholars, offers, among others, literary, theological, dramatic and philosophical perspectives on his writing. Here are new ways of reading familiar Smart works — including the astonishing, devout poem of his incarceration, Jubilate Agno — and unfamiliar ones, such as his translations and writing for children. Unexpected readers of Smart, from Coleridge to a testy anonymous annotator, are examined, and Smart's sacred translations and profane stage presence each find a place. Tom Keymer's re-evaluating afterword finds the quality of “betweenness” in Smart's work: between eras, between genres, between forms, Smart's vitality demands reassessment for each new generation of readers. \u003cbr\u003eContributors: Karina Williamson, Min Wild, Rosalind Powell, Fraser Easton, Clement Hawes, William E. Levine, Noel Chevalier, Lori A. Branch, Daniel J. Ennis, Chris Mounsey, Debbie Welham, Tom Keymer.\u003cbr\u003e\u003cbr\u003eBack Flap:\u003cbr\u003e\u003cbr\u003eThe editors \u003cbr\u003eMin Wild's monograph Christopher Smartand Satire on Smart's Midwife, was published in 2008, and various articles and reviews of a Smartian bent have followed. Her interest in that eighteenth-century favorite, the literary mode of prosopopoeia, has led her to investigate the personification of words, texts and literary modes themselves. She\u003cbr\u003electures in eighteenth-century literature and theory at Plymouth University, UK, and reviews in the Times Literary Supplement and elsewhere.\u003cbr\u003eNoel Chevalier is Associate Professor of English at Luther College, University of Regina, Canada. He has published articles on Jubilate Agno and on Smart’s challenge to “legitimate” playhouses in Mrs. Midnight’sOratory. Although his specialty lies in the eighteenth century, his teaching and research cover a diverse range of topics, from literary responses to the Bible, to the roots of globalization, to literary representations of science and scientists. He has helped create two interdisciplinary programs at Luther: one which addresses literature for students in the sciences, and one which explores the philosophical, political, economic, and cultural contexts of globalization.\u003cbr\u003eJacket illustration: \"Amaryllis sarniensis or Guernsey Amaryllis,\" from William Curtis, The Botanical Magazine; or, Flower-GardenDisplayed, Vol. IX. No. 294. London, 1795.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52121343885585,"sku":"NLS9781611485196","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781611485196.jpg?v=1759401612"},{"product_id":"enlightenment-in-ruins-book-michael-griffin-9781611486896","title":"Enlightenment in Ruins","description":"Oliver Goldsmith (1728-1774) moved between the genres and geographies of enlightenment writing with considerable dexterity. 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Richly illustrated and elegantly written, this book brings the eighteenth century to life, presenting a diverse range of material from serious religious poems to amusing verses on domestic life. The work of Anne Finch, author of A Nocturnal Reverie, provides the cornerstone for this well informed study. But it was Elizabeth Rowe who achieved international fame for her popular religious writings. Both women influenced the Countess of Hertford, who wrote about the beauty of nature, centuries before modern Earth Day celebrations. Sarah Dixon, a middle-class writer from Kent, had a strong moral outlook and stood up for those whose voices needed to be heard, including her own. Finally, Mary Jones, who lived in Oxford, was praised for both her genius and her sense of humor. Poetic Sisters presents a fascinating female literary network, revealing the bonds of a shared vocation that unites these writers. 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In contrast, this collection reads for \u003ci\u003eimpoliteness\u003c\/i\u003e, revealing a more nuanced, granular, and dynamic view of eighteenth-century periodicals such as Addison and Steele’s popular \u003ci\u003eThe \u003c\/i\u003e\u003ci\u003eSpectator\u003c\/i\u003e, and a fuller sense of their value within the societies that produced and consumed them. By inverting the traditional focus, this volume promotes a new history of the periodical characterized not as highbrow gatekeeper of literary taste, but as incongruent, idiosyncratic, and impolite. \u003ci\u003eImpolite Periodicals \u003c\/i\u003ethus brings together a range of perspectives on eighteenth-century periodical publication, not simply to argue that periodicals could be impolite, but to explore how readings of their potential impoliteness might affect our understanding of their literary and social significance. This collection relishes and lingers on signs of rudeness, inconsistency, impurity, and failure.\u003cbr\u003e\u003cbr\u003e With an afterword by Manushag N. Powell.\u003cbr\u003e\u003cbr\u003e Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":52153183076625,"sku":"NGR9781684485772","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781684485772.jpg?v=1757619217"},{"product_id":"impolite-periodicals-book-emrys-d-jones-9781684485765","title":"Impolite Periodicals","description":"Studies of the eighteenth-century periodical have long tended to understand the form according to the period’s own insistence on adhering to and promoting politeness. In contrast, this collection reads for impoliteness, revealing a more nuanced, granular, and dynamic view of eighteenth-century periodicals such as Addison and Steele’s popular The Spectator, and a fuller sense of their value within the societies that produced and consumed them. By inverting the traditional focus, this volume promotes a new history of the periodical characterized not as highbrow gatekeeper of literary taste, but as incongruent, idiosyncratic, and impolite. Impolite Periodicals thus brings together a range of perspectives on eighteenth-century periodical publication, not simply to argue that periodicals could be impolite, but to explore how readings of their potential impoliteness might affect our understanding of their literary and social significance. This collection relishes and lingers on signs of rudeness, inconsistency, impurity, and failure.   With an afterword by Manushag N. Powell.   Published by Bucknell University Press. 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