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This first English translation of Post-History brings to an Anglophone readership Flusser's first critique of apparatus as the aesthetic, ethical, and epistemological model of present times.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49736793129233,"sku":"NGR9781937561093","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50395339129105,"sku":"CIN1937561097VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50404020191505,"sku":"CIN1937561097G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51894680387857,"sku":"GOR006688273","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1937561097.jpg?v=1765014993"},{"product_id":"communicology-book-vilm-flusser-9781503634480","title":"Communicology","description":"Communicology is Vilém Flusser's first thesis on his concepts of technical images and technical imagination. 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Just as formal creativity has produced both weapons of destruction and great works of art, Flusser believed that the shape of things (and the designs behind them) represents both a threat and an opportunity for designers of the future.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49995135385873,"sku":"NGR9781861890559","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50566867419409,"sku":"GOR005601688","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":51795628425489,"sku":"GOR013273341","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51898651771153,"sku":"CIN1861890559G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1861890559.jpg?v=1767353150"},{"product_id":"towards-a-philosophy-of-photography-book-vilm-flusser-9781861890764","title":"Towards a Philosophy of Photography","description":"Media philosopher Vilem Flusser proposed a revolutionary new way of thinking about photography. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. 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Can culture be considered natural and nature cultural? If culture is our natural habitat then do we not inhabit nature? These are only some of the questions that are raised in Natural:Mind in order to examine our continual redefinition of both terms and what that means for us existentially.   Always applying his fluid and imagistic Husserlian style of phenomenology, Flusser explores different perspectives and relations of items from everyday life. The book is composed of a series of essays based on close observations of familiar objects such as paths, valleys, cows, meadows, trees, fingers, grass, the moon, and buttons. By focusing on things we mostly take for granted, he manages not only to reveal some aspects of their real and obscured nature but also to radically change how we look at them. 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The resulting ten essays would eventually be published in 1965 in the annual magazine of the Brazilian Institute of Technology and Aeronautics (ITA), and published here for the first time in book form.   Flusser prepared each lecture as a response to the dialogs that followed the preceding lecture, thereby expanding and explicating his philosophy of language in an intense dialogical process. Despite the fact that the other side of the dialogue was not recorded, it becomes clear to the reader that the resulting discussions and polemics generated by the lectures progressively and profoundly changed Flusser’s intended trajectory for the course. This kind of philosophy in fieri was in part the result of a group effort between all of those present, and subsequently synthesized by Flusser in every essay. 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