{"title":"America And The Long 19th Century","description":"\u003cp\u003eExplore the transformative 'long 19th century' in America. This collection delves into pivotal historical moments, cultural shifts, and the voices that shaped a nation. Discover compelling narratives of a changing world.\u003c\/p\u003e","products":[{"product_id":"traumatic-colonel-book-michael-j-drexler-9781479842537","title":"The Traumatic Colonel","description":"In  American political fantasy, the Founding Fathers loom large, at once historical  and mythical figures. In The Traumatic Colonel, Michael J. Drexler and  Ed White examine the Founders as imaginative fictions, characters in the  specifically literary sense, whose significance emerged from narrative elements  clustered around them. From the revolutionary era through the 1790s, the Founders  took shape as a significant cultural system for thinking about politics, race,  and sexuality. Yet after 1800, amid the pressures of the Louisiana Purchase and  the Haitian Revolution, this system could no longer accommodate the deep  anxieties about the United States as a slave nation.  Drexler  and White assert that the most emblematic of the political tensions of the time  is the figure of Aaron Burr, whose rise and fall were detailed in the  literature of his time: his electoral tie with Thomas Jefferson in 1800,  the accusations of seduction, the notorious duel with Alexander Hamilton, his  machinations as the schemer of a breakaway empire, and his spectacular treason  trial. The authors venture a psychoanalytically-informed exploration of post-revolutionary  America to suggest that the figure of “Burr” was fundamentally a displaced  fantasy for addressing the Haitian Revolution. Drexler and White expose how the  historical and literary fictions of the nation’s founding served to repress the  larger issue of the slave system and uncover the Burr myth as the crux of that  repression. Exploring early American novels, such as the works of Charles  Brockden Brown and Tabitha Gilman Tenney, as well as the pamphlets, polemics,  tracts, and biographies of the early republican period, the authors speculate  that this flourishing of political writing illuminates the notorious gap in  U.S. literary history between 1800 and 1820.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49630563565841,"sku":"GOR012885704","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51517271408913,"sku":"CIN1479842532VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52431907782929,"sku":"NLS9781479842537","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1479842532.jpg?v=1763221304"},{"product_id":"racial-innocence-book-robin-bernstein-9780814787083","title":"Racial Innocence","description":"2013 Book Award Winner from the International Research Society in Children's Literature  2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education   2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association   2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association  2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers    Dissects how \"innocence\" became the exclusive province of white children, covering slavery to the Civil Rights era  Beginning in the mid nineteenth century in America, childhood became synonymous with innocence—a reversal of the previously-dominant Calvinist belief that children were depraved, sinful creatures. As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects—a dynamic that Robin Bernstein calls “racial innocence.” This phenomenon informed racial formation from the mid nineteenth century through the early twentieth.   Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as “scriptive things” that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom’s Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. 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Edward Sugden argues that these ocean spaces existed in a unique historical fold between the transformations that inaugurated the modern era—colonialism to nationalism, mercantilism to capitalism, slavery to freedom, and deferent subject to free citizen. As travellers, workers, and writers journeyed across the Pacific, Atlantic, and Caribbean Sea, they had to adapt their political expectations to the interstitial social realities that they saw before them while also feeling their very consciousness, particularly their perception of time, mutate. These four domains—oceanic geography, historical folds, emergent politics, and dissonant times—in turn, provided the conditions for the development of three previously unnamed genres of the 1850s: the Pacific elegy, the black counterfactual, and the immigrant gothic.  In telling the history of these emergent worlds and their importance to the development of the literary cultures of the US Americas, Sugden proposes narratives that alter some of the most enduring myths of the field, including the westward spread of US imperialism, the redemptionist trajectory of black historiography, and the notion that the US Americas constituted a new world. 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Emphasizing the making of \"expression\" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making.   The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. 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Drawing on both English and Arabic language sources, Berman contends that the fluidity and instability  of the term Arab as it appears in captivity narratives, travel narratives,  imaginative literature, and ethnic literature simultaneously instantiate and undermine definitions of the American nation and American citizenship.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49995423613201,"sku":"CIN0814745180G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51008265748753,"sku":"NIN9780814745182","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52435633307921,"sku":"NLS9780814745182","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0814745180.jpg?v=1750703564"},{"product_id":"before-chicano-book-alberto-varon-9781479831197","title":"Before Chicano","description":"Uncovers the long history of how Latino manhood was integral to the formation of Latino identity     In the first ever book-length study of Latino manhood before the Civil Rights Movement, Before Chicano examines Mexican American print culture to explore how conceptions of citizenship and manhood developed in the nineteenth and twentieth centuries. The year 1848 saw both the signing of the Treaty of Guadalupe Hidalgo that ended the U.S. Mexican War and the year of the Seneca Falls Convention, the first organized conference on women's rights in the United States. These concurrent events signaled new ways of thinking about U.S. citizenship, and placing these historical moments into conversation with the archive of Mexican American print culture, Varon offers an expanded temporal frame for Mexican Americans as long-standing participants in U.S. national projects.   Pulling from a wide-variety of familiar and lesser-known works—from fiction and newspapers to government documents, images, and travelogues—Varon illustrates how Mexican Americans during this period envisioned themselves as U.S. citizens through cultural depictions of manhood. 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Unique among nineteenth-century accounts, Stella gives a pro-Haitian version of the Haitian Revolution, a bloody but just struggle that emancipated a people, and it charges future generations with remembering the sacrifices and glory of their victory. Bergeaud's novel demonstrates that the Haitians—not the French—are the true inheritors of the French Revolution, and that Haiti is the realization of its republican ideals. 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This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture.  In addition to identifying an archive of provocative primary materials, Sites Unseen draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the “Oriental” parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. 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Bodies of Reform reconceives this pivotal category of nineteenth-century literature and culture by charting the development of the concept of “character” in the fictional genres, social reform movements, and political cultures of the United States from the mid-nineteenth to the early-twentieth century. By reading novelists such as Herman Melville, Mark Twain, Pauline Hopkins, and Charlotte Perkins Gilman alongside a diverse collection of texts concerned with the mission of building character, including child-rearing guides, muscle-building magazines, libel and naturalization law, Scout handbooks, and success manuals, James B. Salazar uncovers how the cultural practices of representing character operated in tandem with the character-building strategies of social reformers. 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In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. 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By charting the complex circulation of people, property, and print from the Pacific Rim to the Black Atlantic, Racial Reconstruction sheds new light on comparative racialization in America, and illuminates how slavery and Reconstruction influenced the histories of Chinese immigration to the West.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50377254732049,"sku":"CIN1479817961G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51028884488465,"sku":"NIN9781479817962","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52402918523153,"sku":"NLS9781479817962","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1479817961.jpg?v=1763476335"},{"product_id":"unsettled-states-book-dana-luciano-9781479889327","title":"Unsettled States","description":"In Unsettled States, Dana Luciano and Ivy G. 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Unsettled States seeks to demonstrate how the goals of minoritarian critique may be actualized without automatic recourse to a predetermined “minor” location, subject, or critical approach. 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Examining scientific and literary narratives, Nihad M. Farooq's Undisciplined encourages an alternative consideration of personhood, one that emerges from evolutionary and ethnographic discourse. Moving chronologically from 1830 to 1940, Farooq explores the scientific and cultural entanglements of Atlantic travelers in and beyond the Darwin era, and invites us to attend more closely to the consequences of mobility and contact on disciplines and persons. Bringing together an innovative group of readings—from field journals, diaries, letters, and testimonies to novels, stage plays, and audio recordings—Farooq advocates for a reconsideration of science, personhood, and the priority of race for the field of American studies. 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The Unintended slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership.   The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of \"expression\" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making.   The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. 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While many scholars have explored  Twain’s work in African Americanist contexts, his writing on Asia and Asian  Americans remains largely in the shadows. In Sitting in Darkness, Hsuan Hsu  examines Twain’s career-long archive of writings about United States relations  with China and the Philippines. Comparing Twain’s early writings about Chinese  immigrants in California and Nevada with his later fictions of slavery and  anti-imperialist essays, he demonstrates that Twain’s ideas about race were not  limited to white and black, but profoundly comparative as he carefully crafted  assessments of racialization that drew connections between groups, including  African Americans, Chinese immigrants, and a range of colonial populations.        Drawing on recent legal scholarship,  comparative ethnic studies, and transnational and American studies, Sitting in  Darkness engages Twain’s best-known novels such as Tom Sawyer, Huckleberry  Finn, and A Connecticut Yankee in King Arthur’s Court, as well as his  lesser-known Chinese and trans-Pacific inflected writings, such as the  allegorical tale “A Fable of the Yellow Terror” and the yellow face play Ah  Sin. 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In the early republic, ideas of biotic distinctiveness helped fuel narratives of American exceptionalism. By the nineteenth century, however, these ideas and narratives were unsettled by the unprecedented scale at which the United States and European empires prospected for valuable plants and exchanged them across the globe. Drawing on ecocriticism, New Materialism, environmental history, and the history of science—and crossing disciplinary and national boundaries—The Garden Politic shows how new ideas about cultivation and plant life could be mobilized to divergent political and social ends.   Reading the work of influential nineteenth-century authors from a botanical perspective, Mary Kuhn recovers how domestic political issues were entangled with the global circulation and science of plants. The diversity of Harriet Beecher Stowe's own gardens contributed to the evolution of her racial politics and abolitionist strategies. Nathaniel Hawthorne's struggles in his garden inspired him to write stories in which plants defy human efforts to impose order. Radical scientific ideas about plant intelligence and sociality prompted Emily Dickinson to imagine a human polity that embraces kinship with the natural world. Yet other writers, including Frederick Douglass, cautioned that the most prominent political context for plants remained plantation slavery.   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Did people characterize their sexuality as a set of bodily practices, a form of identification, or a mode of relation? Was it even something an individual could be said to possess? What could be counted as sexuality?      Tomorrow’s Parties: Sex and the Untimely in Nineteenth-Century America provides a rich new conceptual language to describe the movements of sex in the period before it solidified into the sexuality we know, or think we know. Taking up authors whose places in the American history of sexuality range from the canonical to the improbable—from Whitman, Melville, Thoreau, and James to Dickinson, Sarah Orne Jewett, Harriet Jacobs, Frederick Douglass, and Mormon founder Joseph Smith—Peter Coviello delineates the varied forms sex could take in the lead-up to its captivation by the codings of “modern” sexuality. While telling the story of nineteenth-century American sexuality, he considers what might have been lostin the ascension of these new taxonomies of sex: all the extravagant, untimely ways of imagining the domain of sex that, under the modern regime of sexuality, have sunken into muteness or illegibility. Taking queer theorizations of temporality in challenging new directions, Tomorrow’s Parties assembles an archive of broken-off, uncreated futures—futures that would not come to be. 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What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume—the paper war—that vied to shape public sentiment and the very idea of Haiti.  Stieber's reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of \"literature\" and \"civilization\" really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti's role—as an idea and a discursive interlocutor—in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. 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Traversing the archives of early African American literature, performance, and visual culture, Britt Rusert uncovers the dynamic experiments of a group of black writers, artists, and performers. Fugitive Science chronicles a little-known story about race and science in America. While the history of scientific racism in the nineteenth century has been well-documented, there was also a counter-movement of African Americans who worked to refute its claims.   Far from rejecting science, these figures were careful readers of antebellum science who linked diverse fields—from astronomy to physiology—to both on-the-ground activism and more speculative forms of knowledge creation. Routinely excluded from institutions of scientific learning and training, they transformed cultural spaces like the page, the stage, the parlor, and even the pulpit into laboratories of knowledge and experimentation. 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Drawing on recent legal scholarship,  comparative ethnic studies, and transnational and American studies, Sitting in  Darkness engages Twain's best-known novels such as Tom Sawyer, Huckleberry  Finn, and A Connecticut Yankee in King Arthur's Court, as well as his  lesser-known Chinese and trans-Pacific inflected writings, such as the  allegorical tale \"A Fable of the Yellow Terror\" and the yellow face play Ah  Sin. 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Readers will find in the rich heterogeneity of texts and authors discussed fertile ground for discussion and will discover the depth, diversity, and long-standing presence of Latinos\/as and their literature in the United States.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52487289209105,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52487290159377,"sku":"NLS9781479855872","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781479855872.jpg?v=1763476052"},{"product_id":"before-chicano-book-alberto-varon-9781479863969","title":"Before Chicano","description":"Uncovers the long history of how Latino manhood was integral to the formation of Latino identity     In the first ever book-length study of Latino manhood before the Civil Rights Movement, Before Chicano examines Mexican American print culture to explore how conceptions of citizenship and manhood developed in the nineteenth and twentieth centuries. The year 1848 saw both the signing of the Treaty of Guadalupe Hidalgo that ended the U.S. Mexican War and the year of the Seneca Falls Convention, the first organized conference on women's rights in the United States. These concurrent events signaled new ways of thinking about U.S. citizenship, and placing these historical moments into conversation with the archive of Mexican American print culture, Varon offers an expanded temporal frame for Mexican Americans as long-standing participants in U.S. national projects.   Pulling from a wide-variety of familiar and lesser-known works—from fiction and newspapers to government documents, images, and travelogues—Varon illustrates how Mexican Americans during this period envisioned themselves as U.S. citizens through cultural depictions of manhood. Before Chicano reveals how manhood offered a strategy to disparate Latino communities across the nation to imagine themselves as a cohesive whole—as Mexican Americans—and as political agents in the U.S. Though the Civil Rights Movement is typically recognized as the origin point for the study of Latino culture, Varon pushes us to consider an intellectual history that far predates the late twentieth century, one that is both national and transnational. He expands our framework for imagining Latinos' relationship to the U.S. and to a past that is often left behind.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52535144251665,"sku":"NLS9781479863969","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781479863969.jpg?v=1760670402"}],"url":"https:\/\/www.worldofbooks.com\/en-ie\/collections\/america-and-the-long-19th-century-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}