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One reads this very fine novel for the glissando effect of its language, the vibrancy of its characters and the unabashed pleasure Mr. Murray takes in nostalgia for its own sake . . . with level-headed clarity and honesty.\"-\u003ci\u003eThe New York Times Book Review\u003c\/i\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49896268333329,"sku":"CIN0679730850G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51331756065041,"sku":"CIN0679730850VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0679730850.jpg?v=1767091972"},{"product_id":"train-whistle-guitar-book-albert-murray-9781555530518","title":"Train Whistle Guitar","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49897086026001,"sku":"CIN1555530516G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52459570168081,"sku":"CIN1555530516VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1555530516.jpg?v=1751056053"},{"product_id":"seven-league-boots-book-albert-murray-9780679758587","title":"The Seven League Boots","description":null,"brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":49937530487057,"sku":"CIN0679758585A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50229717532945,"sku":"CIN0679758585G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0679758585.jpg?v=1750699990"},{"product_id":"albert-murray-collected-essays-memoirs-loa-284-book-albert-murray-9781598535037","title":"Albert Murray: Collected Essays \u0026 Memoirs (LOA #284)","description":"In his 1970 classic \u003ci\u003eThe Omni-Americans\u003c\/i\u003e, Albert Murray (1916-2013) took aim at protest writers and social scientists who accentuated the pathology of race in American life. 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It is a nation of multicolored people. . . . Any fool can see that the white people are not really white, and that black people are not black. They are all interrelated one way or another. These words, written by Albert Murray at the height of the Black Power movement, cut against the grain of their moment, and announced the arrival of a major new force in American letters. In his 1970 classic \u003ci\u003eThe Omni-Americans\u003c\/i\u003e, Murray took aim at protest writers and social scientists who accentuated the pathology of race in American life. Against narratives of marginalization and victimhood, Murray argued that black art and culture, particularly jazz and blues, stand at the very headwaters of the American mainstream, and that much of what is best in American art embodies the blues-hero tradition--a heritage of grace, wit, and inspired improvisation in the face of adversity. 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It is a nation of multicolored people. . . . Any fool can see that the white people are not really white, and that black people are not black. They are all interrelated one way or another. These words, written by Albert Murray at the height of the Black Power movement, cut against the grain of their moment, and announced the arrival of a major new force in American letters. In his 1970 classic \u003ci\u003eThe Omni-Americans\u003c\/i\u003e, Murray took aim at protest writers and social scientists who accentuated the pathology of race in American life. Against narratives of marginalization and victimhood, Murray argued that black art and culture, particularly jazz and blues, stand at the very headwaters of the American mainstream, and that much of what is best in American art embodies the blues-hero tradition--a heritage of grace, wit, and inspired improvisation in the face of adversity. Reviewing \u003ci\u003eThe Omni-Americans\u003c\/i\u003e in 1970, Walker Percy called it the most important book on black-white relationships . . . indeed on American culture . . . published in this generation. As Henry Louis Gates, Jr. makes clear in his introduction, Murray's singular poetic voice, impassioned argumentation, and pluralistic vision have only become more urgently needed today.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50349485359377,"sku":"CIN0394714687G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0394714687.jpg?v=1750814099"},{"product_id":"murray-talks-music-book-albert-murray-9780816699551","title":"Murray Talks Music","description":"The year 2016 will mark the centennial of the birth of Albert Murray (1916–2013), who in thirteen books was by turns a lyrical novelist, a keen and iconoclastic social critic, and a formidable interpreter of jazz and blues. Not only did his prizewinning study Stomping the Blues (1976) influence musicians far and wide, it was also a foundational text for Jazz at Lincoln Center, which he cofounded with Wynton Marsalis and others in 1987. Murray Talks Music brings together, for the first time, many of Murray’s finest interviews and essays on music—most never before published—as well as rare liner notes and prefaces.  For those new to Murray, this book will be a perfect introduction, and those familiar with his work—even scholars—will be surprised, dazzled, and delighted. Highlights include Dizzy Gillespie’s richly substantive 1985 conversation; an in-depth 1994 dialogue on jazz and culture between Murray and Wynton Marsalis; and a long 1989 discussion on Duke Ellington between Murray, Stanley Crouch, and Loren Schoenberg. Also interviewed by Murray are producer and impresario John Hammond and singer and bandleader Billy Eckstine. All of thse conversations were previously lost to history. A celebrated educator and raconteur, Murray engages with a variety of scholars and journalists while making insightful connections among music, literature, and other art forms—all with ample humor and from unforeseen angles.  Leading Murray scholar Paul Devlin contextualizes the essays and interviews in an extensive introduction, which doubles as a major commentary on Murray’s life and work. The volume also presents sixteen never-before-seen photographs of jazz greats taken by Murray.  No jazz collection will be complete without Murray Talks Music, which includes a foreword by Gary Giddins and an afterword by Greg Thomas.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50369942618385,"sku":"CIN0816699550G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52111094055185,"sku":"NGR9780816699551","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0816699550.jpg?v=1764842547"},{"product_id":"stomping-the-blues-book-albert-murray-9781517903923","title":"Stomping the Blues","description":"In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that \"the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.\"  In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. 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Scooter's education in books, music, and the blue-steel bent-note blues-ballad realities of American life continues in \u003cb\u003eThe Spyglass Tree\u003c\/b\u003e (1991), Murray's Portrait of the Artist as a Tuskegee Undergraduate. \u003cb\u003eThe Seven League Boots\u003c\/b\u003e (1996) follows Scooter as he becomes a bass player in a touring band not unlike Duke Ellington's, and \u003cb\u003eThe Magic Keys\u003c\/b\u003e (2005), in which Scooter at last finds his true vocation as a writer in Greenwich Village, is an elegaic reverie on an artist's life. Editors Henry Louis Gates Jr. and Paul Devlin round out the volume with a selection of Murray's remarkable poems, including 11 unpublished pieces from his notebooks, and two rare examples of his work as a short story writer. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eLIBRARY OF AMERICA\u003c\/b\u003e is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. 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