{"title":"Alicia Foster","description":"\u003cp\u003eDelve into Alicia Foster's captivating works, exploring art history, biography, and fiction with a unique perspective. Perfect for readers seeking insightful narratives and a fresh take on familiar subjects. Browse her collection now.\u003c\/p\u003e","products":[{"product_id":"tate-women-artists-book-alicia-foster-9781854373113","title":"Tate Women Artists","description":"This volume is a celebration of the 200 women artists in the Tate Collection. In a series of individual entries, the book takes the reader from the 17th century, when few professional opportunities were open to women artists, to the 21st century. Topics discussed include the changing position of women artists and major developments throughout the period, as well as critical thought on women artists and their interpretation and reception. 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Buckinghamshire, 1942: in a gothic villa deep in woods near Bletchley Park, artist Vivienne Thayer paints 'Black' propaganda to demoralise the enemy. Despite government restrictions, she enjoys her work - and finds time for a lover as well as her indulgent husband - but where do acts of subterfuge end?  Meanwhile, in London, three women painters - Laura Knight, Faith Farr and Cecily Browne - record wartime life. Instructed by the men in power, even Churchill himself, they must conjure up the bulldog spirit.   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England, 1942: a dark world of conflict, hardship and subterfuge where information is a matter of life and death and art has become a weapon. In a gothic villa deep in the woods near Bletchley Park, the 'Black' propaganda team use intelligence to make propaganda designed to demoralise the enemy. For Vivienne Thayer, employed as an artist at the villa, the war has worked out well so far, she has an indulgent husband and a new lover. And while the government quibbles over what cannot be shown officially, at the villa there are no such restrictions - but where does the subterfuge end? Meanwhile, on the Home Front, three women painters - Laura Knight, Faith Farr and Cecily Browne - have been tasked by the War Artist's Advisory Committee with recording wartime life, brightening the existence of a public starved of culture, and summoning up the bulldog spirit in their art. Together they must battle with the men in power, including Churchill himself, to control the stories that can be told. As the course of the war turns and the lives of both groups collide, each woman must ask herself what can be revealed and what must be concealed, even from those closest to them. \"In a plot full of twists, turns, double crossing and espionage, this whip-smart thriller, loosely based on real events, has great characters, authentic detail, poignancy and black comedy\". (Sunday Mirror). \"Fascinating ...weaving together real-life events and fiction, Warpaint is an intriguing examination of the demands made on personal and artistic lives by the extreme circumstances that exist in wartime conditions\". (Metro). Alicia Foster grew up in Yorkshire and lives in Kent. She has a PhD in Art History and when she's not writing herself, she teaches art students. 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One of the most significant British artists of the twentieth century, Gwen John (1867-1939) made her life and work within the heady art worlds of London and Paris.    This critical biography demolishes the myth of Gwen John as a recluse and situates her, brilliant, singular and assured, amid a rich cultural milieu that included James McNeill Whistler, Henri Matisse, Pablo Picasso, Paula Modersohn-Becker and Maude Gonne. Art historian, curator and novelist Alicia Foster draws on previously unpublished archival sources to explore John’s many relationships with artists and writers, including her affair with Auguste Rodin, passionate friendships with Jeanne Robert Foster and Véra Oumançoff, and correspondence with, among others, the poet Rainer Maria Rilke and her Slade compatriot and fellow painter Ursula Tyrwhitt. 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