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The publication traces the relationships among all five of these artists by mapping their intersections and examining the depth of their artistic exchanges.  At the heart of the publication is an anthology of key texts from selected interviews, magazine articles, and book excerpts, by scholars, critics, and the artists themselves, that together narrate the younger generation's first connections to Duchamp and his work, which would profoundly redefine his legacy as well as the entire field of contemporary art. A new text by Calvin Tomkins provides an insightful first-person account of his encounters with these artists at a key moment in the 1960s. The book also includes the first extensive chronology that recounts the lives, art, and common projects of this influential group of artists.    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The publication traces the relationships among all five of these artists by mapping their intersections and examining the depth of their artistic exchanges. \u003c\/p\u003e\u003cp\u003eAt the heart of the publication is an anthology of key texts from selected interviews, magazine articles, and book excerpts, by scholars, critics, and the artists themselves, that together narrate the younger generation's first connections to Duchamp and his work, which would profoundly redefine his legacy as well as the entire field of contemporary art. A new text by Calvin Tomkins provides an insightful first-person account of his encounters with these artists at a key moment in the 1960s. 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Inspired as much by poetry and philosophy as by the affecting material qualities of sculpture, Salcedo subtly and painstakingly transforms everyday household objects and garments - symbols of a vanished existence and of the human tragedies that are its cause. In Atrabiliaros (1991-6) abandoned shoes of 'disappeared' Colombian people, half-concealed behind membranes of animal fibre, become ghost-like symbols of mourning. In Salcedo's ongoing untitled works, wooden furnishings, worn by long use and filled with concrete, mutely evoke the lives they once served.   American art critic Nancy Princenthal surveys Salcedo's work in terms of the universal themes it evokes, contextualized in discussion of contemporary scultural practice. New York-based poet and curator Carlos Basualdo discusses with the artist her formative influences, which range from the art of precedecessors such as Joseph Beuys to the writings of philosophers and poets. 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Firsthand accounts of the artist at work complement the essays. Images of the canvases and related drawings and sculptures are joined by previously unpublished photographs showing Fifty Days at Iliam in the artist's studio at the time of their completion.     Distributed for the Philadelphia Museum of Art","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51404474679569,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51404474941713,"sku":"CIN0300233124G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300233124.jpg?v=1750876571"}],"url":"https:\/\/www.worldofbooks.com\/en-ie\/collections\/author-books-by-carlos-basualdo.oembed","provider":"World of Books ","version":"1.0","type":"link"}