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Leopold Bloom, the half-Jewish Irishman who is the hero of James Joyce's Ulysses, teaches the young Stephen Dedalus (modelled on Joyce himself) how he can grow and mature as an artist and an adult human being. Bloom has learned to live with contradictions, with anxiety and sexual jealousy, and with the rudeness and racism of the people he encounters in the city streets, and in his apparently banal way sees deeper than any of them. He embodies an intensely ordinary kind of wisdom, Kiberd argues, and in this way offers us a model for living well, in the tradition of the literature upon which Joyce drew in writing Ulysses, such as Homer, Dante and the Bible.    'Declan Kiberd's brilliantly informed and highly entertaining advocacy liberates Joyce's greatest book from the dungeon of unreadable masterpieces.' 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Extending from the Irish poets who confronted modernity as a cataclysm, and who responded by using traditional forms in novel and radical ways, to the great modern practitioners of such paradoxically conservative and revolutionary writing, Kiberd's work embraces three sorts of Irish classics: those of awesome beauty and internal rigor, such as works by the Gaelic bards, Yeats, Synge, Beckett, and Joyce; those that generate a myth so powerful as to obscure the individual writer and unleash an almost superhuman force, such as the Cuchulain story, the lament for Art O'Laoghaire, and even Dracula; and those whose power exerts a palpable influence on the course of human action, such as Swift's Drapier's Letters, the speeches of Edmund Burke, or the autobiography of Wolfe Tone. The book closes with a moving and daring coda on the Anglo-Irish agreement, claiming that the seeds of such a settlement were sown in the works of Irish literature.  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Nuala Ní Dhomhnaill and Eavan Boland grappled with institutional corruption and the end of traditional Catholicism. These themes, though bleak, led to audacious experimentation, exemplified in the plays of Brian Friel and Tom Murphy and the novels of John Banville. Their achievements embody the defiance and resourcefulness of Ireland’s founding spirit—and a strange kind of hope.  After Ireland places these writers and others at the center of Ireland’s ongoing fight for independence. 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