{"title":"Laura U Marks","description":"\u003cp\u003eDelve into the captivating world of Laura U. Marks, where media archaeology meets sensory experiences. Explore her insightful works on haptic visuality, experimental film, and the textures of technology and memory.\u003c\/p\u003e","products":[{"product_id":"skin-of-the-film-book-laura-u-marks-9780822323914","title":"The Skin of the Film","description":"How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? 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A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In \u003ci\u003eEnfoldment and Infinity\u003c\/i\u003e, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the Islamic quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, nonorganic life in carpets and algorithms, and other shared concepts and images. 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These critical, theoretical, and personal essays serve as a guide to developments in nonmainstream media art during the past ten years-sexual representation debates, documentary ethics, the shift from analog to digital media, a new social obsession with smell. Marks takes up well-known artists like experimental filmmaker Ken Jacobs and mysterious animators the Brothers Quay, and introduces groundbreaking, lesser-known film, video, and digital artists.     From this emerges a materialist theory-an embodied, erotic relationship to art and to the world. Marks’s approach leads to an appreciation of the works’ mortal bodies: film’s volatile emulsion, video’s fragile magnetic base, crash-prone Net art; it also offers a productive alternative to the popular understanding of digital media as \"virtual\" and immaterial. Weaving a continuous fabric from philosophy, fiction, science, dreams, and intimate experience, Touch opens a new world of art media to readers.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50114889941265,"sku":"GOR007729527","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50686344233233,"sku":"GOR012833098","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51601020027153,"sku":"CIN0816638896G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0816638896.jpg?v=1764928629"},{"product_id":"enfoldment-and-infinity-book-laura-u-marks-9780262537360","title":"Enfoldment and Infinity","description":"\u003cp\u003e\u003cb\u003eTracing the connections--both visual and philosophical--between new media art and classical Islamic art.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIn both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. 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Drawing on the theories of Leibniz, Glissant, Deleuze, and theoretical physicist David Bohm-who each conceive of the universe as being folded in on itself in myriad ways-Marks contends that the folds of the cosmos are entirely constituted of living beings. From humans to sandwiches to software to stars, every entity is alive and occupies its own private enclosure inside the cosmos. Through analyses of fiction, documentary and experimental movies, interactive media, and everyday situations, Marks outlines embodied methods for detecting and augmenting the connections between each living entity and the cosmos. She shows that by affectively mediating with the ever-shifting folded relations within the cosmos, it is possible to build “soul-assemblages” that challenge information capitalism, colonialism, and other power structures and develop new connections with the infinite. 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