{"title":"Nancy Ireson","description":null,"products":[{"product_id":"modigliani-book-nancy-ireson-9781849765251","title":"Modigliani","description":"Amedeo Modigliani (1884-1920) produced some of the most memorable images of the early twentieth century. Through experimentation and innovation, he developed an instantly recognisable style, responding to people and places in new and exciting ways. This beautiful catalogue, produced to accompany a major retrospective exhibition at Tate Modern, is the most comprehensive survey on the artist to date, covering key chapters in Modigliani's brief yet intense career. Bringing together the artist's paintings, sculptures and drawings in over one hundred colour illustrations, this book connects Modigliani's art with his life in Paris and to the time he spent in the South of France during the First World War. It examines his relationship to a close circle of friends and associates, including the poets, art dealers, writers and musicians who often posed for his portraits. Linking Modigliani to the wider visual culture of the period, including the burgeoning film industry, it also explores the appearance of women in his paintings: who they were, how they lived and the multitude of ways in which their world was evolving. The artist's celebrated nudes, at the time considered explicit and controversial, together with many of his iconic, elongated portraits, are represented in dialogue with lesser-known works from across his career, conveying the breadth of his formal development. 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Different accounts of his life and art make him out to be either the starting point for modernism on the one hand or a naive, 'primitive' artist, cut off from the developments around him, on the other. What was it about his paintings that fascinated contemporaries like Picasso and the Surrealists? And what was it about his personality and social status that meant he never became part of the avant-garde? This carefully researched yet highly readable book will attempt to reveal the truth behind the myths that have grown up around Rousseau. Richly illustrated throughout with full colour reproductions of the paintings and contemporary photographs, it provides an ideal introduction to this most intriguing of artists. The author shows that while Rousseau was deeply rooted in his petit-bourgeois background, he did engage with the modern world, portraying the Eiffel Tower, flying machines and the changing face of the city. 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Linking Modigliani to the wider visual culture of the period, including the burgeoning film industry, it also explores the appearance of women in his paintings: who they were, how they lived and the multitude of ways in which their world was evolving. The artist's celebrated nudes, at the time considered explicit and controversial, together with many of his iconic, elongated portraits, are represented in dialogue with lesser-known works from across his career, conveying the breadth of his formal development. 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The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivalled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cezanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cezanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. 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Amedeo Modigliani (1884-1920) is one of the most important artists of the early twentieth century. This ambitious volume includes 150 works from throughout Modigliani's tragically brief yet formative career, from the artist's celebrated erotic nudes and iconic, elongated figures to his lesser-known treasures. Accompanying one of the largest exhibitions of Modigliani's paintings, sculptures, and drawings ever shown in Europe, this comprehensive catalogue contextualizes the modernist master alongside works by his peers, such as C zanne, Brancusi, and Picasso.\u003cbr\u003e Born in Livorno, Italy, and working in Paris from 1906, Modigliani was underappreciated in his lifetime but has come to be regarded as one of the most influential figures of early modernism. 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Despite the popularity and success Valadon enjoyed in her lifetime, her work has been neglected since her death. Suzanne Valadon: Model, Painter, Rebel reconsiders the life and legacy of the revolutionary artist.     From a childhood marked by poverty and neglect, Suzanne Valadon defied the odds to become a successful painter of the Parisian avant-garde. Passionate about art from an early age, she became a popular artist’s model at fifteen, posing for Pierre Puvis de Chavannes, Auguste Renoir, and Henri Toulouse-Lautrec, among many others. Edgar Degas encouraged her earliest artistic efforts, praising the use of line in her drawings and introducing her to printmaking techniques.     Valadon was the first self-taught woman artist to exhibit at the salon of the Société Nationale des Beaux-Arts. Later, when she turned to painting, she showed regularly at the Salon des Indépendants and the Salon d’Automne. She made a living from her art at a time when it when women faced countless obstacles to professional success. Despite these accomplishments, her work has received scant attention outside of France. The Barnes Foundation is the fi rst US institution to dedicate an exhibition to Valadon, introducing American audiences to her work and story.     With her art and lifestyle alike, Valadon challenged behavioral codes. She cared little for convention, and in middle age left her marriage in favor of a relationship with the artist André Utter, more than twenty years her junior. While she broke new ground with her portraits and nudes, her reception was often overshadowed by criticism of her personal life, and her fame as an artist was eclipsed by that of her son, Maurice Utrillo. This catalogue looks beyond the gossip and scandals to focus on the unique role Valadon played within the Parisian art world.     Seen in the twenty-fi rst century, Valadon’s confrontational and witty works still challenge viewers with their unapologetic presentations of women’s bodies, female desire, and the conflicts of marriage and motherhood. Always faithful to figurative representation, she refused to follow artistic trends, developing a distinctive pictorial language characterized by decisive lines and bold coloration.     This fully illustrated exhibition catalogue explores the new ways of looking presented in the exhibition. Contributions by Nancy Ireson, Martha Lucy, Denise Murrell, Adrienne L. Childs, and Lauren Jimerson tackle the artist’s treatment of the female figure, her navigation of the art world, and her depictions of an as-yet-unidentified Black model. 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